Andrew Ladis was Franklin Professor of Art History at the University of Georgia. He has written extensively on Italian art. In addition to books on Taddeo Gaddi and on the Brancacci Chapel, he made notable contributions to the study of early Italian painting and sculpture with essays on such figures as Giovanni Pisano, Giotto, Jacopo del Casentino, Ambrogio Lorenzetti, and Niccolò di Tommaso.

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• Preface Giovanni Pisano: Unfinished Business in Siena The Velluti Chapel An Early Fourteenth-century Triptych in Memphis and Florentine Painting in the Glow of Duccio The Legend of Giotto's Wit and the Arena Chapel An Old Picture in Florence Immortal Queen and Mortal Bride: The Marian Imagery of Ambrogio Lorenzetti's Cycle at Montesiepi A High Altarpiece for San Giovanni Fuorcivitas in Pistoia and Hypotheses about Niccolò di Tommaso Antonio Veneziano and the Representation of Emotions An Order for Drawings after Agnolo Gaddi's True Cross Cycle in Florence The Reflective Memory of a Late Trecento Painter: Speculations on the Origin and Development of the Master of San Martino Mensola The Death of Giovanni d'Ambrogio Salvation and Vision in the Brancacci Chapel 'Two Nude Figures by Masaccio' and the Importance of Being Earnest Sources and Resources: The Lost Sketchbooks of Giovanni di Paolo The Music of Devotion: Image, Voice and the Imagination in a Madonna of Humility by Domenico di Bartolo Benvenuto di Giovanni at Sixteen Perugino and the Wages of Fortune Ornatissimi Vasi: Italian Maiolica and the Renaissance Richard Offner: the Unmaking of a Connoisseur Book Reviews Additional Notes Index

Andrew Ladis was Franklin Professor of Art History at the University of Georgia. He has written extensively on Italian art. In addition to books on Taddeo Gaddi and on the Brancacci Chapel, he made notable contributions to the study of early Italian painting and sculpture with essays on such figures as Giovanni Pisano, Giotto, Jacopo del Casentino, Ambrogio Lorenzetti, and Niccolò di Tommaso.

Select Guide Rating

• Preface Giovanni Pisano: Unfinished Business in Siena The Velluti Chapel An Early Fourteenth-century Triptych in Memphis and Florentine Painting in the Glow of Duccio The Legend of Giotto's Wit and the Arena Chapel An Old Picture in Florence Immortal Queen and Mortal Bride: The Marian Imagery of Ambrogio Lorenzetti's Cycle at Montesiepi A High Altarpiece for San Giovanni Fuorcivitas in Pistoia and Hypotheses about Niccolò di Tommaso Antonio Veneziano and the Representation of Emotions An Order for Drawings after Agnolo Gaddi's True Cross Cycle in Florence The Reflective Memory of a Late Trecento Painter: Speculations on the Origin and Development of the Master of San Martino Mensola The Death of Giovanni d'Ambrogio Salvation and Vision in the Brancacci Chapel 'Two Nude Figures by Masaccio' and the Importance of Being Earnest Sources and Resources: The Lost Sketchbooks of Giovanni di Paolo The Music of Devotion: Image, Voice and the Imagination in a Madonna of Humility by Domenico di Bartolo Benvenuto di Giovanni at Sixteen Perugino and the Wages of Fortune Ornatissimi Vasi: Italian Maiolica and the Renaissance Richard Offner: the Unmaking of a Connoisseur Book Reviews Additional Notes Index

Andrew Ladis was Franklin Professor of Art History at the University of Georgia. He has written extensively on Italian art. In addition to books on Taddeo Gaddi and on the Brancacci Chapel, he made notable contributions to the study of early Italian painting and sculpture with essays on such figures as Giovanni Pisano, Giotto, Jacopo del Casentino, Ambrogio Lorenzetti, and Niccolò di Tommaso.

Select Guide Rating

• Preface Giovanni Pisano: Unfinished Business in Siena The Velluti Chapel An Early Fourteenth-century Triptych in Memphis and Florentine Painting in the Glow of Duccio The Legend of Giotto's Wit and the Arena Chapel An Old Picture in Florence Immortal Queen and Mortal Bride: The Marian Imagery of Ambrogio Lorenzetti's Cycle at Montesiepi A High Altarpiece for San Giovanni Fuorcivitas in Pistoia and Hypotheses about Niccolò di Tommaso Antonio Veneziano and the Representation of Emotions An Order for Drawings after Agnolo Gaddi's True Cross Cycle in Florence The Reflective Memory of a Late Trecento Painter: Speculations on the Origin and Development of the Master of San Martino Mensola The Death of Giovanni d'Ambrogio Salvation and Vision in the Brancacci Chapel 'Two Nude Figures by Masaccio' and the Importance of Being Earnest Sources and Resources: The Lost Sketchbooks of Giovanni di Paolo The Music of Devotion: Image, Voice and the Imagination in a Madonna of Humility by Domenico di Bartolo Benvenuto di Giovanni at Sixteen Perugino and the Wages of Fortune Ornatissimi Vasi: Italian Maiolica and the Renaissance Richard Offner: the Unmaking of a Connoisseur Book Reviews Additional Notes Index