Michael Krimper teaches in the French and English departments at New York University, USA, where he received his PhD in Comparative Literature. His forthcoming book, Out of Work: The Refusal of Literature from Melville to Blanchot, examines the crystallization of an antiwork aesthetics and politics in late modernist writing and theory. He is also the editor of a recent special issue for the Journal of Beckett Studies that published Beckett’s lost translations on the Marquis de Sade. His articles, reviews, and translations have appeared in New Literary History, diacritics, SubStance, parallax, October, the Journal of Italian Philosophy, and the Los Angeles Review of Books, among other venues.Gabriel Quigley is a doctoral candidate in the Department of Comparative Literature at New York University, USA. Combining comparative modernisms, continental philosophy, and postcolonial theory, his work focuses on retrieving concealed paradigms of possibility and freedom. His articles and translations have been published or are forthcoming in Samuel Beckett Today/Aujourd'hui, French Studies Bulletin, Derrida Today, Critical Inquiry, Journal of Modern Literature, and Interventions: International Journal of Postcolonial Studies.

• Chapter 1: “Beckett. On.” David Lloyd (University of California, Riverside).- Chapter 2: “‘Where you are worth nothing’: Beckett, Geulincx, and an Ethics of the Miracle,” Gabriel Quigley (New York University).- Chapter 3: “Philosophy in the Flesh: Feeling, Folly, and Animals in Beckett’s Molloy,” William Broadway (University of Wisconsin-Madison).- Chapter 4: “GGREY! (Beckett/dialectic),” Rebecca Comay (University of Toronto).- Chapter 5: “Reading Beckett’s Bilingualism with Jean-François Lyotard and Jacques Rancière,” Nadia Louar (University of Wisconsin-Oshkosh).- Chapter 6: “Rêve de transfert collective: Beckett’s Resurgent Unanimism,” Jean-Michel Rabaté (University of Pennsylvania).- Chapter 7: “‘The Golden Moment’: Violence, Escape, and Broken Immanence” Michael Krimper (New York University).- Chapter 8: “Respirer sans cesse: Proust and Beckett’s Intermissions,” Stefanie Heine (University of Toronto).- Chapter 9: “The Grammar of Absurdity and Affective Crisis:  Reading Anna Burns’ Milkman through Beckett’s Philosophic Comedy,” John Waters (New York University).

Michael Krimper teaches in the French and English departments at New York University, USA, where he received his PhD in Comparative Literature. His forthcoming book, Out of Work: The Refusal of Literature from Melville to Blanchot, examines the crystallization of an antiwork aesthetics and politics in late modernist writing and theory. He is also the editor of a recent special issue for the Journal of Beckett Studies that published Beckett’s lost translations on the Marquis de Sade. His articles, reviews, and translations have appeared in New Literary History, diacritics, SubStance, parallax, October, the Journal of Italian Philosophy, and the Los Angeles Review of Books, among other venues.Gabriel Quigley is a doctoral candidate in the Department of Comparative Literature at New York University, USA. Combining comparative modernisms, continental philosophy, and postcolonial theory, his work focuses on retrieving concealed paradigms of possibility and freedom. His articles and translations have been published or are forthcoming in Samuel Beckett Today/Aujourd'hui, French Studies Bulletin, Derrida Today, Critical Inquiry, Journal of Modern Literature, and Interventions: International Journal of Postcolonial Studies.

• Chapter 1: “Beckett. On.” David Lloyd (University of California, Riverside).- Chapter 2: “‘Where you are worth nothing’: Beckett, Geulincx, and an Ethics of the Miracle,” Gabriel Quigley (New York University).- Chapter 3: “Philosophy in the Flesh: Feeling, Folly, and Animals in Beckett’s Molloy,” William Broadway (University of Wisconsin-Madison).- Chapter 4: “GGREY! (Beckett/dialectic),” Rebecca Comay (University of Toronto).- Chapter 5: “Reading Beckett’s Bilingualism with Jean-François Lyotard and Jacques Rancière,” Nadia Louar (University of Wisconsin-Oshkosh).- Chapter 6: “Rêve de transfert collective: Beckett’s Resurgent Unanimism,” Jean-Michel Rabaté (University of Pennsylvania).- Chapter 7: “‘The Golden Moment’: Violence, Escape, and Broken Immanence” Michael Krimper (New York University).- Chapter 8: “Respirer sans cesse: Proust and Beckett’s Intermissions,” Stefanie Heine (University of Toronto).- Chapter 9: “The Grammar of Absurdity and Affective Crisis:  Reading Anna Burns’ Milkman through Beckett’s Philosophic Comedy,” John Waters (New York University).

Michael Krimper teaches in the French and English departments at New York University, USA, where he received his PhD in Comparative Literature. His forthcoming book, Out of Work: The Refusal of Literature from Melville to Blanchot, examines the crystallization of an antiwork aesthetics and politics in late modernist writing and theory. He is also the editor of a recent special issue for the Journal of Beckett Studies that published Beckett’s lost translations on the Marquis de Sade. His articles, reviews, and translations have appeared in New Literary History, diacritics, SubStance, parallax, October, the Journal of Italian Philosophy, and the Los Angeles Review of Books, among other venues.Gabriel Quigley is a doctoral candidate in the Department of Comparative Literature at New York University, USA. Combining comparative modernisms, continental philosophy, and postcolonial theory, his work focuses on retrieving concealed paradigms of possibility and freedom. His articles and translations have been published or are forthcoming in Samuel Beckett Today/Aujourd'hui, French Studies Bulletin, Derrida Today, Critical Inquiry, Journal of Modern Literature, and Interventions: International Journal of Postcolonial Studies.

• Chapter 1: “Beckett. On.” David Lloyd (University of California, Riverside).- Chapter 2: “‘Where you are worth nothing’: Beckett, Geulincx, and an Ethics of the Miracle,” Gabriel Quigley (New York University).- Chapter 3: “Philosophy in the Flesh: Feeling, Folly, and Animals in Beckett’s Molloy,” William Broadway (University of Wisconsin-Madison).- Chapter 4: “GGREY! (Beckett/dialectic),” Rebecca Comay (University of Toronto).- Chapter 5: “Reading Beckett’s Bilingualism with Jean-François Lyotard and Jacques Rancière,” Nadia Louar (University of Wisconsin-Oshkosh).- Chapter 6: “Rêve de transfert collective: Beckett’s Resurgent Unanimism,” Jean-Michel Rabaté (University of Pennsylvania).- Chapter 7: “‘The Golden Moment’: Violence, Escape, and Broken Immanence” Michael Krimper (New York University).- Chapter 8: “Respirer sans cesse: Proust and Beckett’s Intermissions,” Stefanie Heine (University of Toronto).- Chapter 9: “The Grammar of Absurdity and Affective Crisis:  Reading Anna Burns’ Milkman through Beckett’s Philosophic Comedy,” John Waters (New York University).