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    1. Kultur
    2. Scenkonst och film
    3. Film

    Korean Cinema Book

    AvNikki Lee,Julian Stringer

    Inbunden, Engelska, 2027

    1 567 kr

    Kommande

    Beskrivning

    The Korean Cinema Book provides a new and authoritative overview of one of the world’s most dynamic and celebrated filmmaking regions. From the period of Japanese colonial rule in the early twentieth century to the unprecedented success of Bong Joon-Ho's Parasite, which won Best Film at the 2020 Academy Awards, it covers one hundred years of industry change and transformation across the peninsula. The chapters approach the subject from multiple and innovative scholarly perspectives. They encompass key areas of activity such as film policy, regulation, technology, and exhibition; genres such as melodrama, comedy and the blockbuster; North Korean cinema; and contemporary developments in the transnational production, circulation and reception of globalized South Korean movies. Many of the topics have never been discussed before in English-language scholarship, making this unique publication essential reading for anyone seeking to develop their understanding of Korea’s vital cinematic traditions. At a time when Korean films continue to capture the hearts and minds of audiences around the world, The Korean Cinema Book offers fresh perspectives on the full breadth of Korean cinema history.

    Produktinformation

    • Utgivningsdatum:2027-03-18
    • Mått:189 x 246 x 25 mm
    • Vikt:454 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:352
    • Förlag:Bloomsbury Publishing PLC
    • ISBN:9781844574261

    Utforska kategorier

    • Film inom Kultur

    Mer om författaren

    NIKKI J. Y. LEE is Lecturer in Culture and Gender Studies at Yonsei University, Seoul, South Korea. Her article 'Salute to Mr Vengeance: The Making of a Transnational Auteur Park Chan-Wook' appears in East Asian Cinemas: Exploring Transnational Connections on Film (I.B. Tauris, 2008) and she is the author of Branding East Asian Cinema: Orientalism and Auteurism (2011).JULIAN STRINGER is Associate Professor in Film and Television Studies at the University of Nottingham, UK, and co-editor of Scope: An Online Journal of Film and Television Studies. He is editor of Movie Blockbusters (2003), co-editor (with Chi-Yun Shin) of New Korean Cinema (2005) and co-editor (with Alastair Phillips) of Japanese Cinema: Texts and Contexts (2007).

    Innehållsförteckning

    • List of IllustrationsNotes on ContributorsIntroductionNikki J. Y. Lee and Julian StringerPART I: HISTORICAL TRAJECTORIES1. Film Policy and CensorshipDarcy Paquet2. The History of Korean Film Technology: From Colonial Joseon Cinema to Banghwa of the 1980sChonghwa Chung3. Mass Production System and Film Exhibition Sector: Power Dynamics Within the Korean Film Industry in the 1960s and 1970sJunhyung Cho4. Film Stars and Performance: Historicizing Cross-Cultural EngagementChung-kang Kim5. Exploring Contemporary Korean Cinema SoundscapesJulian Stringer PART 2: COLONIAL CINEMA6. Film Audiences without Movie Theaters: Early Korean Film Culture, 1897-1919Dong Hoon Kim7. Invaded Homeland: Colonialism, Early Cinema and Film TechnologyMoonim Baek8. Urban Life of Colonial Joseon and Turning Point of the Youngsters (1934)Minah JeongPART 3: POST-WAR GENRES9. Bitter But Once Again: On Sinpa and Melodrama as Modern Korean Cinematic and Cultural ModesEunson Cho10. State, Family and Laughter: Comedy Movies from the Late 1950s to the 1970sGwan-gyu Moon11. A Mode of Articulation Between the Public and the Private Realms in Women’s Movies of the 1970sHye-Jin Hwang12. South Korean Political DocumentariesEunkwang Huh13. The Evolution of Korean BlockbustersNikki J.Y. Lee and Julian Stringer PART 4: NORTH KOREAN CINEMA14. Making of a Cinema State: A Study on Socialist Film Aesthetics with a Focus on ‘On the Art of the Cinema’Sunah Kim15. A Study on Femininity in Juche FilmsMyung Ja Lee16. The Other Side of the Same Coin: The Pyongyang International Film FestivalDerek ElleyPART 5: CONTEMPORARY TRANSNATIONAL FILM CULTURES17. You Mean CJ Doesn’t Stand for Cinema Justice?Kyung Hyun Kim18. What Price Glory?: Transnational Cannon Formations and the Double Encoding of Korean Art CinemaHye Seung Chung19. Branding Korean Cinema: Orientalism, Asia Extreme, and the Circulation of South Korean Films in the UKDaniel Martin 20. ‘At Stake Is Nothing Less Than My Body!’: The Border-Crossing Body in Traffickers and Stateless ThingsJuyeon Bae21. Mapping Sinicization and Corporatization in Sino-Korean Screen Collaborations: Mr. Go (2013), Dexter Studios, and the Power of LeverageNikki J.Y. Lee and Julian StringerSelect BibliographyIndex