ebnem Susam-Saraeva is Senior Lecturer in Translation Studies at the University of Edinburgh. She has published extensively on gender and translation, retranslations, translation of literary and cultural theories, research methodology in translation studies, and translation and social movements on the internet. She is also the co-vice president of the International Association for Translation and Intercultural Studies (IATIS) and serves on the Steering Committee of the ARTIS initiative (Advancing Research in Translation and Interpreting Studies).

"This rich, intelligently articulated, small volume opens a door to ways of understanding that in a global world, translation is intrinsically part of the production, dissemination and consumption of music and that this goes much beyond the translation of song lyrics." (Lucile Desblache, The Journal of Specialised Translation 27/2017)

• Contents: Translation, popular music and transcultural intimacy Music for being transported: When not to translate Music for remembering: Nostalgia, music and translation on paper Music for ones own: Sentimentalism and cover versions Music fandom as online activism: Translating lyrics on the net.

ebnem Susam-Saraeva is Senior Lecturer in Translation Studies at the University of Edinburgh. She has published extensively on gender and translation, retranslations, translation of literary and cultural theories, research methodology in translation studies, and translation and social movements on the internet. She is also the co-vice president of the International Association for Translation and Intercultural Studies (IATIS) and serves on the Steering Committee of the ARTIS initiative (Advancing Research in Translation and Interpreting Studies).

"This rich, intelligently articulated, small volume opens a door to ways of understanding that in a global world, translation is intrinsically part of the production, dissemination and consumption of music and that this goes much beyond the translation of song lyrics." (Lucile Desblache, The Journal of Specialised Translation 27/2017)

• Contents: Translation, popular music and transcultural intimacy Music for being transported: When not to translate Music for remembering: Nostalgia, music and translation on paper Music for ones own: Sentimentalism and cover versions Music fandom as online activism: Translating lyrics on the net.

ebnem Susam-Saraeva is Senior Lecturer in Translation Studies at the University of Edinburgh. She has published extensively on gender and translation, retranslations, translation of literary and cultural theories, research methodology in translation studies, and translation and social movements on the internet. She is also the co-vice president of the International Association for Translation and Intercultural Studies (IATIS) and serves on the Steering Committee of the ARTIS initiative (Advancing Research in Translation and Interpreting Studies).

"This rich, intelligently articulated, small volume opens a door to ways of understanding that in a global world, translation is intrinsically part of the production, dissemination and consumption of music and that this goes much beyond the translation of song lyrics." (Lucile Desblache, The Journal of Specialised Translation 27/2017)

• Contents: Translation, popular music and transcultural intimacy Music for being transported: When not to translate Music for remembering: Nostalgia, music and translation on paper Music for ones own: Sentimentalism and cover versions Music fandom as online activism: Translating lyrics on the net.