Helen Hintjens is Assistant Professor in Development and Social Justice at the International Institute of Social Studies in The Hague, The Netherlands. For more than 30 years she has studied the comparative asylum policies of EU member states in the context of broader post-colonial relationships and ideas. Her particular interests are in pro-asylum advocacy networks and activists, the politics of selective urban surveillance of undocumented rejected asylum seekers, and networks of 'cities of sanctuary', as well as resistance to deterrence-based measures of destitution, detention and forced deportation. Her regional focus is on the countries of the Great Lakes region, especially Rwanda and Eastern DRC, and the relations of francophone Africa with EU member states. She works on peace-building, including through music and the arts, in Rwanda and the wider region.

• Part I: The Politics of Art: All at Sea.- Chapter 1: Introduction: Diving In.- Chapter 2: Two Artists and the Tides.- Chapter 3: Decolonising Contemporary Art? Collage+.- Part II: Drowning and Waving.- Chapter 4: Fluidity, Death, Denial: The Rwanda Genocide.- Chapter 5: Death and the Mediterranean.- Chapter 6:  Undocumented People’s Self-Advocacy: Between Drowning and Dreaming.- Part III: Back to Sea: Imperial Sunsets.- Chapter 7: Fear of Flooding: Convivial Racism in The Netherlands.- Chapter 8: HMS UK Hits the Rocks.- Chapter 9: Concluding Notes: Flotsam and Jetsam.

Helen Hintjens is Assistant Professor in Development and Social Justice at the International Institute of Social Studies in The Hague, The Netherlands. For more than 30 years she has studied the comparative asylum policies of EU member states in the context of broader post-colonial relationships and ideas. Her particular interests are in pro-asylum advocacy networks and activists, the politics of selective urban surveillance of undocumented rejected asylum seekers, and networks of 'cities of sanctuary', as well as resistance to deterrence-based measures of destitution, detention and forced deportation. Her regional focus is on the countries of the Great Lakes region, especially Rwanda and Eastern DRC, and the relations of francophone Africa with EU member states. She works on peace-building, including through music and the arts, in Rwanda and the wider region.

• Part I: The Politics of Art: All at Sea.- Chapter 1: Introduction: Diving In.- Chapter 2: Two Artists and the Tides.- Chapter 3: Decolonising Contemporary Art? Collage+.- Part II: Drowning and Waving.- Chapter 4: Fluidity, Death, Denial: The Rwanda Genocide.- Chapter 5: Death and the Mediterranean.- Chapter 6:  Undocumented People’s Self-Advocacy: Between Drowning and Dreaming.- Part III: Back to Sea: Imperial Sunsets.- Chapter 7: Fear of Flooding: Convivial Racism in The Netherlands.- Chapter 8: HMS UK Hits the Rocks.- Chapter 9: Concluding Notes: Flotsam and Jetsam.