Yang Yang is a Doctor of Literature, Professor, and Vice President of Shanghai Academy of drama. He is a member of the China Writers’ Association, a member of the Shanghai Writers’ Association, a member of the expert committee of Shanghai Cultural Foundation, Director of China Fiction Society, and Director of China Literature and Art Theory Society.

• Postdramatic Theatre and the Chinese Cultural Context - DING Luonan On the Ecology of Avant-Garde Theatre in Shanghai in the 21st Century - ZHAI YueqinEight Modes of Romance and Marriage on the Stage Since the May Fourth Movement: A Historical Overview - LU WeiExploration and Correction: The Significance of Xinyue Society's Staging of Chitra in Theatre History - ZHANG ShiyangThe “Gong-Fa” of Xiqu - FU JinInvestigating the Artistic Features of the “Performative Stage Directions” of Liyuanxi - WANG XiaoruThe Trajectory of Jingju and the Impact of Western Culture in the Twentieth Century - ZHANG WeipinThe Theoretical Travel and Innovation of the Actantial Model in China - LIN QinghongFrom Mickiewicz to Lupa: The Spread and Reception of Polish Drama in China - XU JianKonrad Swinarski and the Influence of Bertolt Brecht – The Positive Impact of Intercultural Reception on the Development of Theatre - WEI MeiHip-hop, Immigrants, and Multi-culturalism: Unpacking the “Revolution” and “American Dream” in Hamilton - LI Xiaoyun, LI XiaohongReconsidering Cultural and Gender Identities: Analysis of the Xiqu Elements in M. Butterfly: Broadway Revival Edition - YIN Jiao

Yang Yang is a Doctor of Literature, Professor, and Vice President of Shanghai Academy of drama. He is a member of the China Writers’ Association, a member of the Shanghai Writers’ Association, a member of the expert committee of Shanghai Cultural Foundation, Director of China Fiction Society, and Director of China Literature and Art Theory Society.

• Postdramatic Theatre and the Chinese Cultural Context - DING Luonan On the Ecology of Avant-Garde Theatre in Shanghai in the 21st Century - ZHAI YueqinEight Modes of Romance and Marriage on the Stage Since the May Fourth Movement: A Historical Overview - LU WeiExploration and Correction: The Significance of Xinyue Society's Staging of Chitra in Theatre History - ZHANG ShiyangThe “Gong-Fa” of Xiqu - FU JinInvestigating the Artistic Features of the “Performative Stage Directions” of Liyuanxi - WANG XiaoruThe Trajectory of Jingju and the Impact of Western Culture in the Twentieth Century - ZHANG WeipinThe Theoretical Travel and Innovation of the Actantial Model in China - LIN QinghongFrom Mickiewicz to Lupa: The Spread and Reception of Polish Drama in China - XU JianKonrad Swinarski and the Influence of Bertolt Brecht – The Positive Impact of Intercultural Reception on the Development of Theatre - WEI MeiHip-hop, Immigrants, and Multi-culturalism: Unpacking the “Revolution” and “American Dream” in Hamilton - LI Xiaoyun, LI XiaohongReconsidering Cultural and Gender Identities: Analysis of the Xiqu Elements in M. Butterfly: Broadway Revival Edition - YIN Jiao

Yang Yang is a Doctor of Literature, Professor, and Vice President of Shanghai Academy of drama. He is a member of the China Writers’ Association, a member of the Shanghai Writers’ Association, a member of the expert committee of Shanghai Cultural Foundation, Director of China Fiction Society, and Director of China Literature and Art Theory Society.

• Postdramatic Theatre and the Chinese Cultural Context - DING Luonan On the Ecology of Avant-Garde Theatre in Shanghai in the 21st Century - ZHAI YueqinEight Modes of Romance and Marriage on the Stage Since the May Fourth Movement: A Historical Overview - LU WeiExploration and Correction: The Significance of Xinyue Society's Staging of Chitra in Theatre History - ZHANG ShiyangThe “Gong-Fa” of Xiqu - FU JinInvestigating the Artistic Features of the “Performative Stage Directions” of Liyuanxi - WANG XiaoruThe Trajectory of Jingju and the Impact of Western Culture in the Twentieth Century - ZHANG WeipinThe Theoretical Travel and Innovation of the Actantial Model in China - LIN QinghongFrom Mickiewicz to Lupa: The Spread and Reception of Polish Drama in China - XU JianKonrad Swinarski and the Influence of Bertolt Brecht – The Positive Impact of Intercultural Reception on the Development of Theatre - WEI MeiHip-hop, Immigrants, and Multi-culturalism: Unpacking the “Revolution” and “American Dream” in Hamilton - LI Xiaoyun, LI XiaohongReconsidering Cultural and Gender Identities: Analysis of the Xiqu Elements in M. Butterfly: Broadway Revival Edition - YIN Jiao