S. S. Prawer (1925-2012) was a Fellow of The Queen's College, Oxford, the British Academy, and the German Academy of Language and Literature.

"The book serves two essential purposes. First, it clearly establishes the massive contributions Jews made to the establishment of film as an art during the formative years of the motion picture, bringing needed recognition to Jewish producers, directors, composers, and writers. ... Second, it interrogates the concept of the Jewish 'presence."  ·  Austrian History Yearbook"Prawer’s impressively comprehensive book aims to show ‘some of the ways in which Jews participated in the manifold work needed to create a film…—in harmony with non-Jewish colleagues amid a spattering of voices raised to discriminate between them’. He successfully achieves his goal, while providing an excellent overview of popular genres of this period…In around 200 pages, Prawer accomplishes a great deal. The strengths of this volume include its in-depth socio-historical background information on a great number of films, astute inter-filmic connections, and even some technical analysis...scholars in the field should consider Between Two Worlds a definitive resource on this topic."   ·  Shofar“Prawer makes a persuasive case that the corpus of Jewish characters, Jewish themes, Jewish motifs, and Jewish professionals in German film did constitute something unique. This Jewish presence represented a range of experience never before available for the German-speaking public’s consumption.”  ·  Austrian History Yearbook“…[this] impressively comprehensive book…accomplishes a great deal. The strengths of this volume include its in-depth socio-historical background information on a great number of films, astute inter-filmic connections, and even some technical analysis… scholars in the field should consider Between Two Worlds a definitive resource on this topic.”  ·  Shofar“Prawer’s study is a pleasure to read…In addition there is a very full bibliography which, together with an index of Jewish artists and administrators working in the German and Austrian film industry up to 1933, film historians will find indispensable.”  ·  MLA“[The book’s] well documented argument complements nicely those of historians writing more broadly on German-speaking Jews, and scholars and graduate students in that field would do well to familiarize themselves with Prawer’s impressive study.”  ·  German Studies Review

• PrefaceAcknowledgementsChapter 1. Preparing the GroundChapter 2. Dramas and Melodramas of the ‘Silent’ PeriodChapter 3. Comedies of the ‘Silent’ PeriodChapter 4. ‘Enlightenment’ Films (Sittenfilme)Chapter 5. 1929: A Year of TransitionChapter 6. Ironic RealismChapter 7. Late ComediesChapter 8. Confrontations and EnmitiesChapter 9. A New Film MusicalEpilogueAppendixBibliographyIndex

S. S. Prawer (1925-2012) was a Fellow of The Queen's College, Oxford, the British Academy, and the German Academy of Language and Literature.

"The book serves two essential purposes. First, it clearly establishes the massive contributions Jews made to the establishment of film as an art during the formative years of the motion picture, bringing needed recognition to Jewish producers, directors, composers, and writers. ... Second, it interrogates the concept of the Jewish 'presence."  ·  Austrian History Yearbook"Prawer’s impressively comprehensive book aims to show ‘some of the ways in which Jews participated in the manifold work needed to create a film…—in harmony with non-Jewish colleagues amid a spattering of voices raised to discriminate between them’. He successfully achieves his goal, while providing an excellent overview of popular genres of this period…In around 200 pages, Prawer accomplishes a great deal. The strengths of this volume include its in-depth socio-historical background information on a great number of films, astute inter-filmic connections, and even some technical analysis...scholars in the field should consider Between Two Worlds a definitive resource on this topic."   ·  Shofar“Prawer makes a persuasive case that the corpus of Jewish characters, Jewish themes, Jewish motifs, and Jewish professionals in German film did constitute something unique. This Jewish presence represented a range of experience never before available for the German-speaking public’s consumption.”  ·  Austrian History Yearbook“…[this] impressively comprehensive book…accomplishes a great deal. The strengths of this volume include its in-depth socio-historical background information on a great number of films, astute inter-filmic connections, and even some technical analysis… scholars in the field should consider Between Two Worlds a definitive resource on this topic.”  ·  Shofar“Prawer’s study is a pleasure to read…In addition there is a very full bibliography which, together with an index of Jewish artists and administrators working in the German and Austrian film industry up to 1933, film historians will find indispensable.”  ·  MLA“[The book’s] well documented argument complements nicely those of historians writing more broadly on German-speaking Jews, and scholars and graduate students in that field would do well to familiarize themselves with Prawer’s impressive study.”  ·  German Studies Review

• PrefaceAcknowledgementsChapter 1. Preparing the GroundChapter 2. Dramas and Melodramas of the ‘Silent’ PeriodChapter 3. Comedies of the ‘Silent’ PeriodChapter 4. ‘Enlightenment’ Films (Sittenfilme)Chapter 5. 1929: A Year of TransitionChapter 6. Ironic RealismChapter 7. Late ComediesChapter 8. Confrontations and EnmitiesChapter 9. A New Film MusicalEpilogueAppendixBibliographyIndex

S. S. Prawer (1925-2012) was a Fellow of The Queen's College, Oxford, the British Academy, and the German Academy of Language and Literature.

"The book serves two essential purposes. First, it clearly establishes the massive contributions Jews made to the establishment of film as an art during the formative years of the motion picture, bringing needed recognition to Jewish producers, directors, composers, and writers. ... Second, it interrogates the concept of the Jewish 'presence."  ·  Austrian History Yearbook"Prawer’s impressively comprehensive book aims to show ‘some of the ways in which Jews participated in the manifold work needed to create a film…—in harmony with non-Jewish colleagues amid a spattering of voices raised to discriminate between them’. He successfully achieves his goal, while providing an excellent overview of popular genres of this period…In around 200 pages, Prawer accomplishes a great deal. The strengths of this volume include its in-depth socio-historical background information on a great number of films, astute inter-filmic connections, and even some technical analysis...scholars in the field should consider Between Two Worlds a definitive resource on this topic."   ·  Shofar“Prawer makes a persuasive case that the corpus of Jewish characters, Jewish themes, Jewish motifs, and Jewish professionals in German film did constitute something unique. This Jewish presence represented a range of experience never before available for the German-speaking public’s consumption.”  ·  Austrian History Yearbook“…[this] impressively comprehensive book…accomplishes a great deal. The strengths of this volume include its in-depth socio-historical background information on a great number of films, astute inter-filmic connections, and even some technical analysis… scholars in the field should consider Between Two Worlds a definitive resource on this topic.”  ·  Shofar“Prawer’s study is a pleasure to read…In addition there is a very full bibliography which, together with an index of Jewish artists and administrators working in the German and Austrian film industry up to 1933, film historians will find indispensable.”  ·  MLA“[The book’s] well documented argument complements nicely those of historians writing more broadly on German-speaking Jews, and scholars and graduate students in that field would do well to familiarize themselves with Prawer’s impressive study.”  ·  German Studies Review

• PrefaceAcknowledgementsChapter 1. Preparing the GroundChapter 2. Dramas and Melodramas of the ‘Silent’ PeriodChapter 3. Comedies of the ‘Silent’ PeriodChapter 4. ‘Enlightenment’ Films (Sittenfilme)Chapter 5. 1929: A Year of TransitionChapter 6. Ironic RealismChapter 7. Late ComediesChapter 8. Confrontations and EnmitiesChapter 9. A New Film MusicalEpilogueAppendixBibliographyIndex