Carla Mereu Keating holds a PhD in Italian Studies from the University of Reading. She has contributed to various publications on film history, censorship, ethnicity, dubbing and subtitling. She is a visiting research fellow at the Centre for the Study of Cultural Memory at the Institute of Modern Languages Research, School of Advanced Studies, University of London. Her current research focuses on portrayals of warfare and war legacy in films, state censorship and the shaping of cultural and collective memory.

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• Contents: Film Censorship and the Translation of Silent Cinema: An Overview – A Damaging Foreign Competition: The State and the Production of Italian Talkies Abroad – With Italian Voice and Soul: Political Involvement in the Translation of Films – Unrecorded Censorship: From Preventive Control to Manipulated Dubbings – The Dubbing Debate: The Translation of Films, the Press and the Public.

Carla Mereu Keating holds a PhD in Italian Studies from the University of Reading. She has contributed to various publications on film history, censorship, ethnicity, dubbing and subtitling. She is a visiting research fellow at the Centre for the Study of Cultural Memory at the Institute of Modern Languages Research, School of Advanced Studies, University of London. Her current research focuses on portrayals of warfare and war legacy in films, state censorship and the shaping of cultural and collective memory.

Select Guide Rating

• Contents: Film Censorship and the Translation of Silent Cinema: An Overview – A Damaging Foreign Competition: The State and the Production of Italian Talkies Abroad – With Italian Voice and Soul: Political Involvement in the Translation of Films – Unrecorded Censorship: From Preventive Control to Manipulated Dubbings – The Dubbing Debate: The Translation of Films, the Press and the Public.

Carla Mereu Keating holds a PhD in Italian Studies from the University of Reading. She has contributed to various publications on film history, censorship, ethnicity, dubbing and subtitling. She is a visiting research fellow at the Centre for the Study of Cultural Memory at the Institute of Modern Languages Research, School of Advanced Studies, University of London. Her current research focuses on portrayals of warfare and war legacy in films, state censorship and the shaping of cultural and collective memory.

Select Guide Rating

• Contents: Film Censorship and the Translation of Silent Cinema: An Overview – A Damaging Foreign Competition: The State and the Production of Italian Talkies Abroad – With Italian Voice and Soul: Political Involvement in the Translation of Films – Unrecorded Censorship: From Preventive Control to Manipulated Dubbings – The Dubbing Debate: The Translation of Films, the Press and the Public.