Owen Hatherley writes regularly on aesthetics and politics for, among others, the Architectural Review, the Calvert Journal, Dezeen, the Guardian, Jacobin, the London Review of Books and New Humanist. He is the author of several books, most recently Landscapes of Communism (Penguin 2015), The Ministry of Nostalgia (Verso, 2016) and The Chaplin Machine (Pluto, 2016), the last of which is based on a PhD thesis accepted by Birkbeck College in 2011.

"No one else writes so clearly yet with such elegiac intensity about the symbiosis that exists between history and the built environment, or the lives that are caught, mangled and realised in its midst."

Owen Hatherley writes regularly on aesthetics and politics for, among others, the Architectural Review, the Calvert Journal, Dezeen, the Guardian, Jacobin, the London Review of Books and New Humanist. He is the author of several books, most recently Landscapes of Communism (Penguin 2015), The Ministry of Nostalgia (Verso, 2016) and The Chaplin Machine (Pluto, 2016), the last of which is based on a PhD thesis accepted by Birkbeck College in 2011.

"No one else writes so clearly yet with such elegiac intensity about the symbiosis that exists between history and the built environment, or the lives that are caught, mangled and realised in its midst."

Owen Hatherley writes regularly on aesthetics and politics for, among others, the Architectural Review, the Calvert Journal, Dezeen, the Guardian, Jacobin, the London Review of Books and New Humanist. He is the author of several books, most recently Landscapes of Communism (Penguin 2015), The Ministry of Nostalgia (Verso, 2016) and The Chaplin Machine (Pluto, 2016), the last of which is based on a PhD thesis accepted by Birkbeck College in 2011.

"No one else writes so clearly yet with such elegiac intensity about the symbiosis that exists between history and the built environment, or the lives that are caught, mangled and realised in its midst."