Sabine Flach holds a PhD in Art History and works as Head of the Department WissensKünste (Art of Knowledge and Knowledge of Art) at the Zentrum für Literatur- und Kulturforschung, Berlin. Her current work focuses on knowledge of the arts, embodiment and image act, emotion and motion, other sides of cognition, aesthesis and mediality, mental images and «Einbildungskraft», image and body, body and gestures. She has also developed the project «Emotion and Motion» at the Zentrum für Literatur- und Kulturforschung.Daniel Margulies holds a PhD in Psychology and works in neuroscience research at the Max Planck Institute for Human Cognitive and Brain Sciences in Leipzig and the Mind and Brain Institute in Berlin. His current works focuses on delineating neuroanatomy based on patterns of connectivity. Jan Söffner holds a PhD in Romance Philology from Cologne University and works in comparative literature for the project «Emotion and Motion» at the Zentrum für Literatur- und Kulturforschung. His current work focuses on embodiment, mimesis and metaphors as related to emotions in literature.

• Contents: Sabine Flach/Daniel Margulies/Jan Söffner: Introduction – Erika Fischer-Lichte: Performing Emotions. How to Conceptualize Emotional Contagion in Performance – Shaun Gallagher: Movement and Emotion in Joint Attention – Thomas Fuchs: Intercorporality. How Embodied Interaction Shapes Mind and Brain – Marta Braun: Animal Locomotion – Jan Söffner: On Nostalgia (and Homer) – Erik Porath: Situation and Motion. The Art of Expression in Fiedler and Freud – Christine Kirchhoff: Affected by the Other. On Emotion in Psychoanalysis – Burkhard Meyer-Sickendiek: Shame and Grace. The Paradox of the «Beautiful Soul» in the 18th Century – Arno Villringer: The Body and its Representation in the Brain – Suzanne Anker/SabineFlach: The Glass Veil – John M. Krois: Experiencing Emotion in Depictions. Being Moved without Motion? – Sabine Flach: Lament in Contemporary Art – Heike Schlie: Excentric Crucifixions circa 1500. On the Invention of Emotional Resonance in Painting and the Theories of Transferring Depicted Emotions to the Beholder – Barbara Larson: Through Stained Glass. Abstraction and Embodiment in Early Twentieth Century Avant-Garde Circles – Jin Hyun Kim: Towards Embodiment-Based Research on Musical Expressiveness.

Sabine Flach holds a PhD in Art History and works as Head of the Department WissensKünste (Art of Knowledge and Knowledge of Art) at the Zentrum für Literatur- und Kulturforschung, Berlin. Her current work focuses on knowledge of the arts, embodiment and image act, emotion and motion, other sides of cognition, aesthesis and mediality, mental images and «Einbildungskraft», image and body, body and gestures. She has also developed the project «Emotion and Motion» at the Zentrum für Literatur- und Kulturforschung.Daniel Margulies holds a PhD in Psychology and works in neuroscience research at the Max Planck Institute for Human Cognitive and Brain Sciences in Leipzig and the Mind and Brain Institute in Berlin. His current works focuses on delineating neuroanatomy based on patterns of connectivity. Jan Söffner holds a PhD in Romance Philology from Cologne University and works in comparative literature for the project «Emotion and Motion» at the Zentrum für Literatur- und Kulturforschung. His current work focuses on embodiment, mimesis and metaphors as related to emotions in literature.

• Contents: Sabine Flach/Daniel Margulies/Jan Söffner: Introduction – Erika Fischer-Lichte: Performing Emotions. How to Conceptualize Emotional Contagion in Performance – Shaun Gallagher: Movement and Emotion in Joint Attention – Thomas Fuchs: Intercorporality. How Embodied Interaction Shapes Mind and Brain – Marta Braun: Animal Locomotion – Jan Söffner: On Nostalgia (and Homer) – Erik Porath: Situation and Motion. The Art of Expression in Fiedler and Freud – Christine Kirchhoff: Affected by the Other. On Emotion in Psychoanalysis – Burkhard Meyer-Sickendiek: Shame and Grace. The Paradox of the «Beautiful Soul» in the 18th Century – Arno Villringer: The Body and its Representation in the Brain – Suzanne Anker/SabineFlach: The Glass Veil – John M. Krois: Experiencing Emotion in Depictions. Being Moved without Motion? – Sabine Flach: Lament in Contemporary Art – Heike Schlie: Excentric Crucifixions circa 1500. On the Invention of Emotional Resonance in Painting and the Theories of Transferring Depicted Emotions to the Beholder – Barbara Larson: Through Stained Glass. Abstraction and Embodiment in Early Twentieth Century Avant-Garde Circles – Jin Hyun Kim: Towards Embodiment-Based Research on Musical Expressiveness.

Sabine Flach holds a PhD in Art History and works as Head of the Department WissensKünste (Art of Knowledge and Knowledge of Art) at the Zentrum für Literatur- und Kulturforschung, Berlin. Her current work focuses on knowledge of the arts, embodiment and image act, emotion and motion, other sides of cognition, aesthesis and mediality, mental images and «Einbildungskraft», image and body, body and gestures. She has also developed the project «Emotion and Motion» at the Zentrum für Literatur- und Kulturforschung.Daniel Margulies holds a PhD in Psychology and works in neuroscience research at the Max Planck Institute for Human Cognitive and Brain Sciences in Leipzig and the Mind and Brain Institute in Berlin. His current works focuses on delineating neuroanatomy based on patterns of connectivity. Jan Söffner holds a PhD in Romance Philology from Cologne University and works in comparative literature for the project «Emotion and Motion» at the Zentrum für Literatur- und Kulturforschung. His current work focuses on embodiment, mimesis and metaphors as related to emotions in literature.

• Contents: Sabine Flach/Daniel Margulies/Jan Söffner: Introduction – Erika Fischer-Lichte: Performing Emotions. How to Conceptualize Emotional Contagion in Performance – Shaun Gallagher: Movement and Emotion in Joint Attention – Thomas Fuchs: Intercorporality. How Embodied Interaction Shapes Mind and Brain – Marta Braun: Animal Locomotion – Jan Söffner: On Nostalgia (and Homer) – Erik Porath: Situation and Motion. The Art of Expression in Fiedler and Freud – Christine Kirchhoff: Affected by the Other. On Emotion in Psychoanalysis – Burkhard Meyer-Sickendiek: Shame and Grace. The Paradox of the «Beautiful Soul» in the 18th Century – Arno Villringer: The Body and its Representation in the Brain – Suzanne Anker/SabineFlach: The Glass Veil – John M. Krois: Experiencing Emotion in Depictions. Being Moved without Motion? – Sabine Flach: Lament in Contemporary Art – Heike Schlie: Excentric Crucifixions circa 1500. On the Invention of Emotional Resonance in Painting and the Theories of Transferring Depicted Emotions to the Beholder – Barbara Larson: Through Stained Glass. Abstraction and Embodiment in Early Twentieth Century Avant-Garde Circles – Jin Hyun Kim: Towards Embodiment-Based Research on Musical Expressiveness.