Images in Action

William H. Isbell is a Distinguished Professor of Anthropology at the State University of New York at Binghamton, USA, where he has taught since 1971.Mauricio I. Uribe is an associate professor at the Universidad de Chile, where he has worked since 1998.Anne Tiballi is the Director of Academic Engagement at the University of Pennsylvania Museum of Archaeology and Anthropology, USA.Edward P. Zegarra received his PhD in Anthropology from Binghamton University, USA, in 2018.

• 1: Introduction: Social Interactions in the Southern Andes by William H. Isbell2: Identification, Definition, and Continuities of the Yaya-Mama Religious Tradition in the Titicaca Basin by Sergio J. Chávez3: Late Formative Period Ceramics from Pukara: Insights from Excavations on the Central Pampa by Elizabeth A. Klarich and Ceclia Chávez Justo4: Stone Stelae of the Southern Basin: A Stylistic Chronology of Ancestral Personages by John Wayne Janusek and Arik Ohnstad5: Travels of the Rayed Head: Textile Movement and the Concepts of Center and Periphery in the Southern Andes by Ann H. Peters6: Front-Face Deity Motifs and Themes in the Southern Andean Iconographic Series by Joerg Haeberli7: The Tiwanaku Ceramic Offerings of the Island of Pariti, Lake Titicaca, Bolivia by Antti Korpisaari8: The Tiwanaku Style in Cochabamba: How “Derived” Was It? by Karen Anderson9: Gods and Goddesses in Diaspora: Gender, Patriarchy, and Resistance in Tiwanaku Ceramic Iconography by Paul S. Goldstein10: Tiwanaku in the Tarapacá Region (Chile): Realities or Illusions in the Desert? by Carolina Agüero and Mauricio I. Uribe11: Visionary Plants and SAIS Iconography in San Pedro de Atacama and Tiahuanaco by Constantino Manuel Torres12: San Pedro de Atacama, Northern Chile: The Domestic Ceramics of the Late Formative and Middle Period by Emily Stovel and Michael A. Diebel13: Exploring the SAIS throughout the Middle Horizon in San Pedro de Atacama, Chile by Christina Torres-Rouff and Mark Hubbe14: Symbols, Offerings, and Metallic Goods from the Puna and Quebrada de Humahuaca, Northwestern Argentina by Myriam N. Tarragó15: Ayacucho and the Staff God Pantheon: Wari, Tiwanaku, and the Late SAIS Era by William H. Isbell16: Art and Elite Political Machinations in the Middle Horizon Andes by Donna J. Nash 17: Wari Textiles, Vehicles of Ideology, and Power during the Andean Middle Horizon: Iconography of the Weavings from Huaca Malena, Asia Valley by Rommel Angeles Falcón18: The Middle Horizon and Southern Andean Iconographic Series on the Central Coast of Peru by Peter Eeckhout19: Interacting Polities on the North Coast of Peru: The Moche and Wari Dilemma by Hélène Bernier and Claude Chapdelaine 20: Mothers and Others: Female Images and Life Cycle Rituals in the Southern Andes by JoEllen Burkholder21: Huari, Tiahuanaco, and SAIS: The Local and the Foreign in the Iconography of the Empire by Krzystof Makowski22: Snake, Fish, and Toad/Frog Iconography in the Ceramic Caches of Pariti, Bolivia by Martti Pärssinen23: Founding Fathers of the Middle Horizon: Quests and Conquests for Andean Identity in the Wari Empire by Patricia J. Knobloch24: From Structure to Cognition: The “Logic of Models” in the Pattern Systems of Middle Horizon Tapestry Tunics by Mary Frame25: Circum-Puna Style in the Art of Pre-Hispanic Hallucinogenic Paraphernalia (Atacama and Northwestern Argentina) by Helena Horta Tricallotis26: Conclusion: SAIS and the Study of Southern Andean Prehistory by William H. Isbell