Kim Mahood is a writer and artist who grew up in Central Australia and on Tanami Downs Station. She has worked closely with Aboriginal people across Australia’s desert regions, maintains strong connections with Warlpiri and Walmajarri people, and has extensive experience in cultural and environmental mapping projects in the Tanami and Great Sandy Desert, western New South Wales, the Top End, Perth, and Fremantle, and the Great Victoria Desert. She is the author of two previous non-fiction books: Craft for a Dry Lake (2000) and Position Doubtful (2016, and the co-editor of Desert Lake: art, science and stories from Paruku (2013). Her work has received numerous awards, and is published in literary, art, and current affairs journals.

‘My book of the year … If anyone’s written more beautifully and modestly about this country and its people I’m not aware of it. I think it’s a treasure.’

Kim Mahood is a writer and artist who grew up in Central Australia and on Tanami Downs Station. She has worked closely with Aboriginal people across Australia’s desert regions, maintains strong connections with Warlpiri and Walmajarri people, and has extensive experience in cultural and environmental mapping projects in the Tanami and Great Sandy Desert, western New South Wales, the Top End, Perth, and Fremantle, and the Great Victoria Desert. She is the author of two previous non-fiction books: Craft for a Dry Lake (2000) and Position Doubtful (2016, and the co-editor of Desert Lake: art, science and stories from Paruku (2013). Her work has received numerous awards, and is published in literary, art, and current affairs journals.

‘My book of the year … If anyone’s written more beautifully and modestly about this country and its people I’m not aware of it. I think it’s a treasure.’

Kim Mahood is a writer and artist who grew up in Central Australia and on Tanami Downs Station. She has worked closely with Aboriginal people across Australia’s desert regions, maintains strong connections with Warlpiri and Walmajarri people, and has extensive experience in cultural and environmental mapping projects in the Tanami and Great Sandy Desert, western New South Wales, the Top End, Perth, and Fremantle, and the Great Victoria Desert. She is the author of two previous non-fiction books: Craft for a Dry Lake (2000) and Position Doubtful (2016, and the co-editor of Desert Lake: art, science and stories from Paruku (2013). Her work has received numerous awards, and is published in literary, art, and current affairs journals.

‘My book of the year … If anyone’s written more beautifully and modestly about this country and its people I’m not aware of it. I think it’s a treasure.’