Cristián H. Ricci, Ph.D. (2003), is Professor of Iberian Studies and North African Studies at the University of California, Merced. He has published many monographs on Spanish and Moroccan literatures, including ¡Hay moros en la costa! Literatura marroquí fronteriza en castellano y catalán (Iberoamericana, 2014).

• AcknowledgementsA Note on TranslationsIntroduction: A Transmodern-Postcolonial Approach to Afro-European Literature1 Memories of al-Andalus: between “Paterista” and Testimonial Poetry2 Negotiating Afro-Iberian Identity in Moroccan and Riffian Literature1 Castilian Language in Morocco: from the Protectorate to the “Return of the Moors”2 Moroccan Borderland Literature in Castilian3 Amazigh (Berber)-Catalan Women and the Forging of an Afro-Iberian Identity3 Marginal Sexualities in/from Morocco and France1 Salvation Army2 An Arab Melancholia4 Writing the Riff (Morocco) from the Netherlands and Belgium1 Wedding by the Sea: Troublesome Homecoming for Second-generation Migrants2 Abdullah’s Feet: the Longing for an Imaginary Homeland from Amsterdam3 Internal and External Borders in Brick Oussaïd’s Mountains Forgotten by God5 Moroccan Displacements through History in the Narrative of Laila LalamiConclusionWorks CitedIndex

Cristián H. Ricci, Ph.D. (2003), is Professor of Iberian Studies and North African Studies at the University of California, Merced. He has published many monographs on Spanish and Moroccan literatures, including ¡Hay moros en la costa! Literatura marroquí fronteriza en castellano y catalán (Iberoamericana, 2014).

• AcknowledgementsA Note on TranslationsIntroduction: A Transmodern-Postcolonial Approach to Afro-European Literature1 Memories of al-Andalus: between “Paterista” and Testimonial Poetry2 Negotiating Afro-Iberian Identity in Moroccan and Riffian Literature1 Castilian Language in Morocco: from the Protectorate to the “Return of the Moors”2 Moroccan Borderland Literature in Castilian3 Amazigh (Berber)-Catalan Women and the Forging of an Afro-Iberian Identity3 Marginal Sexualities in/from Morocco and France1 Salvation Army2 An Arab Melancholia4 Writing the Riff (Morocco) from the Netherlands and Belgium1 Wedding by the Sea: Troublesome Homecoming for Second-generation Migrants2 Abdullah’s Feet: the Longing for an Imaginary Homeland from Amsterdam3 Internal and External Borders in Brick Oussaïd’s Mountains Forgotten by God5 Moroccan Displacements through History in the Narrative of Laila LalamiConclusionWorks CitedIndex

Cristián H. Ricci, Ph.D. (2003), is Professor of Iberian Studies and North African Studies at the University of California, Merced. He has published many monographs on Spanish and Moroccan literatures, including ¡Hay moros en la costa! Literatura marroquí fronteriza en castellano y catalán (Iberoamericana, 2014).

• AcknowledgementsA Note on TranslationsIntroduction: A Transmodern-Postcolonial Approach to Afro-European Literature1 Memories of al-Andalus: between “Paterista” and Testimonial Poetry2 Negotiating Afro-Iberian Identity in Moroccan and Riffian Literature1 Castilian Language in Morocco: from the Protectorate to the “Return of the Moors”2 Moroccan Borderland Literature in Castilian3 Amazigh (Berber)-Catalan Women and the Forging of an Afro-Iberian Identity3 Marginal Sexualities in/from Morocco and France1 Salvation Army2 An Arab Melancholia4 Writing the Riff (Morocco) from the Netherlands and Belgium1 Wedding by the Sea: Troublesome Homecoming for Second-generation Migrants2 Abdullah’s Feet: the Longing for an Imaginary Homeland from Amsterdam3 Internal and External Borders in Brick Oussaïd’s Mountains Forgotten by God5 Moroccan Displacements through History in the Narrative of Laila LalamiConclusionWorks CitedIndex