James Bradley is a writer and critic. His books include the novels Wrack, The Deep Field, The Resurrectionist, Clade, and Ghost Species; a book of poetry, Paper Nautilus; and The Penguin Book of the Ocean. Alongside his books, James has an established career as an essayist and reviewer, whose work has appeared in publications including The Guardian, The Monthly, Sydney Review of Books, Times Literary Supplement, Meanjin, and Griffith Review. His fiction has won or been shortlisted for a wide range of Australian and international literary awards, and his nonfiction has been shortlisted twice for the Bragg Prize for Science Writing and nominated for a Walkley Award. In 2012, he won the Pascall Award for Australia’s Critic of the Year. He is currently an Honorary Associate at the Sydney Environment Centre at the University of Sydney.

‘Deep Water is a major achievement; a vast fathoming of the pasts, presents, and futures of the world’s oceans and seas. Bradley’s skills both as novelist and essayist converge here to create this wise, compassionate, and urgent book, characterised throughout by a clarity of prose and a bracing moral gaze that searches water, self, and reader.’

James Bradley is a writer and critic. His books include the novels Wrack, The Deep Field, The Resurrectionist, Clade, and Ghost Species; a book of poetry, Paper Nautilus; and The Penguin Book of the Ocean. Alongside his books, James has an established career as an essayist and reviewer, whose work has appeared in publications including The Guardian, The Monthly, Sydney Review of Books, Times Literary Supplement, Meanjin, and Griffith Review. His fiction has won or been shortlisted for a wide range of Australian and international literary awards, and his nonfiction has been shortlisted twice for the Bragg Prize for Science Writing and nominated for a Walkley Award. In 2012, he won the Pascall Award for Australia’s Critic of the Year. He is currently an Honorary Associate at the Sydney Environment Centre at the University of Sydney.

‘Deep Water is a major achievement; a vast fathoming of the pasts, presents, and futures of the world’s oceans and seas. Bradley’s skills both as novelist and essayist converge here to create this wise, compassionate, and urgent book, characterised throughout by a clarity of prose and a bracing moral gaze that searches water, self, and reader.’