In front of us we can see a wedding. It is nothing else but bourgeois wedding, in which the fiancé Stasik Marhotsky and his fiancée Nata Marhotskaya-Lifshits have joined in holy matrimony and are happily meeting the guests. Let us say so, that the things Ellochka Shchukina was trying to put in «the Twelve Chairs» - in the «strong Feeling» blossoms in the magnificent blossoming. Everything is striking and prodigious here, but especially - the great craft, even more, it is inherent talent «to live and have fun in a foreign way». Though funny it is, but this play becomes very actual nowadays as well.

In front of us we can see a wedding. It is nothing else but bourgeois wedding, in which the fiancé Stasik Marhotsky and his fiancée Nata Marhotskaya-Lifshits have joined in holy matrimony and are happily meeting the guests. Let us say so, that the things Ellochka Shchukina was trying to put in «the Twelve Chairs» - in the «strong Feeling» blossoms in the magnificent blossoming. Everything is striking and prodigious here, but especially - the great craft, even more, it is inherent talent «to live and have fun in a foreign way». Though funny it is, but this play becomes very actual nowadays as well.