Dr Tomasz Wiśniewski works at the University of Gdańsk, Poland. He is a co-founder of the Between.Pomiędzy Festival, and the founder of the Beckett Research Group in Gdańsk. He has published a monograph on Samuel Beckett, co-edited ten academic publications, and published articles on theatre and literature, in Poland, France, UK, Austria, Brazil and the USA. He is a member of the editorial board of the literary quarterly Tekstualia.

• Introduction.- Chapter 1. The artistic signature of Simon McBurney.- Chapter 2. The logic of the plot in Théâtre de Complicité.- Chapter 3. The world of the stage.- Chapter 4. The textual tissue of Theatre de Complicite.- Chapter 5. The aesthetics of Complicite.- Chapter 6. Kaleidoscopic fragmentariness.- Chapter 7. The Ongoing Narrative.

Dr Tomasz Wiśniewski works at the University of Gdańsk, Poland. He is a co-founder of the Between.Pomiędzy Festival, and the founder of the Beckett Research Group in Gdańsk. He has published a monograph on Samuel Beckett, co-edited ten academic publications, and published articles on theatre and literature, in Poland, France, UK, Austria, Brazil and the USA. He is a member of the editorial board of the literary quarterly Tekstualia.

• Introduction.- Chapter 1. The artistic signature of Simon McBurney.- Chapter 2. The logic of the plot in Théâtre de Complicité.- Chapter 3. The world of the stage.- Chapter 4. The textual tissue of Theatre de Complicite.- Chapter 5. The aesthetics of Complicite.- Chapter 6. Kaleidoscopic fragmentariness.- Chapter 7. The Ongoing Narrative.

Dr Tomasz Wiśniewski works at the University of Gdańsk, Poland. He is a co-founder of the Between.Pomiędzy Festival, and the founder of the Beckett Research Group in Gdańsk. He has published a monograph on Samuel Beckett, co-edited ten academic publications, and published articles on theatre and literature, in Poland, France, UK, Austria, Brazil and the USA. He is a member of the editorial board of the literary quarterly Tekstualia.

• Introduction.- Chapter 1. The artistic signature of Simon McBurney.- Chapter 2. The logic of the plot in Théâtre de Complicité.- Chapter 3. The world of the stage.- Chapter 4. The textual tissue of Theatre de Complicite.- Chapter 5. The aesthetics of Complicite.- Chapter 6. Kaleidoscopic fragmentariness.- Chapter 7. The Ongoing Narrative.