Deborah Ascher Barnstone is Professor of Architecture at the University of Technology, Sydney, Australia. She is a licensed architect as well as an historian. Her publications include The Transparent State: Architecture and Politics in Postwar Germany (2005) and her current research examines early twentieth-century German modernism in light of larger contemporary cultural debates. Barnstone is Co-Coordinator of the Visual Culture Network of the German Studies Association in the United States.Thomas O. Haakenson is Chair and Professor of Liberal Arts at the Minneapolis College of Art and Design. He earned his doctorate from the Department of Cultural Studies and Comparative Literature at the University of Minnesota. He has published articles in New German Critique, German Quarterly, and the anthologies Legacies of Modernism and Memorialization in Germany Since 1945. Haakenson is Co-Coordinator of the Visual Culture Network of the German Studies Association in the United States.

• Contents: Deborah Ascher Barnstone/Thomas O. Haakenson: Introduction: Why Visual Culture Matters – Gabriella Szalay: A Painting Fit for a Nation: The Dombild and its Legacy in Nineteenth-Century Germany – Samuel Adams: Blasting Wagner out of the Continuum of History: Deutschtum Transposed in the Los Angeles Ring – Robert C. Kunath: German Art and the Spirit of 1914: Identity, Modernism, and the Case of Ludwig Dettmann – Thomas O. Haakenson: The Architectonics of Public Science: German Identity and the Berlin Museum of Pathology – Kevin S. Amidon: Intersexes and Mixed Races: Visuality, Narrative, and «Bastard» Identity in Early Twentieth-Century Germany – Deborah Ascher Barnstone: The 1929 Breslau Werkbund Exhibition: Constructing German Identity in Architecture and Urban Design – Elizabeth Cronin: The Problem of German Identity in 1930s Austria and the Influence of Austrian Heimat Photography – Wendy Westphal: Good Bye, DDR!: Where East German Material Culture Meets Film – Mareika Herrmann: Imagined Homes: Negotiating German Identity in the Eastern Provinces in Thomas Arslan’s Ferien and Dominik Graf’s Komm mir nicht nach – Erin Hanas: Raus mit der Sprache. Rein ins Leben: The Exposed Tongue – Christina Schmid: Pathetic Parodies: German National Identity in Bjørn Melhus’s Weit Weit Weg.

Deborah Ascher Barnstone is Professor of Architecture at the University of Technology, Sydney, Australia. She is a licensed architect as well as an historian. Her publications include The Transparent State: Architecture and Politics in Postwar Germany (2005) and her current research examines early twentieth-century German modernism in light of larger contemporary cultural debates. Barnstone is Co-Coordinator of the Visual Culture Network of the German Studies Association in the United States.Thomas O. Haakenson is Chair and Professor of Liberal Arts at the Minneapolis College of Art and Design. He earned his doctorate from the Department of Cultural Studies and Comparative Literature at the University of Minnesota. He has published articles in New German Critique, German Quarterly, and the anthologies Legacies of Modernism and Memorialization in Germany Since 1945. Haakenson is Co-Coordinator of the Visual Culture Network of the German Studies Association in the United States.

• Contents: Deborah Ascher Barnstone/Thomas O. Haakenson: Introduction: Why Visual Culture Matters – Gabriella Szalay: A Painting Fit for a Nation: The Dombild and its Legacy in Nineteenth-Century Germany – Samuel Adams: Blasting Wagner out of the Continuum of History: Deutschtum Transposed in the Los Angeles Ring – Robert C. Kunath: German Art and the Spirit of 1914: Identity, Modernism, and the Case of Ludwig Dettmann – Thomas O. Haakenson: The Architectonics of Public Science: German Identity and the Berlin Museum of Pathology – Kevin S. Amidon: Intersexes and Mixed Races: Visuality, Narrative, and «Bastard» Identity in Early Twentieth-Century Germany – Deborah Ascher Barnstone: The 1929 Breslau Werkbund Exhibition: Constructing German Identity in Architecture and Urban Design – Elizabeth Cronin: The Problem of German Identity in 1930s Austria and the Influence of Austrian Heimat Photography – Wendy Westphal: Good Bye, DDR!: Where East German Material Culture Meets Film – Mareika Herrmann: Imagined Homes: Negotiating German Identity in the Eastern Provinces in Thomas Arslan’s Ferien and Dominik Graf’s Komm mir nicht nach – Erin Hanas: Raus mit der Sprache. Rein ins Leben: The Exposed Tongue – Christina Schmid: Pathetic Parodies: German National Identity in Bjørn Melhus’s Weit Weit Weg.

Deborah Ascher Barnstone is Professor of Architecture at the University of Technology, Sydney, Australia. She is a licensed architect as well as an historian. Her publications include The Transparent State: Architecture and Politics in Postwar Germany (2005) and her current research examines early twentieth-century German modernism in light of larger contemporary cultural debates. Barnstone is Co-Coordinator of the Visual Culture Network of the German Studies Association in the United States.Thomas O. Haakenson is Chair and Professor of Liberal Arts at the Minneapolis College of Art and Design. He earned his doctorate from the Department of Cultural Studies and Comparative Literature at the University of Minnesota. He has published articles in New German Critique, German Quarterly, and the anthologies Legacies of Modernism and Memorialization in Germany Since 1945. Haakenson is Co-Coordinator of the Visual Culture Network of the German Studies Association in the United States.

• Contents: Deborah Ascher Barnstone/Thomas O. Haakenson: Introduction: Why Visual Culture Matters – Gabriella Szalay: A Painting Fit for a Nation: The Dombild and its Legacy in Nineteenth-Century Germany – Samuel Adams: Blasting Wagner out of the Continuum of History: Deutschtum Transposed in the Los Angeles Ring – Robert C. Kunath: German Art and the Spirit of 1914: Identity, Modernism, and the Case of Ludwig Dettmann – Thomas O. Haakenson: The Architectonics of Public Science: German Identity and the Berlin Museum of Pathology – Kevin S. Amidon: Intersexes and Mixed Races: Visuality, Narrative, and «Bastard» Identity in Early Twentieth-Century Germany – Deborah Ascher Barnstone: The 1929 Breslau Werkbund Exhibition: Constructing German Identity in Architecture and Urban Design – Elizabeth Cronin: The Problem of German Identity in 1930s Austria and the Influence of Austrian Heimat Photography – Wendy Westphal: Good Bye, DDR!: Where East German Material Culture Meets Film – Mareika Herrmann: Imagined Homes: Negotiating German Identity in the Eastern Provinces in Thomas Arslan’s Ferien and Dominik Graf’s Komm mir nicht nach – Erin Hanas: Raus mit der Sprache. Rein ins Leben: The Exposed Tongue – Christina Schmid: Pathetic Parodies: German National Identity in Bjørn Melhus’s Weit Weit Weg.