The Author: Ursula Böser was born in Mannheim. She lectures in the Department of Languages and Intercultural Studies at Heriot Watt University in Edinburgh.

• Contents: «Three Obligatory Parts, Well and Accurately Used» - Cinematic Polyphony in The Chronicle of Anna Magdalena Bach – «Barbarism Becomes Visible» - Montage and Documentation in Introduction to Arnold Schoenberg’s Accompaniment to a Cinematographic Scene – «But You Have Eyes and Ears in Your Head, Haven’t You?» - Staging the Language of Kafka in Klassenverhältnisse – «The Conscientious Observation of Things» - Reframing Cézanne.

The Author: Ursula Böser was born in Mannheim. She lectures in the Department of Languages and Intercultural Studies at Heriot Watt University in Edinburgh.

• Contents: «Three Obligatory Parts, Well and Accurately Used» - Cinematic Polyphony in The Chronicle of Anna Magdalena Bach – «Barbarism Becomes Visible» - Montage and Documentation in Introduction to Arnold Schoenberg’s Accompaniment to a Cinematographic Scene – «But You Have Eyes and Ears in Your Head, Haven’t You?» - Staging the Language of Kafka in Klassenverhältnisse – «The Conscientious Observation of Things» - Reframing Cézanne.

The Author: Ursula Böser was born in Mannheim. She lectures in the Department of Languages and Intercultural Studies at Heriot Watt University in Edinburgh.

• Contents: «Three Obligatory Parts, Well and Accurately Used» - Cinematic Polyphony in The Chronicle of Anna Magdalena Bach – «Barbarism Becomes Visible» - Montage and Documentation in Introduction to Arnold Schoenberg’s Accompaniment to a Cinematographic Scene – «But You Have Eyes and Ears in Your Head, Haven’t You?» - Staging the Language of Kafka in Klassenverhältnisse – «The Conscientious Observation of Things» - Reframing Cézanne.