Monica Bohm-Duchen is an independent, London-based art historian, curator andwriter. She is the author of numerous books, catalogues and articles, includingArt and the Second World War (LundHumphries 2013), The Art and Life ofJosef Herman (Lund Humphries 2009), Rubiesand Rebels: Jewish Female Identity in Contemporary British Art (LundHumphries 1996 - contributing editor) and AfterAuschwitz: Responses to the Holocaust in Contemporary Art (Lund Humphries 1995- contributing editor).

"The volume is an essential contribution to understanding the enrichment these refugees – whether passing through or settling – brought to Britain as their influence and legacy continues to reverberate in the twenty-first century." – Marina Vaizey, The Burlington Magazine

• Foreword by NormanRosenthal; Introduction by Daniel Snowman; Part 1: Émigré Contributions to the Visual Arts; Part 2: ArtEducation and Scholarship; Part 3: Publishers, Dealers and Collectors; Part 4:Places of Internment, Creativity and Sanctuary; Part 5: Key Supporters; Part 6:Patriotism and Group Identities; Reference: Chronology of Key Events 1933–1951; Notes; SelectBibliography; Contributors’ Biographies; Index; Image Credits; Acknowledgements

Monica Bohm-Duchen is an independent, London-based art historian, curator andwriter. She is the author of numerous books, catalogues and articles, includingArt and the Second World War (LundHumphries 2013), The Art and Life ofJosef Herman (Lund Humphries 2009), Rubiesand Rebels: Jewish Female Identity in Contemporary British Art (LundHumphries 1996 - contributing editor) and AfterAuschwitz: Responses to the Holocaust in Contemporary Art (Lund Humphries 1995- contributing editor).

"The volume is an essential contribution to understanding the enrichment these refugees – whether passing through or settling – brought to Britain as their influence and legacy continues to reverberate in the twenty-first century." – Marina Vaizey, The Burlington Magazine

• Foreword by NormanRosenthal; Introduction by Daniel Snowman; Part 1: Émigré Contributions to the Visual Arts; Part 2: ArtEducation and Scholarship; Part 3: Publishers, Dealers and Collectors; Part 4:Places of Internment, Creativity and Sanctuary; Part 5: Key Supporters; Part 6:Patriotism and Group Identities; Reference: Chronology of Key Events 1933–1951; Notes; SelectBibliography; Contributors’ Biographies; Index; Image Credits; Acknowledgements