The French interwar period sees a complete aesthetic renewal: both the novels of the 1929-born ‘populist’ literary movement and the talking films of the time seek to dive into the daily lives of employees and workers in order to give them more visibility. The present study explores this new populist aesthetics and the powerful working class imaginary it succeeded in building.
Matthias Kern, Martin Rosentritt, Josef Schweiger, Manfred Kern, M. Oliver Ahlers, Florian Beuer, Daniel Edelhoff, Petra Gierthmühlen, Jan-F. Güth, Roland Frankenberger, Ralf-J. Kohal, Bernd Reiss
Elmar Schmidt, Jan Rohden, Susanne Grimaldi, Romana Radlwimmer, Sarah Moldenhauer, Annika Mayer, Matthias Kern, Albert Goschl, Markus Ebenhoch, Stefanie Bohammer, Patricia Alonso Boronat, Roswitha Bohm, Susanne Grimaldi, Roswitha Bohm