The story of Helen Khal and the artists who altered the course of modern and contemporary art in the Middle East and beyond.

Helen Khal: Gallery One and Beirut in the 1960s is a reflective exhibition catalogue, part archive, as well as a living testament to the late Helen Khal (1923–2009). A polymath, artist, educator, and writer, Khal was also the cofounder of Gallery One, the first modern and contemporary art gallery in Lebanon, which opened its doors to the public in Beirut in 1963. 

This catalogue follows an exhibition initiated by Carla Chammas and curated by Chammas and Rachel Dedman as part of Home Works 8: A Forum on Cultural Practices, which opened its doors at the Sursock Museum, Beirut in October 2019. The exhibition, like the catalogue, detailed Helen’s life and practice as a catalytic lens through which to explore the work of a group of artists whom she was close to, in life and in art, including: Chafic Abboud, Yvette Achkar, Etel Adnan, Huguette Caland, Simone Fattal, Farid Haddad, Helen Khal, Saloua Raouda Choucair, Aref El Rayess, and Dorothy Salhab-Kazemi.

From here, the publication seeks to address the exhibition’s themes of love, sex, and motherhood, the relationship between visual art and the literary landscape of 1960s and 1970s Beirut, and the galleries and studios in which public collaborations and private kinships were forged. Taking an intimate approach to a fabled period, Helen Khal: Gallery One and Beirut in the 1960s unfolds a rich picture of the friendships, connections, modes of exchange, common concerns, and differing approaches of some of the best-known and least-remembered artists of the mid-twentieth century in Lebanon.

Copublished by artPost21

The story of Helen Khal and the artists who altered the course of modern and contemporary art in the Middle East and beyond.

Helen Khal: Gallery One and Beirut in the 1960s is a reflective exhibition catalogue, part archive, as well as a living testament to the late Helen Khal (1923–2009). A polymath, artist, educator, and writer, Khal was also the cofounder of Gallery One, the first modern and contemporary art gallery in Lebanon, which opened its doors to the public in Beirut in 1963. 

This catalogue follows an exhibition initiated by Carla Chammas and curated by Chammas and Rachel Dedman as part of Home Works 8: A Forum on Cultural Practices, which opened its doors at the Sursock Museum, Beirut in October 2019. The exhibition, like the catalogue, detailed Helen’s life and practice as a catalytic lens through which to explore the work of a group of artists whom she was close to, in life and in art, including: Chafic Abboud, Yvette Achkar, Etel Adnan, Huguette Caland, Simone Fattal, Farid Haddad, Helen Khal, Saloua Raouda Choucair, Aref El Rayess, and Dorothy Salhab-Kazemi.

From here, the publication seeks to address the exhibition’s themes of love, sex, and motherhood, the relationship between visual art and the literary landscape of 1960s and 1970s Beirut, and the galleries and studios in which public collaborations and private kinships were forged. Taking an intimate approach to a fabled period, Helen Khal: Gallery One and Beirut in the 1960s unfolds a rich picture of the friendships, connections, modes of exchange, common concerns, and differing approaches of some of the best-known and least-remembered artists of the mid-twentieth century in Lebanon.

Copublished by artPost21

The story of Helen Khal and the artists who altered the course of modern and contemporary art in the Middle East and beyond.

Helen Khal: Gallery One and Beirut in the 1960s is a reflective exhibition catalogue, part archive, as well as a living testament to the late Helen Khal (1923–2009). A polymath, artist, educator, and writer, Khal was also the cofounder of Gallery One, the first modern and contemporary art gallery in Lebanon, which opened its doors to the public in Beirut in 1963. 

This catalogue follows an exhibition initiated by Carla Chammas and curated by Chammas and Rachel Dedman as part of Home Works 8: A Forum on Cultural Practices, which opened its doors at the Sursock Museum, Beirut in October 2019. The exhibition, like the catalogue, detailed Helen’s life and practice as a catalytic lens through which to explore the work of a group of artists whom she was close to, in life and in art, including: Chafic Abboud, Yvette Achkar, Etel Adnan, Huguette Caland, Simone Fattal, Farid Haddad, Helen Khal, Saloua Raouda Choucair, Aref El Rayess, and Dorothy Salhab-Kazemi.

From here, the publication seeks to address the exhibition’s themes of love, sex, and motherhood, the relationship between visual art and the literary landscape of 1960s and 1970s Beirut, and the galleries and studios in which public collaborations and private kinships were forged. Taking an intimate approach to a fabled period, Helen Khal: Gallery One and Beirut in the 1960s unfolds a rich picture of the friendships, connections, modes of exchange, common concerns, and differing approaches of some of the best-known and least-remembered artists of the mid-twentieth century in Lebanon.

Copublished by artPost21