Piers Baker-Bates, Ph.D. Cantab (2005), is a Visiting Research Associate at The Open University. He has published monographs and articles on Sebastiano del Piombo and also contributed to the 2017 National Gallery exhibition.Elena Calvillo, Ph.D. Johns Hopkins (2003), is Associate Professor of Art History at the University of Richmond. She has published several articles on the works of Giulio Clovio and Francisco de Holanda.

• ContentsPrefaceJudith MannAcknowledgmentsPiers Baker-BatesElena CalvilloList of IllustrationsNotes on ContributorsIntroductionPiers Baker-Bates and Elena CalvilloPart 1: Sebastiano del Piombo’s Invention and its Initial Influence1 Uno Nuovo Modo di Colorire in Pietra: Technical Experimentation in the Art of Sebastiano del PiomboPiers Baker-Bates2 Painted Stone: Idea and Practice in Italian RenaissanceAna González Mozo3 ‘Un paragone con oro su’: Material Innovation, Invention and Sebastiano del Piombo’s Papal PortraitureElena CalvilloPart 2: Ars et Natura: The Poetics and Collecting of Paintings on Stone4 The Matter of Similitude: Stone Paintings and the Limits of Representation in Cavaliere d’Arpino’s Perseus and Andromedaand Jacques Stella’s Jacob’s DreamChristopher J. Nygren5 Antonio Tempesta’s Paintings on Stone and the Development of a Genre in 17th-Century ItalyJohanna Beate LohffPlates 1-156 Glances into Stone: Hans von Aachen’s Paintings on StoneSusanne Wegmann7 Painting on Stone and Metal: Material Meaning and Innovation in Early Modern Northern European ArtNadia BaadjPart 3: Other Materials, Metaphors, and Inventions8 ‘Painting the Eternal’: Micromosaic Materiality and Transubstantiation in an Icon of Christ at Santa Croce in Gerusalemme, RomAnna Marazuela Kim9 Invention, Ambition and Failure: Niccolò Tornioli (1606-51) and “Il Segreto di Colorire il Marmo”Giulia Martina Weston10 Salvator Rosa: A Variety of SurfacesHelen LangdonPlates 16-32Index

Piers Baker-Bates, Ph.D. Cantab (2005), is a Visiting Research Associate at The Open University. He has published monographs and articles on Sebastiano del Piombo and also contributed to the 2017 National Gallery exhibition.Elena Calvillo, Ph.D. Johns Hopkins (2003), is Associate Professor of Art History at the University of Richmond. She has published several articles on the works of Giulio Clovio and Francisco de Holanda.

• ContentsPrefaceJudith MannAcknowledgmentsPiers Baker-BatesElena CalvilloList of IllustrationsNotes on ContributorsIntroductionPiers Baker-Bates and Elena CalvilloPart 1: Sebastiano del Piombo’s Invention and its Initial Influence1 Uno Nuovo Modo di Colorire in Pietra: Technical Experimentation in the Art of Sebastiano del PiomboPiers Baker-Bates2 Painted Stone: Idea and Practice in Italian RenaissanceAna González Mozo3 ‘Un paragone con oro su’: Material Innovation, Invention and Sebastiano del Piombo’s Papal PortraitureElena CalvilloPart 2: Ars et Natura: The Poetics and Collecting of Paintings on Stone4 The Matter of Similitude: Stone Paintings and the Limits of Representation in Cavaliere d’Arpino’s Perseus and Andromedaand Jacques Stella’s Jacob’s DreamChristopher J. Nygren5 Antonio Tempesta’s Paintings on Stone and the Development of a Genre in 17th-Century ItalyJohanna Beate LohffPlates 1-156 Glances into Stone: Hans von Aachen’s Paintings on StoneSusanne Wegmann7 Painting on Stone and Metal: Material Meaning and Innovation in Early Modern Northern European ArtNadia BaadjPart 3: Other Materials, Metaphors, and Inventions8 ‘Painting the Eternal’: Micromosaic Materiality and Transubstantiation in an Icon of Christ at Santa Croce in Gerusalemme, RomAnna Marazuela Kim9 Invention, Ambition and Failure: Niccolò Tornioli (1606-51) and “Il Segreto di Colorire il Marmo”Giulia Martina Weston10 Salvator Rosa: A Variety of SurfacesHelen LangdonPlates 16-32Index

Piers Baker-Bates, Ph.D. Cantab (2005), is a Visiting Research Associate at The Open University. He has published monographs and articles on Sebastiano del Piombo and also contributed to the 2017 National Gallery exhibition.Elena Calvillo, Ph.D. Johns Hopkins (2003), is Associate Professor of Art History at the University of Richmond. She has published several articles on the works of Giulio Clovio and Francisco de Holanda.

• ContentsPrefaceJudith MannAcknowledgmentsPiers Baker-BatesElena CalvilloList of IllustrationsNotes on ContributorsIntroductionPiers Baker-Bates and Elena CalvilloPart 1: Sebastiano del Piombo’s Invention and its Initial Influence1 Uno Nuovo Modo di Colorire in Pietra: Technical Experimentation in the Art of Sebastiano del PiomboPiers Baker-Bates2 Painted Stone: Idea and Practice in Italian RenaissanceAna González Mozo3 ‘Un paragone con oro su’: Material Innovation, Invention and Sebastiano del Piombo’s Papal PortraitureElena CalvilloPart 2: Ars et Natura: The Poetics and Collecting of Paintings on Stone4 The Matter of Similitude: Stone Paintings and the Limits of Representation in Cavaliere d’Arpino’s Perseus and Andromedaand Jacques Stella’s Jacob’s DreamChristopher J. Nygren5 Antonio Tempesta’s Paintings on Stone and the Development of a Genre in 17th-Century ItalyJohanna Beate LohffPlates 1-156 Glances into Stone: Hans von Aachen’s Paintings on StoneSusanne Wegmann7 Painting on Stone and Metal: Material Meaning and Innovation in Early Modern Northern European ArtNadia BaadjPart 3: Other Materials, Metaphors, and Inventions8 ‘Painting the Eternal’: Micromosaic Materiality and Transubstantiation in an Icon of Christ at Santa Croce in Gerusalemme, RomAnna Marazuela Kim9 Invention, Ambition and Failure: Niccolò Tornioli (1606-51) and “Il Segreto di Colorire il Marmo”Giulia Martina Weston10 Salvator Rosa: A Variety of SurfacesHelen LangdonPlates 16-32Index