Christina Lodder is Honorary Professorial Fellow at the University of Kent. Her numerous publications include Russian Constructivism (1983), Constructing Modernity: The Art and Career of Naum Gabo (co-author, 2000), Rethinking Malevich (co-editor, 2007), and Utopian Reality (co-editor 2013).

• ContentsAcknowledgementsFiguresNotes on ContributorsIntroductionChristina Lodder1 New Information Concerning The Black SquareIrina Vakar2 Defining Suprematism: the Year of DiscoveryCharlotte Douglas3 Malevich, the Fourth Dimension, and the Ether of Space One Hundred Years LaterLinda Dalrymple Henderson4 The Path of Empirical Criticism in Russia or `The Milky Way of Inventors'Alexander Bouras5 Kazimir Malevich, Unovis, and the Poetics of MaterialityMaria Kokkori6 Branches of Unovis in Smolensk and OrenburgAlexander Lisov7 Suprematism and/or Supremacy of ArchitectureSamuel Johnson8 Lazar Khidekel and Suprematism as an Embodiment of the InfiniteRegina Khidekel9 `\dots In our time, when it became We \dots': a Previously Unknown Essay by Kazimir MalevichTatiana Goriacheva10 `A thing of quality defies being produced in quantity': Suprematist Porcelain and Its Afterlife in Leningrad DesignYulia Karpova11 Suprematist TextilesJulia Tulovsky12 Suprematism: a Shortcut into the Future: the Reception of Malevich by Polish and Hungarian Artists during the Inter-War Period\unichr{00C9}va Forg\unichr{00E1}cs13 Conflicting Approaches to Creativity? Suprematism and ConstructivismChristina LodderIndex

Christina Lodder is Honorary Professorial Fellow at the University of Kent. Her numerous publications include Russian Constructivism (1983), Constructing Modernity: The Art and Career of Naum Gabo (co-author, 2000), Rethinking Malevich (co-editor, 2007), and Utopian Reality (co-editor 2013).

• ContentsAcknowledgementsFiguresNotes on ContributorsIntroductionChristina Lodder1 New Information Concerning The Black SquareIrina Vakar2 Defining Suprematism: the Year of DiscoveryCharlotte Douglas3 Malevich, the Fourth Dimension, and the Ether of Space One Hundred Years LaterLinda Dalrymple Henderson4 The Path of Empirical Criticism in Russia or `The Milky Way of Inventors'Alexander Bouras5 Kazimir Malevich, Unovis, and the Poetics of MaterialityMaria Kokkori6 Branches of Unovis in Smolensk and OrenburgAlexander Lisov7 Suprematism and/or Supremacy of ArchitectureSamuel Johnson8 Lazar Khidekel and Suprematism as an Embodiment of the InfiniteRegina Khidekel9 `\dots In our time, when it became We \dots': a Previously Unknown Essay by Kazimir MalevichTatiana Goriacheva10 `A thing of quality defies being produced in quantity': Suprematist Porcelain and Its Afterlife in Leningrad DesignYulia Karpova11 Suprematist TextilesJulia Tulovsky12 Suprematism: a Shortcut into the Future: the Reception of Malevich by Polish and Hungarian Artists during the Inter-War Period\unichr{00C9}va Forg\unichr{00E1}cs13 Conflicting Approaches to Creativity? Suprematism and ConstructivismChristina LodderIndex

Christina Lodder is Honorary Professorial Fellow at the University of Kent. Her numerous publications include Russian Constructivism (1983), Constructing Modernity: The Art and Career of Naum Gabo (co-author, 2000), Rethinking Malevich (co-editor, 2007), and Utopian Reality (co-editor 2013).

• ContentsAcknowledgementsFiguresNotes on ContributorsIntroductionChristina Lodder1 New Information Concerning The Black SquareIrina Vakar2 Defining Suprematism: the Year of DiscoveryCharlotte Douglas3 Malevich, the Fourth Dimension, and the Ether of Space One Hundred Years LaterLinda Dalrymple Henderson4 The Path of Empirical Criticism in Russia or `The Milky Way of Inventors'Alexander Bouras5 Kazimir Malevich, Unovis, and the Poetics of MaterialityMaria Kokkori6 Branches of Unovis in Smolensk and OrenburgAlexander Lisov7 Suprematism and/or Supremacy of ArchitectureSamuel Johnson8 Lazar Khidekel and Suprematism as an Embodiment of the InfiniteRegina Khidekel9 `\dots In our time, when it became We \dots': a Previously Unknown Essay by Kazimir MalevichTatiana Goriacheva10 `A thing of quality defies being produced in quantity': Suprematist Porcelain and Its Afterlife in Leningrad DesignYulia Karpova11 Suprematist TextilesJulia Tulovsky12 Suprematism: a Shortcut into the Future: the Reception of Malevich by Polish and Hungarian Artists during the Inter-War Period\unichr{00C9}va Forg\unichr{00E1}cs13 Conflicting Approaches to Creativity? Suprematism and ConstructivismChristina LodderIndex