"Der Band enthält Informationen zu den Beiträgern und ist für alle an Afrika interessierten Leser zu empfehlen. " – Till Kinzel, QUELLE

• Literature: GeneralKola Eke: Responses to Patriarchy in African Women’s PoetryFrancis T. Cheo: A Mirror of Convergence: Association and Racism in Anglophone Cameroonian LiteratureThamsanqa Moyo, Faith Sibanda, and Michael Mazuru: Angles of Telling and Angles on Reality: Representations of the Gukurahundi Period in Selected Zimbabwean Fiction in Shona, Ndebele, and EnglishLiterature: Individual AuthorsJude Aigbe Agho: Class Conflict and the Rise of the ‘Proletarian’ Novel in AfricaNick Mdika Tembo: History, Religion, and the Dramaturgy of Victimization and Betrayal: Wole Soyinka’s Death and the King’s Horseman and Ngũgĩ wa Thiong’o and Ngũgĩ wa Mirii’s I Will Marry When I WantKenneth Usongo: Resisting Oppression: I Will Marry When I Want and the (Re)Writing of HistoryCorwin L. Mhlahlo: Advocating a Nameable Desire: Yvonne Vera’s Without a NameUchenna Bethrand Anih: A Womanist Reading of Douceurs du bercail by Aminata Sow FallRashi Rohatgi: Postcolonial Hindi Translation in Mauritius: The Case of Kalpana Lalji’s AmargeetBrian Macaskill: Entr’acte: Cannibalism, Semiophagy, and the Plunk-Plink-Plonk of Banjo Strings in J.M. Coetzee’s DisgraceAbdel Karim Daragmeh and Ekremah Shehab: Signs Tell Their Own Stories: Rethinking the Status of Writing and Speech in J.M. Coetzee’s FoeCreative WritingPede Hollist: ResettlementShowcase South AfricaDosia Reichardt: IntroductionKobus Moolman: What He Did/One Version of the RoadMea Lashbrooke: letter to sacred ibisZanoxolo Mnqobi Mkhize: The long walk homeFrances Hardie: To Whom It May Concern/Pipe DreamNasima Ali: UprootedH. Oby Okolocha: BlackBerryTabitha Wanja Mwangi: Mirror, Mirror, on the WallFelix M. Muchomba: On the Road to ChangeAfrican Societies and Cultural ExpressionPhyllis Forster: Traditional Mourning Dress of the Akans of GhanaSamuelson Freddie Khunou: The Origin and Nature of Traditional Leadership in South Africa: A Precolonial PerspectiveJames Hlongwana, R.S. Maposa, and Thamsanqa Moyo: Sithole, Nkomo, Muzorewa, and the Birth of Zimbabwe: A Reconsideration of Autobiography as a Literary Mode of National HistoryThamsanqa Moyo, Bhekezakhe Ncube, and Nozizwe Dhlamini: Peace, Conflict Management, and the Ndebele ProverbEvans Mandova: The Shona Proverb as an Expression of Unhu/UbuntuWellington Wasosa and Evans Mandova: The Role of Proverbs in the Shona Judicial System with Special Reference to Nhango Dzokusuma Nyaya PadareCollins Kenga Mumbo: Artistic Techniques of Expression in the Performance of the Mijikenda Naming Ceremony Vyalusa of KenyaJohn M. Kobia: Gender Roles in African Oral Literature: A Case Study of Initiation Songs Among the Igembe People of Meru of KenyaKamal Salhi: Recontextualizing and Reconfiguring Cultural Identity in Contemporary North AfricaAboneh Ashagrie: African Cinema: The 6th Ethiopian International Film Festival, 7–14 November 2011Wumi Raji: The Amphibian’s Dilemma: An Interview with TIJAN M. SALLAHReviewsGordon Collier: Reference GaloreOde Ogede: Crossing CulturesOde Ogede: Teaching the African NovelGeoffrey V. Davis: Swimming Against the TideChristopher Joseph Odhiambo: East Africa ReclaimedGeoffrey V. Davis: “Urging Readers to Know the Books Written Earlier”John A Stotesbury: A Remarkably Rich HistoryMaría J . López: A Different Southern AfricaBooks ReceivedNotes on ContributorsNotes for Contributors

"Der Band enthält Informationen zu den Beiträgern und ist für alle an Afrika interessierten Leser zu empfehlen. " – Till Kinzel, QUELLE

• Literature: GeneralKola Eke: Responses to Patriarchy in African Women’s PoetryFrancis T. Cheo: A Mirror of Convergence: Association and Racism in Anglophone Cameroonian LiteratureThamsanqa Moyo, Faith Sibanda, and Michael Mazuru: Angles of Telling and Angles on Reality: Representations of the Gukurahundi Period in Selected Zimbabwean Fiction in Shona, Ndebele, and EnglishLiterature: Individual AuthorsJude Aigbe Agho: Class Conflict and the Rise of the ‘Proletarian’ Novel in AfricaNick Mdika Tembo: History, Religion, and the Dramaturgy of Victimization and Betrayal: Wole Soyinka’s Death and the King’s Horseman and Ngũgĩ wa Thiong’o and Ngũgĩ wa Mirii’s I Will Marry When I WantKenneth Usongo: Resisting Oppression: I Will Marry When I Want and the (Re)Writing of HistoryCorwin L. Mhlahlo: Advocating a Nameable Desire: Yvonne Vera’s Without a NameUchenna Bethrand Anih: A Womanist Reading of Douceurs du bercail by Aminata Sow FallRashi Rohatgi: Postcolonial Hindi Translation in Mauritius: The Case of Kalpana Lalji’s AmargeetBrian Macaskill: Entr’acte: Cannibalism, Semiophagy, and the Plunk-Plink-Plonk of Banjo Strings in J.M. Coetzee’s DisgraceAbdel Karim Daragmeh and Ekremah Shehab: Signs Tell Their Own Stories: Rethinking the Status of Writing and Speech in J.M. Coetzee’s FoeCreative WritingPede Hollist: ResettlementShowcase South AfricaDosia Reichardt: IntroductionKobus Moolman: What He Did/One Version of the RoadMea Lashbrooke: letter to sacred ibisZanoxolo Mnqobi Mkhize: The long walk homeFrances Hardie: To Whom It May Concern/Pipe DreamNasima Ali: UprootedH. Oby Okolocha: BlackBerryTabitha Wanja Mwangi: Mirror, Mirror, on the WallFelix M. Muchomba: On the Road to ChangeAfrican Societies and Cultural ExpressionPhyllis Forster: Traditional Mourning Dress of the Akans of GhanaSamuelson Freddie Khunou: The Origin and Nature of Traditional Leadership in South Africa: A Precolonial PerspectiveJames Hlongwana, R.S. Maposa, and Thamsanqa Moyo: Sithole, Nkomo, Muzorewa, and the Birth of Zimbabwe: A Reconsideration of Autobiography as a Literary Mode of National HistoryThamsanqa Moyo, Bhekezakhe Ncube, and Nozizwe Dhlamini: Peace, Conflict Management, and the Ndebele ProverbEvans Mandova: The Shona Proverb as an Expression of Unhu/UbuntuWellington Wasosa and Evans Mandova: The Role of Proverbs in the Shona Judicial System with Special Reference to Nhango Dzokusuma Nyaya PadareCollins Kenga Mumbo: Artistic Techniques of Expression in the Performance of the Mijikenda Naming Ceremony Vyalusa of KenyaJohn M. Kobia: Gender Roles in African Oral Literature: A Case Study of Initiation Songs Among the Igembe People of Meru of KenyaKamal Salhi: Recontextualizing and Reconfiguring Cultural Identity in Contemporary North AfricaAboneh Ashagrie: African Cinema: The 6th Ethiopian International Film Festival, 7–14 November 2011Wumi Raji: The Amphibian’s Dilemma: An Interview with TIJAN M. SALLAHReviewsGordon Collier: Reference GaloreOde Ogede: Crossing CulturesOde Ogede: Teaching the African NovelGeoffrey V. Davis: Swimming Against the TideChristopher Joseph Odhiambo: East Africa ReclaimedGeoffrey V. Davis: “Urging Readers to Know the Books Written Earlier”John A Stotesbury: A Remarkably Rich HistoryMaría J . López: A Different Southern AfricaBooks ReceivedNotes on ContributorsNotes for Contributors

"Der Band enthält Informationen zu den Beiträgern und ist für alle an Afrika interessierten Leser zu empfehlen. " – Till Kinzel, QUELLE

• Literature: GeneralKola Eke: Responses to Patriarchy in African Women’s PoetryFrancis T. Cheo: A Mirror of Convergence: Association and Racism in Anglophone Cameroonian LiteratureThamsanqa Moyo, Faith Sibanda, and Michael Mazuru: Angles of Telling and Angles on Reality: Representations of the Gukurahundi Period in Selected Zimbabwean Fiction in Shona, Ndebele, and EnglishLiterature: Individual AuthorsJude Aigbe Agho: Class Conflict and the Rise of the ‘Proletarian’ Novel in AfricaNick Mdika Tembo: History, Religion, and the Dramaturgy of Victimization and Betrayal: Wole Soyinka’s Death and the King’s Horseman and Ngũgĩ wa Thiong’o and Ngũgĩ wa Mirii’s I Will Marry When I WantKenneth Usongo: Resisting Oppression: I Will Marry When I Want and the (Re)Writing of HistoryCorwin L. Mhlahlo: Advocating a Nameable Desire: Yvonne Vera’s Without a NameUchenna Bethrand Anih: A Womanist Reading of Douceurs du bercail by Aminata Sow FallRashi Rohatgi: Postcolonial Hindi Translation in Mauritius: The Case of Kalpana Lalji’s AmargeetBrian Macaskill: Entr’acte: Cannibalism, Semiophagy, and the Plunk-Plink-Plonk of Banjo Strings in J.M. Coetzee’s DisgraceAbdel Karim Daragmeh and Ekremah Shehab: Signs Tell Their Own Stories: Rethinking the Status of Writing and Speech in J.M. Coetzee’s FoeCreative WritingPede Hollist: ResettlementShowcase South AfricaDosia Reichardt: IntroductionKobus Moolman: What He Did/One Version of the RoadMea Lashbrooke: letter to sacred ibisZanoxolo Mnqobi Mkhize: The long walk homeFrances Hardie: To Whom It May Concern/Pipe DreamNasima Ali: UprootedH. Oby Okolocha: BlackBerryTabitha Wanja Mwangi: Mirror, Mirror, on the WallFelix M. Muchomba: On the Road to ChangeAfrican Societies and Cultural ExpressionPhyllis Forster: Traditional Mourning Dress of the Akans of GhanaSamuelson Freddie Khunou: The Origin and Nature of Traditional Leadership in South Africa: A Precolonial PerspectiveJames Hlongwana, R.S. Maposa, and Thamsanqa Moyo: Sithole, Nkomo, Muzorewa, and the Birth of Zimbabwe: A Reconsideration of Autobiography as a Literary Mode of National HistoryThamsanqa Moyo, Bhekezakhe Ncube, and Nozizwe Dhlamini: Peace, Conflict Management, and the Ndebele ProverbEvans Mandova: The Shona Proverb as an Expression of Unhu/UbuntuWellington Wasosa and Evans Mandova: The Role of Proverbs in the Shona Judicial System with Special Reference to Nhango Dzokusuma Nyaya PadareCollins Kenga Mumbo: Artistic Techniques of Expression in the Performance of the Mijikenda Naming Ceremony Vyalusa of KenyaJohn M. Kobia: Gender Roles in African Oral Literature: A Case Study of Initiation Songs Among the Igembe People of Meru of KenyaKamal Salhi: Recontextualizing and Reconfiguring Cultural Identity in Contemporary North AfricaAboneh Ashagrie: African Cinema: The 6th Ethiopian International Film Festival, 7–14 November 2011Wumi Raji: The Amphibian’s Dilemma: An Interview with TIJAN M. SALLAHReviewsGordon Collier: Reference GaloreOde Ogede: Crossing CulturesOde Ogede: Teaching the African NovelGeoffrey V. Davis: Swimming Against the TideChristopher Joseph Odhiambo: East Africa ReclaimedGeoffrey V. Davis: “Urging Readers to Know the Books Written Earlier”John A Stotesbury: A Remarkably Rich HistoryMaría J . López: A Different Southern AfricaBooks ReceivedNotes on ContributorsNotes for Contributors