Richard J. Hill received his Ph.D. in English from Edinburgh University and is Professor of English at Chaminade University of Honolulu. He is the author of Picturing Scotland through the Waverley Novels (Routledge, 2010), and Robert Louis Stevenson and the Pictorial Text (Routledge, 2017).Allison E. Francis received her PhD. in English from Washington University in St. Louis, and is a Professor of English, Theater and Performing Arts at Chaminade University of Honolulu. She co-edited South Seas Encounters: Nineteenth-Century Oceania, Britain, and America (Routledge, 2018), and co-authored a poetry collection, Mulatta—Not So Tragic (Dodsworth Books, 2022).

• List of IllustrationsNotes on ContributorsIntroductionRichard J. Hill1 Dia-Colonialism in Scotland and AotearoaSarah Paterson-Hamlin2 Literary Perils of Piracy: the Strange Case of Alexander SelkirkAllison E. Francis3 Omai the Traveller Meets George the Tourist: a Pacific Voyager at the King’s Visit to Edinburgh, 1822Caroline McCracken-Flesher4 Sovereignty and the Shadows of Indigeneity: Stevenson’s Remediations of Scott in The Master of BallantraeYoon Sun Lee5 “Where will all come home?”: Global StevensonPenny Fielding6 Empire on a Small Scale: Robert Louis Stevenson’s Footnote as a Sāmoan MicrohistoryLucio De Capitani7 Turning The Ebb-Tide: Ghosts in the MachineRoslyn Jolly8 Inter-Racial Intimacies: Stevenson’s Late Pacific TalesMandy Treagus9 “‘The world was Like all New Painted’: Correspondences in Stevenson’s Rhetoric of Landscape in Kidnapped and The Beach of Falesá”Nathalie Jaëck10 Blackbirding, Cannibalism, and the Demands of Appetite in John Cameron’s OdysseyAudrey MurfinIndex

Richard J. Hill received his Ph.D. in English from Edinburgh University and is Professor of English at Chaminade University of Honolulu. He is the author of Picturing Scotland through the Waverley Novels (Routledge, 2010), and Robert Louis Stevenson and the Pictorial Text (Routledge, 2017).Allison E. Francis received her PhD. in English from Washington University in St. Louis, and is a Professor of English, Theater and Performing Arts at Chaminade University of Honolulu. She co-edited South Seas Encounters: Nineteenth-Century Oceania, Britain, and America (Routledge, 2018), and co-authored a poetry collection, Mulatta—Not So Tragic (Dodsworth Books, 2022).

• List of IllustrationsNotes on ContributorsIntroductionRichard J. Hill1 Dia-Colonialism in Scotland and AotearoaSarah Paterson-Hamlin2 Literary Perils of Piracy: the Strange Case of Alexander SelkirkAllison E. Francis3 Omai the Traveller Meets George the Tourist: a Pacific Voyager at the King’s Visit to Edinburgh, 1822Caroline McCracken-Flesher4 Sovereignty and the Shadows of Indigeneity: Stevenson’s Remediations of Scott in The Master of BallantraeYoon Sun Lee5 “Where will all come home?”: Global StevensonPenny Fielding6 Empire on a Small Scale: Robert Louis Stevenson’s Footnote as a Sāmoan MicrohistoryLucio De Capitani7 Turning The Ebb-Tide: Ghosts in the MachineRoslyn Jolly8 Inter-Racial Intimacies: Stevenson’s Late Pacific TalesMandy Treagus9 “‘The world was Like all New Painted’: Correspondences in Stevenson’s Rhetoric of Landscape in Kidnapped and The Beach of Falesá”Nathalie Jaëck10 Blackbirding, Cannibalism, and the Demands of Appetite in John Cameron’s OdysseyAudrey MurfinIndex

Richard J. Hill received his Ph.D. in English from Edinburgh University and is Professor of English at Chaminade University of Honolulu. He is the author of Picturing Scotland through the Waverley Novels (Routledge, 2010), and Robert Louis Stevenson and the Pictorial Text (Routledge, 2017).Allison E. Francis received her PhD. in English from Washington University in St. Louis, and is a Professor of English, Theater and Performing Arts at Chaminade University of Honolulu. She co-edited South Seas Encounters: Nineteenth-Century Oceania, Britain, and America (Routledge, 2018), and co-authored a poetry collection, Mulatta—Not So Tragic (Dodsworth Books, 2022).

• List of IllustrationsNotes on ContributorsIntroductionRichard J. Hill1 Dia-Colonialism in Scotland and AotearoaSarah Paterson-Hamlin2 Literary Perils of Piracy: the Strange Case of Alexander SelkirkAllison E. Francis3 Omai the Traveller Meets George the Tourist: a Pacific Voyager at the King’s Visit to Edinburgh, 1822Caroline McCracken-Flesher4 Sovereignty and the Shadows of Indigeneity: Stevenson’s Remediations of Scott in The Master of BallantraeYoon Sun Lee5 “Where will all come home?”: Global StevensonPenny Fielding6 Empire on a Small Scale: Robert Louis Stevenson’s Footnote as a Sāmoan MicrohistoryLucio De Capitani7 Turning The Ebb-Tide: Ghosts in the MachineRoslyn Jolly8 Inter-Racial Intimacies: Stevenson’s Late Pacific TalesMandy Treagus9 “‘The world was Like all New Painted’: Correspondences in Stevenson’s Rhetoric of Landscape in Kidnapped and The Beach of Falesá”Nathalie Jaëck10 Blackbirding, Cannibalism, and the Demands of Appetite in John Cameron’s OdysseyAudrey MurfinIndex