Sebastian M. Herrmann is an American studies scholar at Leipzig University, Germany. His work is focused on the poetics of ('post-truth') politics, on popular culture, and on symbolic forms. His most recent monograph, currently forthcoming, focuses on the interdependence of data and literature in ninetheenth-century US culture.Katja Kanzler lehrt und forscht am Institut für Amerikanistik der Universität Leipzig.Stefan Schubert (Dr.) lehrt und forscht am Institut für Amerikanistik der Universität Leipzig.

• Overview; Borderlands of Narrativity; Numbers, Literature, Aesthetics; The Data of Life and the Life of Data; The Potentialities of Data; Unnecessary Complications?; Narrative Liminality, Ambient Operations, and the Database Western in Rockstar Games' Red Dead Redemption Videogames; Detecting Liminality; "To Live Your Life Again, Turn to Page 1"; Multimodality as a Limit of Narrative in Mark Z. Danielewski's The Familiar; The Poetics and Politics of Staring; "No Show Dissed Quite Like This One"; Repetition, Rhythm, and Recital; Home Front Autobiographies of the 'War on Terror'; Form and/in Modernity; Embodying Narrative, Staging Icons; Narrating Authorship; Endings and Sustainability; Contributors.

Sebastian M. Herrmann is an American studies scholar at Leipzig University, Germany. His work is focused on the poetics of ('post-truth') politics, on popular culture, and on symbolic forms. His most recent monograph, currently forthcoming, focuses on the interdependence of data and literature in ninetheenth-century US culture.Katja Kanzler lehrt und forscht am Institut für Amerikanistik der Universität Leipzig.Stefan Schubert (Dr.) lehrt und forscht am Institut für Amerikanistik der Universität Leipzig.

• Overview; Borderlands of Narrativity; Numbers, Literature, Aesthetics; The Data of Life and the Life of Data; The Potentialities of Data; Unnecessary Complications?; Narrative Liminality, Ambient Operations, and the Database Western in Rockstar Games' Red Dead Redemption Videogames; Detecting Liminality; "To Live Your Life Again, Turn to Page 1"; Multimodality as a Limit of Narrative in Mark Z. Danielewski's The Familiar; The Poetics and Politics of Staring; "No Show Dissed Quite Like This One"; Repetition, Rhythm, and Recital; Home Front Autobiographies of the 'War on Terror'; Form and/in Modernity; Embodying Narrative, Staging Icons; Narrating Authorship; Endings and Sustainability; Contributors.

Sebastian M. Herrmann is an American studies scholar at Leipzig University, Germany. His work is focused on the poetics of ('post-truth') politics, on popular culture, and on symbolic forms. His most recent monograph, currently forthcoming, focuses on the interdependence of data and literature in ninetheenth-century US culture.Katja Kanzler lehrt und forscht am Institut für Amerikanistik der Universität Leipzig.Stefan Schubert (Dr.) lehrt und forscht am Institut für Amerikanistik der Universität Leipzig.

• Overview; Borderlands of Narrativity; Numbers, Literature, Aesthetics; The Data of Life and the Life of Data; The Potentialities of Data; Unnecessary Complications?; Narrative Liminality, Ambient Operations, and the Database Western in Rockstar Games' Red Dead Redemption Videogames; Detecting Liminality; "To Live Your Life Again, Turn to Page 1"; Multimodality as a Limit of Narrative in Mark Z. Danielewski's The Familiar; The Poetics and Politics of Staring; "No Show Dissed Quite Like This One"; Repetition, Rhythm, and Recital; Home Front Autobiographies of the 'War on Terror'; Form and/in Modernity; Embodying Narrative, Staging Icons; Narrating Authorship; Endings and Sustainability; Contributors.