Exhibiting Chinese Art in Asia

Ho Chui-fun, Selina is Assistant Professor and Programme Director of MA in Curating and Art History at the Department of Digital Arts and Creative Industries, Lingnan University. She is the author of Museum Processes in China published by Amsterdam University Press in 2020.

• Acknowledgements, Notes on Contributors, List of Figures, Notes on Romanization, Introductory Chapter: Rethinking the Study of Exhibitions of Chinese Art - Ho Chui Fun, Selina, Part 1: Exhibitions of Art in China in the Early Twentieth Century, Chapter 1: Nagao Uzan and China's First Exhibitions of Chinese Paintings in Shanghai in 1908 - Ding Yuhua, Chapter 2: Beyond Elegant Gathering: Displaying Chinese Art and Antiquities in the Early Twentieth Century - Tu Anran, Chapter 3: Curating and Displaying Architecture: China Architectural Exhibition in Shanghai, 1936 - Zhang Xi, Chapter 4: Atavistic Culturalism and Contemporary Relevance: Modern Chinese Paintings in the Second National Arts Exhibition, 1937 - Zhao Xing, Part II: Cultural Politics of Exhibiting Chinese Art in Asia, from the 1950s onwards, Chapter 5: How Should I Put it Now? Positioning China in Exhibitions at the National Palace Museum, Taipei, 1965-2023 - Liu Yu-jen, Chapter 6: The Soft Power of Cool: Exhibiting Chinese Art in Japan from the Post-War Period to the Twenty-First Century - Ng Ni Na Camellia, Chapter 7: Shifting Chinese-ness(es): The Exhibiting of Chao Shao-an's Paintings and the Chinese Community in 1950s Singapore - Wong Yuet Heng, Chapter 8: Transcultural Interpretations of Twentieth-Century Chinese Art: Exhibiting Wu Guanzhong in Hong Kong - Hua Shuo, Part III: Curating Chinese Art in the Twenty-First Century, Chapter 9: Curating Traditional Chinese Art as Creative Heritage - Ho Chui Fun, Selina, Chapter 10: Moving Images as Curatorial Methods: Animation, Digital Interactive Installation, and the Reincarnation of Traditional Chinese Art - Yang Panpan, Chapter 11: Unframing Chinese Paintings: Exploring Spatial Presence through X-Reality Technologies in Museums - Zhu Yi, Chapter 12: Curating Chinese Landscape Painting as Immersive Art: Intermedia and Gallery Film Approaches - Wang Bingxi, Cici.