Bowie Odyssey 72

Häftad, Engelska, 2022

192 kr

Beställningsvara. Skickas inom 7-10 vardagar. Fri frakt över 249 kr.

Beskrivning

A new year for David Bowie means new clothes, new boots, new hair and a new name: Ziggy Stardust. To the gloomy blacked-out Britain of powercuts and three-day weeks he may as well be from outer space - if that's what it takes to make him famous, far be it from him to tell anyone he isn't. Bowie's success as the bisexual Starman soon rubs off on his new friends Mott The Hoople and his hero Lou Reed as 1972 becomes Annus Glamrockus. Music, fashion and the old codes of gender will never be the same again. But as his runaway fame quickly blurs all lines between fantasy and reality, neither will David.The third volume of the Bowie Odyssey series offers a wild and revelatory snapshot of the year of Ziggy as Simon Goddard continues his vivid real-time journey through the decade Bowie changed pop forever.

Produktinformation

Utgivningsdatum:2022-06-16
Mått:156 x 234 x 18 mm
Vikt:300 g
Format:Häftad
Språk:Engelska
Antal sidor:162
Förlag:Omnibus Press
ISBN:9781913172480

Utforska kategorier

Populärmusik inom Kultur
Tonsättare och låtskrivare inom Kultur
Biografi: konst och underhållning inom Biografier

Mer om författaren

Simon Goddard was born in Cardiff in 1971. He is the author of several books about pop music including the Bowie Odyssey series, a year-by-year chronicle of the life of David Bowie against the cultural and social history of the 1970s. The first, Bowie Odyssey 70, was a Sunday Times Book of the Year.

Recensioner i media

'A stonking good read' Mike Scott, The Waterboys'Deep dive into the year Bowie achieved glam lift-off. Goddard's narrative is immersive, novelistic as he gets as deep inside as he can of the Bowie experience of 1972' Classic Rock, 9/10'In which Ziggy touches down and Bowie takes off... The third instalment of Simon Goddard's wonderful Bowie Odyssey series' Record Collector, 4*'David Bowie was at the Big Bang of my music consciousness. Simon Goddard’s immersive yearly look at the world in which Bowie operated, have become a must read for me. I’m very much looking forward to 1972.' Tim Burgess