Imaginary: Word and Image

Claus Clüver, an Indiana University professor emeritus of Comparative Literature, has also taught at New York University, the University of California at Berkeley, and in several European and Brazilian universities. His publications include a book in German on 20th-century theatre and over forty essays on the history, theory, and practice of intermedial and interarts studies, especially on Concrete and visual poetry, intersemiotic transposition and ekphrasis, and representation in the arts. He is co-editor of The Pictured Word (1998), Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000–2000 (2004), Orientations: Space/Time/Image/Word (2005, all Rodopi), and Intermidialidade (UFMG, Brazil, 2006).Matthijs Engelberts is based at the University of Amsterdam, where his current research is centered primarily on aspects of mediality in modern literature and (other) narrative art media. His publications include books, edited volumes, and articles in French and English on (genre and media- related questions in) surrealist theatre, the contemporary drama text, theatresports, Beckett, Tardieu, Duras, Molière, Philippe Claudel, and other authors. He is a member of the core editorial board of the bilingual journal Samuel Beckett Today/aujourd’hui.Véronique Plesch, Professor of Art History at Colby College, has published on subjects ranging from Passion iconography to art in the Duchy of Savoy, and from passion plays to early modern graffiti, with forays into contemporary art. She is the author of Illuminating Words: The Artist’s Books of Christopher Gausby (Smith College Museum of Art, 1999), Le Christ peint: le cycle de la Passion dans les chapelles peintes du XVe siècle dans les États de Savoie (Société Savoisienne d’Histoire et d’Archéologie, 2004), Painter and Priest: Giovanni Canavesio and the Passion Cycle at Notre-Dame des Fontaines, La Brigue (U of Notre Dame P, 2006). She also co-edited The Cultural Processes of Appropriation (special issue of the Journal of Medieval and Early Modern Studies, 2002), Orientations: Space/Time/Image/Word (Rodopi, 2005), Elective Affinities: Testing Word and Image Relationships (Rodopi, 2009), Efficacité/Efficacy: How To Do Things With Words and Images? (Rodopi, 2011). She is the current President of the International Association of Word and Image Studies.

• INTRODUCTIONSUMMARIES RÉSUMÉSTRANSPOSITIONS OF THE IMAGINARY IN WORD AND IMAGE: ILLUSTRATIONS TRANSPOSITIONS DE L’IMAGINAIRE EN TEXTE ET IMAGE: ILLUSTRATIONSCaroline Marie(Re-)Imaging the Imaginary of a Children's Story by Virginia Woolf:Nurse Lugton… through the Prism of Three IllustratorsEric T. HaskellTwentieth-Century Illustrations of Baudelaire's "La Mort des amants"Philippe KaenelL’Illustration abstraite au XXe siècle: un paradoxe lessingien?TRANSPOSITIONS OF THE IMAGINARY IN WORD AND IMAGE: VERBALIZATIONS TRANSPOSITIONS DE L’IMAGINAIRE EN TEXTE ET IMAGE: VERBALISATIONSNataliya LeninaL'Ekphrasis dans le roman de Georges Rodenbach Bruges-la-MorteSimone GrossmanTextes et images dans L’Atelier des apparencesAlexandra CatanaThe Play of Supports in the Poetics of Christian Dotremont RE-IMAG(IN)ING WORDS AND IMAGES IN THE COMIC BOOK RÉIMAGINER TEXTES ET IMAGES DANS LA BANDE DESSINÉELynn BannonLa Peinture par la bande:le cas de l’album citationnel Lucky Luke: l’artiste peintreFrance LemoineThe Representation of the Ineffable: Proust in ImagesÉvelyne DeprêtreUne mélancolie mesurée: de Proust à HeuetJean-Louis TilleuilLa Bande dessinee et ses imaginaires hegemoniques ou phagocytes:le cas de Gemma Bovery de Posy SimmondsTHE IMAGINARY AND THE SCREEN: BOOKS, MOVIES, TELEVISION L’IMAGINAIRE ET L’ÉCRAN: LIVRES, FILMS, TÉLÉVISIONFrançoise SammarcelliHaunted Places: Screening the Imaginaryin A Night at the Movies, Or, You Must Remember This by Robert CooverSonia LagerwallThrough the Looking-Glass with Chloe Delaume:The Imaginary of Television Read by the Autofictional NovelArcana AlbrightTo View or Not to View?Jean-Philippe Toussaint’s Televisual ImaginaryIMAGINARIES IN DIGITAL MEDIA IMAGINAIRES DANS LES MÉDIAS NUMÉRIQUESJan Baetens et Fred TruyenLe Portrait de l’écrivain: une mythologie pérenne?Anaïs GuiletVers une littérature cyborg: l’hybridation médiatique du texte littéraireCaroline BemText as Image in the Digital Age:A Formalist Reading of Polyvore Sets THE IMAGINARY AND MEMORY L’IMAGINAIRE ET LA MÉMOIRELiliane LouvelSuaires blancs et noirs, imag(inair)es en negatif:quand l’image “revient” comme empreinte et traceClaire GheerardynIconoclasme textuel: mettre en mots le monument pour mieux le briserMaryse OuelletPour un imaginaire du présentisme:images du temps chez Claudio Parmiggiani et Hannah ArendtTHE IMAGINARY OF PLACES L’IMAGINAIRE DES LIEUXJorgelina OrftlaOn Art History and Meta-Images:Art Reproductions, Site Photographs, and Cezanne's ArtNathalie RoelensLa Ville et ses prosopopées fabuleusesEleonora DiamantiDetournement et magnificationde l’imaginaire urbain dans les discours sociauxCONTRIBUTORS CONTRIBUTEURSINDEX