Doris Croissant is senior professor of East Asian art history at the University of Heidelberg (Germany). She has published on funeral art and portraiture in China, Rinpa painting, the concepts of realism and photography in Japan, and the gender discourse of native aesthetics in Japanese art and popular culture. Catherine Yeh is an Associate Professor at Boston University. Her research interests are presently in twentieth century Chinese entertainment culture, its political implications and its impact on social change. Her recent publications include Shanghai Love: Courtesan, Intellectuals and Entertainment Culture, 1850-1910 (Seattle, 2005). Joshua S. Mostow is Professor of Asian Studies at The University of British Columbia (Vancouver, Canada). He is also co-editor, with Norman Bryson and Maribeth Graybill, of Gender and Power in the Japanese Visual Field (Hawai’i, 2003).