Charles Barber is a Professor of Art History at the University of Notre Dame. He has published extensively on the intellectual history of the icon, notably Figure and Likeness (Princeton, 2002) and Contesting the Logic of Painting (Brill, 2007).David Jenkins is the Byzantine Studies Librarian at the University of Notre Dame.

• PrefaceAcknowledgementsAbbreviationsClassical Scholarschip in Twelfth-Century ByzantiumThe Literary, Cultural and Political Context for the Twelfth-Century Commentary on the Nicomacheau EthicsAritotelian Ethics in ByzantiumNeoplatonic Source-Material in Eustratios of Nicaea's Commentary on Book VI of the Nicomacheau EthicsEustratios of Nicaea's 'Definition of being' RevisitedEustratios of Nicaea on the Separation of Art and TheologyThe Anonymous Commentary on Nicomacheau Ethics VII: Language, Style and ImplicationsMichael of Ephesus on the Empirical Man, the Scientist and the Educated Man (In Ethica Nicomachea X and In de Partibus Animalium I)Some Observations on Michael of Ephesus' Comments on Nicomacheau Ethics XBibliographyIndex

Charles Barber is a Professor of Art History at the University of Notre Dame. He has published extensively on the intellectual history of the icon, notably Figure and Likeness (Princeton, 2002) and Contesting the Logic of Painting (Brill, 2007).David Jenkins is the Byzantine Studies Librarian at the University of Notre Dame.

• PrefaceAcknowledgementsAbbreviationsClassical Scholarschip in Twelfth-Century ByzantiumThe Literary, Cultural and Political Context for the Twelfth-Century Commentary on the Nicomacheau EthicsAritotelian Ethics in ByzantiumNeoplatonic Source-Material in Eustratios of Nicaea's Commentary on Book VI of the Nicomacheau EthicsEustratios of Nicaea's 'Definition of being' RevisitedEustratios of Nicaea on the Separation of Art and TheologyThe Anonymous Commentary on Nicomacheau Ethics VII: Language, Style and ImplicationsMichael of Ephesus on the Empirical Man, the Scientist and the Educated Man (In Ethica Nicomachea X and In de Partibus Animalium I)Some Observations on Michael of Ephesus' Comments on Nicomacheau Ethics XBibliographyIndex

Charles Barber is a Professor of Art History at the University of Notre Dame. He has published extensively on the intellectual history of the icon, notably Figure and Likeness (Princeton, 2002) and Contesting the Logic of Painting (Brill, 2007).David Jenkins is the Byzantine Studies Librarian at the University of Notre Dame.

• PrefaceAcknowledgementsAbbreviationsClassical Scholarschip in Twelfth-Century ByzantiumThe Literary, Cultural and Political Context for the Twelfth-Century Commentary on the Nicomacheau EthicsAritotelian Ethics in ByzantiumNeoplatonic Source-Material in Eustratios of Nicaea's Commentary on Book VI of the Nicomacheau EthicsEustratios of Nicaea's 'Definition of being' RevisitedEustratios of Nicaea on the Separation of Art and TheologyThe Anonymous Commentary on Nicomacheau Ethics VII: Language, Style and ImplicationsMichael of Ephesus on the Empirical Man, the Scientist and the Educated Man (In Ethica Nicomachea X and In de Partibus Animalium I)Some Observations on Michael of Ephesus' Comments on Nicomacheau Ethics XBibliographyIndex