Renée Dickason, Prof. Dr., works at the European University of Brittany – Rennes 2, France. She is the director of Revue LISA/LISA e-journal (http://lisa.revues.org).Rüdiger Ahrens, Prof. Dr. Dr. h.c., OBE, holds a chair of English Studies and has been Head of the English Department at the University of Würzburg (Germany) and is now emeritus.

• Contents: Rüdiger Ahrens: Identity and Alterity in Post-colonial Film Versions: A Passage to India and Apocalypse Now – Guillermo Iglesias Díaz: Slumdog Millionaire: (Hyper)modern Tales of India’s Glocalized Economy – Barbara Antonucci: «Lost in Transition»: Indianness and Diasporic Humour in Audio-visual Productions – Judith Kohlenberger: Tupi or not Tupi: Diversity, Conformity, and the Cultural Work of Cannibalism in How Tasty Was My Little Frenchman – Sue Ryan-Fazilleau (†): Hybridity and Cultural Diversity: Changing Perceptions of Aboriginality (1972-2009) – Agnieszka Soltysik Monnet: Black Like Me: Tropes of Racial Transformation in Contemporary Cinema – Kimberly Frohreich Gaydon: On District 9 - the Alien as Racial Other – Samuele Grassi: From Printed Page to Picture: Progression and Regression in Neil Jordan’s Screenwriting – Ewa Macura: London’s Narratives of Diversity: Stephen Frears’s Dirty Pretty Things – Renée Dickason: Revisiting Britain: Facets of Cultural Diversity and Difference in British Fictional Television Series – Amandine Ducray: Post-multiculturalism on British Television: A Portrait of a People in the Blair Years – Georges Fournier: The Fictional Treatment of Diversity and Ethnic Issues on British Television since 9/11 – Gilles Teulié: Cultural Diversity and National Identity in Anglo-Boer War Propaganda Images – Pavlina Ferfeli: «America Heroica, Lord Israel and Latin Borghese»: Mina Loy’s Body as Intercultural Arrow.

Renée Dickason, Prof. Dr., works at the European University of Brittany – Rennes 2, France. She is the director of Revue LISA/LISA e-journal (http://lisa.revues.org).Rüdiger Ahrens, Prof. Dr. Dr. h.c., OBE, holds a chair of English Studies and has been Head of the English Department at the University of Würzburg (Germany) and is now emeritus.

• Contents: Rüdiger Ahrens: Identity and Alterity in Post-colonial Film Versions: A Passage to India and Apocalypse Now – Guillermo Iglesias Díaz: Slumdog Millionaire: (Hyper)modern Tales of India’s Glocalized Economy – Barbara Antonucci: «Lost in Transition»: Indianness and Diasporic Humour in Audio-visual Productions – Judith Kohlenberger: Tupi or not Tupi: Diversity, Conformity, and the Cultural Work of Cannibalism in How Tasty Was My Little Frenchman – Sue Ryan-Fazilleau (†): Hybridity and Cultural Diversity: Changing Perceptions of Aboriginality (1972-2009) – Agnieszka Soltysik Monnet: Black Like Me: Tropes of Racial Transformation in Contemporary Cinema – Kimberly Frohreich Gaydon: On District 9 - the Alien as Racial Other – Samuele Grassi: From Printed Page to Picture: Progression and Regression in Neil Jordan’s Screenwriting – Ewa Macura: London’s Narratives of Diversity: Stephen Frears’s Dirty Pretty Things – Renée Dickason: Revisiting Britain: Facets of Cultural Diversity and Difference in British Fictional Television Series – Amandine Ducray: Post-multiculturalism on British Television: A Portrait of a People in the Blair Years – Georges Fournier: The Fictional Treatment of Diversity and Ethnic Issues on British Television since 9/11 – Gilles Teulié: Cultural Diversity and National Identity in Anglo-Boer War Propaganda Images – Pavlina Ferfeli: «America Heroica, Lord Israel and Latin Borghese»: Mina Loy’s Body as Intercultural Arrow.

Renée Dickason, Prof. Dr., works at the European University of Brittany – Rennes 2, France. She is the director of Revue LISA/LISA e-journal (http://lisa.revues.org).Rüdiger Ahrens, Prof. Dr. Dr. h.c., OBE, holds a chair of English Studies and has been Head of the English Department at the University of Würzburg (Germany) and is now emeritus.

• Contents: Rüdiger Ahrens: Identity and Alterity in Post-colonial Film Versions: A Passage to India and Apocalypse Now – Guillermo Iglesias Díaz: Slumdog Millionaire: (Hyper)modern Tales of India’s Glocalized Economy – Barbara Antonucci: «Lost in Transition»: Indianness and Diasporic Humour in Audio-visual Productions – Judith Kohlenberger: Tupi or not Tupi: Diversity, Conformity, and the Cultural Work of Cannibalism in How Tasty Was My Little Frenchman – Sue Ryan-Fazilleau (†): Hybridity and Cultural Diversity: Changing Perceptions of Aboriginality (1972-2009) – Agnieszka Soltysik Monnet: Black Like Me: Tropes of Racial Transformation in Contemporary Cinema – Kimberly Frohreich Gaydon: On District 9 - the Alien as Racial Other – Samuele Grassi: From Printed Page to Picture: Progression and Regression in Neil Jordan’s Screenwriting – Ewa Macura: London’s Narratives of Diversity: Stephen Frears’s Dirty Pretty Things – Renée Dickason: Revisiting Britain: Facets of Cultural Diversity and Difference in British Fictional Television Series – Amandine Ducray: Post-multiculturalism on British Television: A Portrait of a People in the Blair Years – Georges Fournier: The Fictional Treatment of Diversity and Ethnic Issues on British Television since 9/11 – Gilles Teulié: Cultural Diversity and National Identity in Anglo-Boer War Propaganda Images – Pavlina Ferfeli: «America Heroica, Lord Israel and Latin Borghese»: Mina Loy’s Body as Intercultural Arrow.