Anna Reynolds has written over 20 plays including the award-winning Jordan, Red, Skin Hunger and Wild Things. Her work has been seen at Watford Palace (SoulPlay, Ring Road Tales), West Yorkshire Playhouse (Precious), Colchester Mercury (Blue Sky State), The Pleasance, Edinburgh (Stand By Your Van) and many other venues. She has written for opera, dance, theatre, screen, circus, short-story anthologies and numerous newspapers and magazines. She has won awards from Time Out magazine, the Writers' Guild, and she runs the UK's leading writing website WriteWords.Her opera Push! (Tete-a-Tete, 2006) was described by the Guardian as 'brilliant, celebratory, painful, tremendous'. She won the Yeovil prize for short fiction with her story 'The Bleeding Heart' in 2007.Anna has taught creative writing at a wide variety of venues including prisons, community centres, drama schools and universities. She is currently a reader for Cornerstones literary consultancy and for the Playwrights' Studio, Scotland.

"Brilliant play- the stories were amazing and so well acted. Thoroughly enjoyed it." - Audience feedback; "A sensitive, relevant, funny, empowering, moving and powerful piece of theatre." - Audience member; "I've never seen anything like it, I was gripped." - Audience member; "Great actors and singers, well-paced and inspiring stories." - Audience feedback. 'Filled with strong, witty women and told with humour and eccentricity, Nothing on Earth navigates history whilst considering the realities of care, of growing old and grief, and of the impact of global events beyond your control.' - Broadway World.

• Author BiographyPrefacePlaytextTeacher ResourcesGenesis of playCreating the Production

Anna Reynolds has written over 20 plays including the award-winning Jordan, Red, Skin Hunger and Wild Things. Her work has been seen at Watford Palace (SoulPlay, Ring Road Tales), West Yorkshire Playhouse (Precious), Colchester Mercury (Blue Sky State), The Pleasance, Edinburgh (Stand By Your Van) and many other venues. She has written for opera, dance, theatre, screen, circus, short-story anthologies and numerous newspapers and magazines. She has won awards from Time Out magazine, the Writers' Guild, and she runs the UK's leading writing website WriteWords.Her opera Push! (Tete-a-Tete, 2006) was described by the Guardian as 'brilliant, celebratory, painful, tremendous'. She won the Yeovil prize for short fiction with her story 'The Bleeding Heart' in 2007.Anna has taught creative writing at a wide variety of venues including prisons, community centres, drama schools and universities. She is currently a reader for Cornerstones literary consultancy and for the Playwrights' Studio, Scotland.

"Brilliant play- the stories were amazing and so well acted. Thoroughly enjoyed it." - Audience feedback; "A sensitive, relevant, funny, empowering, moving and powerful piece of theatre." - Audience member; "I've never seen anything like it, I was gripped." - Audience member; "Great actors and singers, well-paced and inspiring stories." - Audience feedback. 'Filled with strong, witty women and told with humour and eccentricity, Nothing on Earth navigates history whilst considering the realities of care, of growing old and grief, and of the impact of global events beyond your control.' - Broadway World.

• Author BiographyPrefacePlaytextTeacher ResourcesGenesis of playCreating the Production

Anna Reynolds has written over 20 plays including the award-winning Jordan, Red, Skin Hunger and Wild Things. Her work has been seen at Watford Palace (SoulPlay, Ring Road Tales), West Yorkshire Playhouse (Precious), Colchester Mercury (Blue Sky State), The Pleasance, Edinburgh (Stand By Your Van) and many other venues. She has written for opera, dance, theatre, screen, circus, short-story anthologies and numerous newspapers and magazines. She has won awards from Time Out magazine, the Writers' Guild, and she runs the UK's leading writing website WriteWords.Her opera Push! (Tete-a-Tete, 2006) was described by the Guardian as 'brilliant, celebratory, painful, tremendous'. She won the Yeovil prize for short fiction with her story 'The Bleeding Heart' in 2007.Anna has taught creative writing at a wide variety of venues including prisons, community centres, drama schools and universities. She is currently a reader for Cornerstones literary consultancy and for the Playwrights' Studio, Scotland.

"Brilliant play- the stories were amazing and so well acted. Thoroughly enjoyed it." - Audience feedback; "A sensitive, relevant, funny, empowering, moving and powerful piece of theatre." - Audience member; "I've never seen anything like it, I was gripped." - Audience member; "Great actors and singers, well-paced and inspiring stories." - Audience feedback. 'Filled with strong, witty women and told with humour and eccentricity, Nothing on Earth navigates history whilst considering the realities of care, of growing old and grief, and of the impact of global events beyond your control.' - Broadway World.

• Author BiographyPrefacePlaytextTeacher ResourcesGenesis of playCreating the Production