Simon Murray teaches Contemporary Theatre and Performance at the University of Glasgow, UK. He has a deep background in Sociology and Cultural Studies and was a professional performer and theatre-maker between 1985 and 1996. Before arriving at Glasgow in 2008 he was Director of Theatre at Dartington College of Arts, UK. He has published widely on physical theatres, Jacques Lecoq, WG Sebald, collaboration, and lightness.

• 1. Introduction: Ruining the Project, Subjectivities, Fields and Methods.- 2. Ruins in Context - Context in Ruins.- 3. Performing the Antiquary: Classical Ruins in the Greek Imaginary.- 4. Nature’s Ruins.- 5. Dissonance and Contestation: Ruining Heritage and its Alternatives.- 6. Legacies of War: Performing Balkan Ruins.- 7. Ruins of Capital.- 8. After Communism and the Cold War: a Ruined Inheritance.- 9. Conclusion: Ruining the Ruin or Pausing at a Partial View.-

Simon Murray teaches Contemporary Theatre and Performance at the University of Glasgow, UK. He has a deep background in Sociology and Cultural Studies and was a professional performer and theatre-maker between 1985 and 1996. Before arriving at Glasgow in 2008 he was Director of Theatre at Dartington College of Arts, UK. He has published widely on physical theatres, Jacques Lecoq, WG Sebald, collaboration, and lightness.

• 1. Introduction: Ruining the Project, Subjectivities, Fields and Methods.- 2. Ruins in Context - Context in Ruins.- 3. Performing the Antiquary: Classical Ruins in the Greek Imaginary.- 4. Nature’s Ruins.- 5. Dissonance and Contestation: Ruining Heritage and its Alternatives.- 6. Legacies of War: Performing Balkan Ruins.- 7. Ruins of Capital.- 8. After Communism and the Cold War: a Ruined Inheritance.- 9. Conclusion: Ruining the Ruin or Pausing at a Partial View.-

Simon Murray teaches Contemporary Theatre and Performance at the University of Glasgow, UK. He has a deep background in Sociology and Cultural Studies and was a professional performer and theatre-maker between 1985 and 1996. Before arriving at Glasgow in 2008 he was Director of Theatre at Dartington College of Arts, UK. He has published widely on physical theatres, Jacques Lecoq, WG Sebald, collaboration, and lightness.

• 1. Introduction: Ruining the Project, Subjectivities, Fields and Methods.- 2. Ruins in Context - Context in Ruins.- 3. Performing the Antiquary: Classical Ruins in the Greek Imaginary.- 4. Nature’s Ruins.- 5. Dissonance and Contestation: Ruining Heritage and its Alternatives.- 6. Legacies of War: Performing Balkan Ruins.- 7. Ruins of Capital.- 8. After Communism and the Cold War: a Ruined Inheritance.- 9. Conclusion: Ruining the Ruin or Pausing at a Partial View.-