Häftad, Engelska, 2018
Science Fiction, Ethics and the Human Condition
Av Christian Baron, Peter Nicolai Halvorsen, Christine Cornea
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Beskrivning
Produktinformation
- Utgivningsdatum: 2018-08-12
- Mått: 155 x 235 x 14 mm
- Vikt: 388 g
- Format: Häftad
- Språk: Engelska
- Antal sidor: 246
- Förlag: Springer International Publishing AG
- ISBN: 9783319859477
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Mer om författaren
Christian Baron is assistant professor at Center for Bioscience and Techo-Anthropology at the Department of Chemistry and Bioscience, Aalborg University Copenhagen. Originally trained in evolutionary biology and the history and philosophy of science, his areas of interest include the dynamics of biological controversies, the role of expertise and counter-expertise in in policy-advising and public debates on science and the premises for making moral claims. He is also the author of several science fiction short stories that has been published in DanishPeter Nicolai Halvorsen is student vicar at the Faculty of Health, University of Copenhagen and chairman of the Copenhagen University Network on Science and Religion. His mains areas of interest include naturalism Christine Cornea is a Lecturer with the Department of Film, Television and Media at the University of East Anglia. She is the author of Science Fiction Cinema: Between Fantasy and Reality (co-published RUP/EUP, 2007) and has published widely on science fiction film and television, including articles for Velvet Light Trap, Genders and the Quarterly Review of Film and Video journals. Christine has also published two previous edited collections and is currently completing a further monograph book for Rutgers University Press that focuses upon the post-apocalyptic television drama.
Recensioner i media
“Science Fiction, Ethics and the Human Condition is a consistently solid, often astute, collection. It achieves a commendable balance between discussing prose fiction and the visual media, longer and shorter narrative forms, broad ideas and their embodiments in specific narratives, genre sf (aimed at a specialized sf audience) and sf by predominantly mainstream authors, and so on.” (Russell Blackford, Science Fiction Studies, Vol. 46, 2019)
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