Lisa Socrates is a PhD candidate at University College London. She has published articles on Greek-Cypriot national cinema and identity and has translated Greek-Cypriot poetry from Modern Greek into English.

• Contents: Nation, Identity, History – Reading Greek-Cypriot Cinema: Deleuze and New Cinema – Conceptualizing Greek-Cypriot Cinema – Contesting the Nation’s Narrative Space and Time: The Akamas Controversy – Shattered Spaces and the Recollection-Image – The Time-Image and Beyond: From Duration to the Crisis-Image – Constructing Heterotopias in Film: Parallel Spaces and Undesirable Bodies in Kalabush – The Border, Movement and Chronotopic-Images.

Lisa Socrates is a PhD candidate at University College London. She has published articles on Greek-Cypriot national cinema and identity and has translated Greek-Cypriot poetry from Modern Greek into English.

• Contents: Nation, Identity, History – Reading Greek-Cypriot Cinema: Deleuze and New Cinema – Conceptualizing Greek-Cypriot Cinema – Contesting the Nation’s Narrative Space and Time: The Akamas Controversy – Shattered Spaces and the Recollection-Image – The Time-Image and Beyond: From Duration to the Crisis-Image – Constructing Heterotopias in Film: Parallel Spaces and Undesirable Bodies in Kalabush – The Border, Movement and Chronotopic-Images.

Lisa Socrates is a PhD candidate at University College London. She has published articles on Greek-Cypriot national cinema and identity and has translated Greek-Cypriot poetry from Modern Greek into English.

• Contents: Nation, Identity, History – Reading Greek-Cypriot Cinema: Deleuze and New Cinema – Conceptualizing Greek-Cypriot Cinema – Contesting the Nation’s Narrative Space and Time: The Akamas Controversy – Shattered Spaces and the Recollection-Image – The Time-Image and Beyond: From Duration to the Crisis-Image – Constructing Heterotopias in Film: Parallel Spaces and Undesirable Bodies in Kalabush – The Border, Movement and Chronotopic-Images.