Art and Material Culture in Medieval and Renaissance Europe – serie
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28 produkter
28 produkter
Del 5 - Art and Material Culture in Medieval and Renaissance Europe
Material Culture and Queenship in 14th-century France
The Testament of Blanche of Navarre (1331-1398)
Inbunden, Engelska, 2016
2 348 kr
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In Material Culture and Queenship in 14th-century France: The Testament of Blanche of Navarre (1331-1398) Marguerite Keane considers the object collection of the long-lived fourteenth-century French queen Blanche of Navarre, the wife of Philip VI (d. 1350). This queen’s ownership of works of art (books, jewelry, reliquaries, and textiles, among others) and her perceptions of these objects is well -documented because she wrote detailed testaments in 1396 and 1398 in which she described her possessions and who she wished to receive them. Keane connects the patronage of Blanche of Navarre to her interest in her status and reputation as a dowager queen, as well as bringing to life the material, adornment, and devotional interests of a medieval queen and her household.
Del 2 - Art and Material Culture in Medieval and Renaissance Europe
Stone, Flesh, Spirit: The Entombment of Christ in Late Medieval Burgundy and Champagne
Inbunden, Engelska, 2015
2 250 kr
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Grief binds the worshipers together in an adagio of sorrow as they encounter the sculptural representation of the Entombment of Christ. Located in funerary chapels, parish churches, cemeteries, and hospitals, these works embody the piety of the later Middle Ages. In this book, Donna Sadler examines the sculptural Entombments from Burgundy and Champagne through a variety of lenses, including performance theory, embodied perception, and the invocation of the absent presence of the Holy Sepulcher. The author demonstrates how the action of Joseph of Arimathea and Nicodemus entombing Christ in the presence of the Marys and John operates in a commemorative and collective fashion: the worshiper enters the realm of the holy and becomes a participant in the biblical event.
Del 6 - Art and Material Culture in Medieval and Renaissance Europe
Our Dogs, Our Selves
Dogs in Medieval and Early Modern Art, Literature, and Society
Inbunden, Engelska, 2016
3 248 kr
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The ubiquity of references to dogs in medieval and early modern texts and images must at some level reflect their actual presence in those worlds, yet scholarly consideration of this material is rare and scattered across diverse sources. This volume addresses that gap, bringing together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam. While primarily art historical in focus, the authors approach the subject from a range of disciplines and with varying methodology that ultimately reveals as much about dogs as about the societies in which they lived.Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.
Del 1 - Art and Material Culture in Medieval and Renaissance Europe
From the Mandylion of Edessa to the Shroud of Turin
The Metamorphosis and Manipulation of a Legend
Inbunden, Engelska, 2014
2 250 kr
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According to legend, the Mandylion was an image of Christ’s face imprinted on a towel, kept in Edessa. This acheiopoieton image (“not made by human hands”) disappeared in the eighteenth century. The first records of another acheiropoieton relic appeared in mid-fourteenth century France: a long linen bearing the image of Jesus’ corpse, known nowadays as the Holy Shroud of Turin. Some believe the Mandylion and the Shroud to be the same object, first kept in Edessa, later translated to Constantinople, France and Italy. Andrea Nicolotti traces back the legend of the Edessean image in history and art, focusing especially on elements that could prove its identity with the Shroud, concluding that the Mandylion and the Shroud are two distinct objects.
Del 3 - Art and Material Culture in Medieval and Renaissance Europe
Wounded Cities: The Representation of Urban Disasters in European Art (14th-20th Centuries)
Inbunden, Engelska, 2015
2 443 kr
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Natural hazards punctuate the history of European towns, moulding their shape and identity: this book is devoted to the artistic representation of those calamities, from the late Middle Ages to the 20th century. It contains nine case studies which discuss, among others, the relationship between biblical imagery and the realistic depiction of urban disasters; the religious, political and ritual meanings of “destruction subjects” in early modern painting; the image of fire in Renaissance treatises on architecture; the first photographic campaigns documenting earthquakes’ damages; the role of contemporary art in the elaboration of a cultural memory of urban destructions. Thus, this book intends to address one of the main issues of Western civilization: the relationship of European towns with their own past and its discontinuities.Contributors are Alessandro Del Puppo, Isabella di Lenardo, Marco Folin, Sophie Goetzmann, Emanuela Guidoboni, Philippe Malgouyres, Olga Medvedkova, Fabrizio Nevola, Monica Preti and Tiziana Serena.
Del 4 - Art and Material Culture in Medieval and Renaissance Europe
Cellini's Perseus and Medusa and the Loggia dei Lanzi
Configurations of the Body of State
Inbunden, Engelska, 2015
2 192 kr
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Benvenuto Cellini’s Perseus and Medusa, one of Renaissance Italy’s most complex sculptures, is the subject of this study, which proposes that the statue’s androgynous appearance is paradoxical. Symbolizing the male ruler overcoming a female adversary, the Perseus legitimizes patriarchal power; but the physical similarity between Cellini’s characters suggests the hero rose through female agency. Dr. Corretti argues that although not a surrogate for powerful Medici women, Cellini’s Medusa may have reminded viewers that Cosimo I de’ Medici’s power stemmed in part from maternal influence. Drawing upon a vast body of art and literature, Dr. Corretti concludes that Cellini and his contemporaries knew the Gorgon as a version of the Earth Mother, whose image is found in art for Medici women.
Del 8 - Art and Material Culture in Medieval and Renaissance Europe
Space, Place, and Motion: Locating Confraternities in the Late Medieval and Early Modern City
Inbunden, Engelska, 2017
3 147 kr
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Space, Place, and Motion: Locating Confraternities in the Late Medieval and Early Modern City offers the first sustained comparative examination of the relationship between confraternal life and the spaces of the late medieval and early modern city. By considering cities large (Rome) and small (Aalst) in regions as disparate as Ireland and Mexico, the essays collected here seek to uncover the commonalities and differences in confraternal practice as they played out on the urban stage. From the candlelit oratory to the bustling piazza, from the hospital ward to the festal table, from the processional route to the execution grounds, late medieval and early modern cities, this interdisciplinary book contends, were made up of fluid and contested ‘confraternal spaces.’Contributors are: Kira Maye Albinsky, Meryl Bailey, Cormac Begadon, Caroline Blondeau-Morizot, Danielle Carrabino, Andrew Chen, Ellen Decraene, Laura Dierksmeier, Ellen Alexandra Dooley, Douglas N. Dow, Anu Mänd, Rebekah Perry, Pamela A.V. Stewart, Arie van Steensel, and Barbara Wisch.
Del 10 - Art and Material Culture in Medieval and Renaissance Europe
Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe
Inbunden, Engelska, 2018
2 518 kr
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Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe gathers together an international group of ten scholars, who offer a novel account of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe. This technique was devised in Rome by Sebastiano del Piombo in the early sixteenth century and was practiced until the late seventeenth century. This phenomenon has attracted little attention previously: the volume therefore makes a significant and timely contribution to the field in the light of recent studies of materiality and the rise of technical Art History.Contributors: Nadia Baadj, Piers Baker-Bates, Elena Calvillo, Ana Gonsalez Mozo, Anna Kim, Helen Langdon, Johanna Beate Lohff, Judith Mann, Christopher Nygren, Suzanne Wegmann, and Giulia Martina Weston.
Del 12 - Art and Material Culture in Medieval and Renaissance Europe
Devotional Interaction in Medieval England and its Afterlives
Inbunden, Engelska, 2018
3 154 kr
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Devotional Interaction in Medieval England and its Afterlives examines the interaction between medieval English worshippers and the material objects of their devotion. The volume also addresses the afterlives of objects and buildings in their temporal journeys from the Middle Ages to the present day. Written by the participants of a National Endowment for the Humanities-funded seminar held in York, U.K., in 2014, the chapters incorporate site-specific research with the insights of scholars of visual art, literature, music, liturgy, ritual, and church history. Interdisciplinarity is a central feature of this volume, which celebrates interactivity as a working method between its authors as much as a subject of inquiry.Contributors are Lisa Colton, Elizabeth Dachowski, Angie Estes, Gregory Erickson, Jennifer M. Feltman, Elisa A. Foster, Laura D. Gelfand, Louise Hampson, Kerilyn Harkaway-Krieger, Kathleen E. Kennedy, Heather S. Mitchell-Buck, Julia Perratore, Steven Rozenski, Carolyn Twomey, and Laura J. Whatley.
Del 7 - Art and Material Culture in Medieval and Renaissance Europe
Limits of Identity: Early Modern Venice, Dalmatia, and the Representation of Difference
Inbunden, Engelska, 2017
2 635 kr
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This book considers the production of collective identity in Venice (Christian, civic-minded, anti-tyrannical), which turned on distinctions drawn in various fields of representation from painting, sculpture, print, and performance to classified correspondence. Dismemberment and decapitation bore a heavy burden in this regard, given as indices of an arbitrary violence ascribed to Venice’s long-time adversary, “the infidel Turk.” The book also addresses the recuperation of violence in Venetian discourse about maintaining civic order and waging crusade. Finally, it examines mobile populations operating in the porous limits between Venetian Dalmatia and Ottoman Bosnia and the distinctions they disrupted between “Venetian” and “Turk” until their settlement on farmland of the Venetian state. This occurred in the eighteenth century with the closing of the borderlands, thresholds of difference against which early modern “Venetian-ness” was repeatedly measured and affirmed.
Del 9 - Art and Material Culture in Medieval and Renaissance Europe
English Gothic Misericord Carvings
History from the Bottom Up
Inbunden, Engelska, 2017
2 036 kr
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English Gothic Misericord Carvings: History from the Bottom Up by Betsy Chunko-Dominguez is the first book to move beyond textual dependence and traditional iconographic analysis when examining misericords. It likewise builds the most thorough discussion to date of the relationship between the misericord’s several potential audiences – including patron, craftsman, occupant of the seat, and modern viewer.Beyond the bounds of misericord studies, there are implications here for study of the relationship between center and margin in late medieval art; and, indeed, what constitutes ‘center’ and ‘margin’ as conceptual realms. Ultimately, this book attempts both to re-integrate the study of misericords into the study of Gothic art in general, and to re-center them in relation to our understanding of late medieval culture.
Del 11 - Art and Material Culture in Medieval and Renaissance Europe
Late Gothic Painting in the Crown of Aragon and the Hispanic Kingdoms
Inbunden, Engelska, 2018
3 248 kr
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This book aims to analyze the genesis and evolution of late Gothic painting in the Crown of Aragon and the rest of the Hispanic kingdoms, examining this phenomenon in relation to the whole context of Europe in the second half of the fifteenth century. The authors consider the influence of the Flemish primitive movement on the art produced by their Spanish colleagues, the artistic relations and interchanges with the Netherlands and other countries, and the introduction and development of the Flemish language in the Spanish lands. The book also examines altarpieces, considering topics such as changes in shape and structure and liturgical links, along with offering stylistic analyses supported by new technologies.Contributors are Joan Aliaga, Maria Antonia Argelich, Marc Ballesté, Judith Berg Sobré, Carme Berlabé, Eduardo Carrero, Ximo Company, Francesca Español, Francesc Fité, Montserrat Jardí, Nicola Jennings, Fernando Marías, Didier Martens, Isidre Puig, Nuria Ramón, Pedro José Respaldiza, Stefania Rusconi, Tina Sabater, Albert Sierra, Pilar Silva, Lluïsa Tolosa, Alberto Velasco, and Joaquín Yarza (†).
Del 23 - Art and Material Culture in Medieval and Renaissance Europe
Secret Spaces: Sacred Treasuries in England 1066–1320
Inbunden, Engelska, 2024
2 309 kr
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The medieval treasure house, consisting of sacristy, vestry and treasure rooms was the depository for the ecclesiastical treasure belonging to a church, holy vessels, vestments, altar hangings, candlesticks and priceless liturgical books and reliquaries. It was carefully designed to convey the message of its status and function.A book devoted to these medieval museums which housed such precious materials is long overdue. Ironically, the interest in the objects that they conserved has often resulted in ecclesiastical treasure being removed to new museums, leaving their former places of protection in need of protection themselves.
Del 13 - Art and Material Culture in Medieval and Renaissance Europe
Shroud at Court
History, Usages, Places and Images of a Dynastic Relic
Inbunden, Engelska, 2019
2 951 kr
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The Shroud at the Court analyses, through various essays characterized by a multidisciplinary and diachronic perspective, the strict ties created between the Shroud and the Savoy court from the fifteenth to twentieth centuries. Presented as proof of the divine legitimacy of Savoy lineage, the Shroud (of which the Savoy dynasty came into possession in 1453, keeping it first in Chambéry and then from 1578 in Turin) was central to their propagandistic strategies. The court – its spaces, protagonists, and rituals – became the natural setting for a relationship reinforced over time through customs, ceremonies, and images intended to celebrate the excellence of the Savoy, both within their own state and in Europe’s “society of princes”.Contributors are Paola Caretta, Paolo Cornaglia, Paolo Cozzo, Davide De Franco, Bernard Dompnier, Laura Gaffuri, Pierangelo Gentile, Luisella Giachino, Andrea Merlotti, Frédéric Meyer, Andrea Nicolotti, Almudena Pérez de Tudela, Laurent Ripart, Alessandro Serra and Franca Varallo.
Del 14 - Art and Material Culture in Medieval and Renaissance Europe
Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture
Inbunden, Engelska, 2019
2 344 kr
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Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences.The six chapters include Pentecost, Noli me tangere, the woman with an issue of blood, the Johannesschüssel, the dancing Salome, and the role of the wind.The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific métier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.
Del 15 - Art and Material Culture in Medieval and Renaissance Europe
Pieter Bruegel the Elder
Religious Art for the Urban Community
Inbunden, Engelska, 2019
2 230 kr
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Barbara Kaminska’s Pieter Bruegel the Elder: Religious Art for the Urban Community is the first book-length study focusing on religious paintings by one of the most captivating Netherlandish artists, long celebrated for his secular imagery. In a period marked by a profound religious, economic, and cultural transformation, Bruegel offered his sophisticated urban audience complex biblical images that required an engaged, active viewing, not only sparking learned dinner conversations, but facilitating the negotiation of values seen as critical to maintaining a harmonious society. By considering the novelty of Bruegel’s panels used in convivia alongside his small, intimate grisaille compositions, this study ultimately shows that Bruegel renewed the idiom of religious painting, successfully preserving its ritualistic and meditative functions.
Del 20 - Art and Material Culture in Medieval and Renaissance Europe
Baptismal Font Canopy of St. Peter Mancroft, Norwich
Studies of a Medieval Monument over Four Centuries
Inbunden, Engelska, 2023
3 730 kr
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The early 16th-century baptismal font canopy of the church of St. Peter Mancroft, Norwich, is one of only three such structures to survive anywhere in the British Isles. This study, inspired by the recent rediscovery of four attributable panels at the Philadelphia Museum of Art, offers a trans-temporal account of the canopy’s initial creation and subsequent use, mutilation, and modification. Written by a team of scholars in art/architectural history, art conservation, heritage documentation, literary studies, and museum curation, it explores the installation’s multiple artistic, ritual, and cultural contexts, from late medieval and early modern Europe to modern-day North America.Contributors are Benjamin Baaske, Sarah Blick, Kate Duffy, Brent R. Fortenberry, Amy Gillette, Jack Hinton, Lesley Milner, Peggy Olley, Ellen K. Rentz, Behrooz Salimnejad, Zachary Stewart, Achim Timmermann, Charles Tracy, Kim Woods, and Lucy Wrapson.
Del 16 - Art and Material Culture in Medieval and Renaissance Europe
Right and Left in Early Christian and Medieval Art
Inbunden, Engelska, 2021
2 566 kr
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Robert Couzin’s Right and Left in Early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imagery are relevant to such major themes as iconography, visuality, reception, narrative, form, gender, production, and patronage. The author’s investigation of right and left in visual culture is informed by modern experimental research on laterality and contextualized within prevailing theological doctrines and socio-cultural practices. Illustrations in the text are complemented by hundreds more made available on Brill's Arkyves platform here.See inside the book.
Del 17 - Art and Material Culture in Medieval and Renaissance Europe
Transmissions and Translations in Medieval Literary and Material Culture
Inbunden, Engelska, 2021
2 405 kr
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Bringing together the work of scholars from disparate fields of enquiry, this volume provides a timely and stimulating exploration of the themes of transmission and translation, charting developments, adaptations and exchanges – textual, visual, material and conceptual – that reverberated across the medieval world, within wide-ranging temporal and geographical contexts. Such transactions generated a multiplicity of fusions expressed in diverse and often startling ways – architecturally, textually and through peoples’ lived experiences – that informed attitudes of selfhood and ‘otherness’, senses of belonging and ownership, and concepts of regionality, that have been further embraced in modern and contemporary arenas of political and cultural discourse.Contributors are Tarren Andrews, Edel Bhreathnach, Cher Casey, Katherine Cross, Amanda Doviak, Elisa Foster, Matthias Friedrich, Jane Hawkes, Megan Henvey, Aideen Ireland, Alison Killilea, Ross McIntire, Lesley Milner, John Mitchell, Nino Simonishvili, and Rachael Vause.
Del 18 - Art and Material Culture in Medieval and Renaissance Europe
Art, Architecture, and the Moving Viewer, c. 300-1500 CE
Unfolding Narratives
Inbunden, Engelska, 2022
2 506 kr
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Premodern architecture and built environments were fluid spaces whose configurations and meanings were constantly adapting and changing. The production of transitory meaning transpired whenever a body or object moved through these dynamic spaces. Whether spanning the short duration of a procession or the centuries of a building’s longue durée, a body or object in motion created in-the-moment narratives that unfolded through time and space. The authors in this volume forge new approaches to architectural studies by focusing on the interaction between monuments, artworks, and their viewers at different points in space and time.Contributors are Christopher A. Born, Elizabeth Carson Pastan, Nicole Corrigan, Gillian B. Elliott, Barbara Franzé, Anne Heath, Philip Jacks, Divya Kumar-Dumas, Brigitte Kurmann-Schwarz, Ashley J. Laverock, Susan Leibacher Ward, Elodie Leschot, Meghan Mattsson McGinnis, Michael Sizer, Kelly Thor, and Laura J. Whatley.
Del 19 - Art and Material Culture in Medieval and Renaissance Europe
Type and Archetype in Late Antique and Byzantine Art and Architecture
Inbunden, Engelska, 2023
2 682 kr
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This book addresses typology of Late Antique and Byzantine art and architecture in eight wide-ranging contributions from an international group of scholars. A dialogue between type and its ultimate source, archetype, surpasses issues of formalism and conventional chronological narratives to suggest a more nuanced approach to typology as a systematic and systemic classification of types in the visual landscape of the pagans, Jews, and Christians.Set against the contemporaneous cultural context, select examples of Mediterranean material culture confirm the great importance of type-and-archetype constructs for theoretical discourse on architecture and visual arts.Contributors are Anna Adashinskaya, Jelena Anđelković Grašar, Jelena Bogdanović, Čedomila Marinković, Marina Mihaljević, Ljubomir Milanović, Cecilia Olovsdotter, and Ida Sinkević.
Del 25 - Art and Material Culture in Medieval and Renaissance Europe
Shades of Meaning: Shadows in Medieval Manuscript Illumination
Inbunden, Engelska, 2025
1 971 kr
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Are there shadows in medieval art? Studies on the role of shadows in art history have either glanced over or ignored the medieval period, yet people of the Middle Ages certainly saw and thought about shadows and recorded their ideas about these phenomena in texts and images.This book examines references to shadows in science, religion, and folklore of the Middle Ages. Through the lens of fifteenth-century manuscript painting, it investigates visual, metaphorical, and supernatural shadows in art to discover what shadows meant to the medieval viewer.
Del 24 - Art and Material Culture in Medieval and Renaissance Europe
Art, Travel, and Exchange between Iberia and Global Geographies, c. 1400–1550
Inbunden, Engelska, 2024
2 497 kr
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Traditional narratives hold that the art and architecture of the Iberian Peninsula in the late 15th century were transformed by the arrival of artists, objects, and ideas from northern Europe. The year 1492 has been interpreted as a radical rupture, marking the end of the Islamic presence on the peninsula, the beginning of global encounters, and the intensification of exchange between Iberia and Renaissance Italy.This volume aims to nuance and challenge this narrative, considering the Spanish and Portuguese worlds in conjunction, and emphasising the multi-directional migrations of both objects and people to and from the peninsula. This long-marginalised region is recast as a ‘diffuse artistic centre’ in close contact with Europe and the wider world. The chapters interweave varied media, geographies, and approaches to create a rich tapestry held together by itinerant artworks, artists, and ideas.Contributors are Luís Urbano Afonso, Sylvia Alvares-Correa, Vanessa Henriques Antunes, Piers Baker-Bates, Costanza Beltrami, António Candeias, Ana Cardoso, Maria L. Carvalho, Maria José Francisco, Bart Fransen, Alexandra Lauw, Marta Manso, Eva March, Encarna Montero Tortajada, Elena Paulino Montero, Fernando António Baptista Pereira, Joana Balsa de Pinho, María Sanz Julián, Steven Saverwyns, Marco Silvestri, Maria Vittoria Spissu, Sara Valadas, Céline Ventura Teixeira, Nelleke de Vries, and Armelle Weitz.
Del 21 - Art and Material Culture in Medieval and Renaissance Europe
Mitre: Its Origins and Early Development
Inbunden, Engelska, 2024
2 407 kr
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The story of the mitre began during the 11th-century church reform movements and was, surprisingly, inspired by a popular pastime. After a thousand years of bare heads, the Church finally had an official hat, signaling newly-structured internal dynamics, an increase in power and influence in society, and greater parity with secular leaders.
Del 22 - Art and Material Culture in Medieval and Renaissance Europe
Cittadini of Venice
Shaping Identities between Networks and Patronage (c. 1530-1690)
Inbunden, Engelska, 2024
2 380 kr
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In this volume Giulia Zanon sheds new light on our grasp of social hierarchy and the possibilities for social mobility in pre-modern Italy. By adopting an interdisciplinary approach that combines deep archival research with a multitude of artistic and architectural artefacts, this work breaks new ground by contextualizing the part played by social relationships and the arts in publicly affirming and displaying the prestige of the middling sorts, the cittadini, in early modern Venice.
Del 26 - Art and Material Culture in Medieval and Renaissance Europe
Unrepresented: the Suppression of Images in the Middle Ages
Inbunden, Engelska, 2025
2 043 kr
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The study of representational art traditionally focusses on what is represented rather than what is missing. Robert Couzin’s Unrepresented: The Suppression of Images in the Middle Ages is a unique study of figures and attributes left out of the picture. Why avoid depicting the dead body of Christ, Muhammad, the reigning emperor or biblical text? What explains changes in the approach to representing heretics and Jews?Through a series of case studies, this book shows how omissions could reflect strategic decisions based on political designs, social frameworks, religious practices, evolving mentalities and theological doctrines.
Del 28 - Art and Material Culture in Medieval and Renaissance Europe
Medieval Treasures of Toledo Cathedral
Artworks, Relics, Texts, and Textiles
Inbunden, Engelska, 2026
2 850 kr
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With Medieval Treasures of Toledo Cathedral: Artworks, Relics, Texts, and Textiles, the Treasury Project continues exploring how treasuries accommodated the evolving interests of their holders across the Middle Ages. Following up on The Medieval Iberian Treasury in the Context of Cultural Interchange, Expanded Edition (Brill, 2020), this volume focuses on a selection of the precious objects and multiple inventories of Toledo Cathedral (12th-16th centuries). Methodologies from art history, material culture, history, and archaeology are drawn upon, analyzing inventories together with textiles, metalworks, enamels, rock crystals, ivories, and illuminated manuscripts. Artifacts act as evidence alongside archival sources, while technical analyses make crucial contributions to the story that long-lived objects can tell us about their origins, functions, changing meanings, and reuse in medieval Iberia.Contributors are Xosé-Lois Armada, Silvia Armando, Ana Cabrera Lafuente, María Judith Feliciano, Julie A. Harris, Francisco J. Hernández, Jitske Jasperse, Therese Martin, Ignacio Montero-Ruiz, Tom Nickson, and Shannon L. Wearing.
Del 27 - Art and Material Culture in Medieval and Renaissance Europe
Conrad of Hirsau’s Trees of Vices and Virtues
From De fructu carnis et spiritus to the Speculum virginum
Inbunden, Engelska, 2025
2 874 kr
Skickas inom 3-6 vardagar
Conrad of Hirsau (c.1070 – c.1150) created the famous Trees of Vices and Virtues in De fructu carnis et spiritus, which he prepared before 1133 for illiterate lay brothers. This investigation provides an edition and translation of that work and defines its influential images. It also discovers the convoluted process through which Conrad developed that work into the Speculum virginum c.1140 – 1150 for religious women. This study reveals that Conrad composed that work for his two young women relatives who had entered the Andernach convent, that the autograph manuscript is British Library Arundel 44, and that Conrad himself rendered its numerous innovative pictures.