Jessica Carniel is Senior Lecturer in Humanities at the University of Southern Queensland, Toowoomba, Australia. Understanding the Eurovision Song Contest in Multicultural Australia draws together her ongoing research interests in migration, multiculturalism, and popular culture with her lifelong fandom of the contest.

• Chapter 1 - Introduction.- Chapter 2 - A tale of two broadcasters: the EBU and SBS.- Chapter 3 - Aussie-fying Eurovision: local commentary as media interpolation.- Chapter 4 - Part of the party: celebrating Eurovision together.- Chapter 5 - ‘We’re a nation of proud multicultural dags’: multiculturalism and viewer identities.- Chapter 6 - From Mr Eurovision to Australian Idols: Australian performances (and performing Australia).- Chapter 7 - “Every region of the world should have a -Vision”: Eurovision in the Asian century.- Chapter 8 - Epilogue.

Jessica Carniel is Senior Lecturer in Humanities at the University of Southern Queensland, Toowoomba, Australia. Understanding the Eurovision Song Contest in Multicultural Australia draws together her ongoing research interests in migration, multiculturalism, and popular culture with her lifelong fandom of the contest.

• Chapter 1 - Introduction.- Chapter 2 - A tale of two broadcasters: the EBU and SBS.- Chapter 3 - Aussie-fying Eurovision: local commentary as media interpolation.- Chapter 4 - Part of the party: celebrating Eurovision together.- Chapter 5 - ‘We’re a nation of proud multicultural dags’: multiculturalism and viewer identities.- Chapter 6 - From Mr Eurovision to Australian Idols: Australian performances (and performing Australia).- Chapter 7 - “Every region of the world should have a -Vision”: Eurovision in the Asian century.- Chapter 8 - Epilogue.

Jessica Carniel is Senior Lecturer in Humanities at the University of Southern Queensland, Toowoomba, Australia. Understanding the Eurovision Song Contest in Multicultural Australia draws together her ongoing research interests in migration, multiculturalism, and popular culture with her lifelong fandom of the contest.

• Chapter 1 - Introduction.- Chapter 2 - A tale of two broadcasters: the EBU and SBS.- Chapter 3 - Aussie-fying Eurovision: local commentary as media interpolation.- Chapter 4 - Part of the party: celebrating Eurovision together.- Chapter 5 - ‘We’re a nation of proud multicultural dags’: multiculturalism and viewer identities.- Chapter 6 - From Mr Eurovision to Australian Idols: Australian performances (and performing Australia).- Chapter 7 - “Every region of the world should have a -Vision”: Eurovision in the Asian century.- Chapter 8 - Epilogue.