Gülru Necipoğlu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.

• CONTENTSIN TRIBUTE TO OLEG GRABARBIBLIOGRAPHY 1993–2007PATRICIA CRONE, “Barefoot and Naked”: What Did the Bedouin of the Arab Conquests Look Like?MICHAEL COOK, The Namesake TabooGÜLRU NECİPOĞLU, The Dome of the Rock as Palimpsest: ʿAbd al-Malik’s Grand Narrative and Sultan Süleyman’s GlossesEVA HOFFMAN, Between East and West: The Wall Paintings of Samarra and the Construction of Abbasid Princely CultureYASSER TABBAA, Andalusian Roots and Abbasid Homage in the Qubbat al-Barudiyyin in MarrakechNASSER RABBAT, Design without Representation in Medieval EgyptSHEILA BLAIR, A Brief Biography of Abu ZaidSCOTT REDFORD, A Newly Read Inscription on the Walls of Antalya, TurkeyCYNTHIA ROBINSON, Marginal Ornament: Poetics, Mimesis, and Devotion in the Palace of the LionsHOWAYDA AL-HARITHY, Weaving Historical Narratives: Beirut’s Last Mamluk MonumentJONATHAN BLOOM, The “Fatimid” Doors of the Fakahani Mosque in CairoLISA GOLOMBEK, From Timur to Tivoli: Reflections on il giardino all’italianaANTHONY WELCH, The Emperor’s Grief: Two Mughal TombsDAVID ROXBURGH, “The Eye Is Favored for Seeing the Writing’s Form”: On the Sensual and the Sensuous in Islamic CalligraphyTÜLAY ARTAN, A Book of Kings Produced and Presented as a Treatise on HuntingMIKA NATIF, The SOAS Anvār-i Suhaylī: The Journey of a “Reincarnated” ManuscriptMARIANNA SHREVE SIMPSON, Mostly Modern Miniatures: Classical Persian Painting in the Early Twentieth Century