2 Mary Stuart

Peter Oswald was born in England in 1965. His original plays include the verse plays 'Allbright' and 'Valadonama', and 'Fair Ladies At A Game Of Poem Cards', 'Augustine's Oak', 'Ramayana', and 'Sha Kuntala'. He has also adapted plays by Sophocles and Lorca. Johann Christoph Friedrich von Schiller (1759-1805) ranks as one of the greatest figures in European drama and literature. That Verdi based four of his operas on Schiller's plays is not surprising (I masnadieri, Giovanna d'Arco, Luisa Miller, Don Carlos). Both men were deeply preoccupied with the battle for political freedon, projecting the moral victory of the doomed individual over the power of the immutable State as potent historical drama. Schiller's nobility of theatrical concept perfectly suited the energy and majesty of Verdi's scores. Yet in the English-speaking world Schiller's works are comparatively little known to theatregoers. The dedication of the renowned Glasgow-based Citizens' Company and the inspired decision to present the plays alongside Verdi's operas at the Edinburgh International Festival have gone a long way to remedy this neglect. The fifth play included in this edition was the source fro the opera by Donizetti (Maria Stuarda). Also translated for the Citizens' Company by Robert David MacDonald, Schiller's 'Mary Stuart' is acknowledged masterpiece.

Aeschylus’ Oresteia might be the cornerstone of Western drama, but it’s not an easy ask. However, in adaptor/director Robert Icke’s outstanding modern updating, which achieves the hurtling momentum of the best box-sets, it’s slickly compelling viewing…suffice to say there’s a firm sense…of a man in full and joyous command of his complex material… This is Greek drama humanised and modernised and it’s a tremendous acheivement.