Ignace Bossuyt is emeritus gewoon hoogleraar van de Onderzoeksgroep Musicologie van de KU Leuven. Nele Gabriëls is a Research Fellow at the Department of Musicology, KU Leuven, and collaborator of the Alamire Foundation.Demmy Verbeke is hoofd van Artes, de bibliotheek die vooral het onderzoek en onderwijs aan de Faculteit Letteren van de KU Leuven ondersteunt. Dirk Sacré is professor of Latin and Neo-Latin at KU Leuven.

• Harm-Jan VAN DAM, “Vobis pagina nostra dedicatur”: Dedication in Classical AntiquityKarl ENENKEL, Reciprocal Authorisation: The Function of Dedications and Dedicatory Prefaces in the 15th and 16th Century 'Artes antiquitatis'Demmy VERBEKE, “Ergo cape et canta sanctos quos fecimus hymnos”: Preliminaries in Sixteenth-Century Motet Editions by Composers from the Low CountriesNele GABRIà‹LS, Reading (Between) the Lines: What Dedications Can Tell UsThomas SCHMIDT-BESTE, Dedicating Music Manuscripts: On Function and Form of Paratexts in Fifteenth- and Sixteenth-Century SourcesJan BLOEMENDAL, “To the Benevolent Reader …”: Dedications Attached to Editions of Neo-Latin Plays in the Netherlands of the 16th and 17th Century -; Forms, Functions and Religious StandpointsVictoria PANAGL, “Aequabit laudes nulla Camena tuas”: Poetry and Music in Latin Laudatory MotetsFarkas Gábor KISS, Constructing the Image of a Humanist Scholar -; Latin Dedications in Hungary and the Use of Adages (1460- 1525)Walter Kurt KREYSZIG, Beyond the Music-Theoretical Discourse in Franchino Gaffurio's Trilogy: The Significance of the Paratexts in Contemplating the Magic Triangle Between Author, Opus, and AudienceBrigitte GAUVIN, “Accipe non noti praeclara uolumina mundi”: les dédicaces du De Orbe Nouo de Pierre Martyr d'AnghieraPaloma OTAOLA GONZàLEZ, Dédicaces et inscriptions latines dans les livres de musique pour vihuela (1536-1576)Jeanine DE LANDTSHEER, “Per patronos, non per merita gradus est emergendi”: Lipsius's Careful Choice of patroni as a Way of Career PlanningEmilie CORSWAREM, Les dédicaces latines des livres de motets de René del Mel (ca. 1554-ca. 1598)Peter S. POULOS, Dedication and Devotion in Simone Molinaro's Motectorum quinis, et missae denis vocibus, liber primus (1597)

Ignace Bossuyt is emeritus gewoon hoogleraar van de Onderzoeksgroep Musicologie van de KU Leuven. Nele Gabriëls is a Research Fellow at the Department of Musicology, KU Leuven, and collaborator of the Alamire Foundation.Demmy Verbeke is hoofd van Artes, de bibliotheek die vooral het onderzoek en onderwijs aan de Faculteit Letteren van de KU Leuven ondersteunt. Dirk Sacré is professor of Latin and Neo-Latin at KU Leuven.

• Harm-Jan VAN DAM, “Vobis pagina nostra dedicatur”: Dedication in Classical AntiquityKarl ENENKEL, Reciprocal Authorisation: The Function of Dedications and Dedicatory Prefaces in the 15th and 16th Century 'Artes antiquitatis'Demmy VERBEKE, “Ergo cape et canta sanctos quos fecimus hymnos”: Preliminaries in Sixteenth-Century Motet Editions by Composers from the Low CountriesNele GABRIà‹LS, Reading (Between) the Lines: What Dedications Can Tell UsThomas SCHMIDT-BESTE, Dedicating Music Manuscripts: On Function and Form of Paratexts in Fifteenth- and Sixteenth-Century SourcesJan BLOEMENDAL, “To the Benevolent Reader …”: Dedications Attached to Editions of Neo-Latin Plays in the Netherlands of the 16th and 17th Century -; Forms, Functions and Religious StandpointsVictoria PANAGL, “Aequabit laudes nulla Camena tuas”: Poetry and Music in Latin Laudatory MotetsFarkas Gábor KISS, Constructing the Image of a Humanist Scholar -; Latin Dedications in Hungary and the Use of Adages (1460- 1525)Walter Kurt KREYSZIG, Beyond the Music-Theoretical Discourse in Franchino Gaffurio's Trilogy: The Significance of the Paratexts in Contemplating the Magic Triangle Between Author, Opus, and AudienceBrigitte GAUVIN, “Accipe non noti praeclara uolumina mundi”: les dédicaces du De Orbe Nouo de Pierre Martyr d'AnghieraPaloma OTAOLA GONZàLEZ, Dédicaces et inscriptions latines dans les livres de musique pour vihuela (1536-1576)Jeanine DE LANDTSHEER, “Per patronos, non per merita gradus est emergendi”: Lipsius's Careful Choice of patroni as a Way of Career PlanningEmilie CORSWAREM, Les dédicaces latines des livres de motets de René del Mel (ca. 1554-ca. 1598)Peter S. POULOS, Dedication and Devotion in Simone Molinaro's Motectorum quinis, et missae denis vocibus, liber primus (1597)

Ignace Bossuyt is emeritus gewoon hoogleraar van de Onderzoeksgroep Musicologie van de KU Leuven. Nele Gabriëls is a Research Fellow at the Department of Musicology, KU Leuven, and collaborator of the Alamire Foundation.Demmy Verbeke is hoofd van Artes, de bibliotheek die vooral het onderzoek en onderwijs aan de Faculteit Letteren van de KU Leuven ondersteunt. Dirk Sacré is professor of Latin and Neo-Latin at KU Leuven.

• Harm-Jan VAN DAM, “Vobis pagina nostra dedicatur”: Dedication in Classical AntiquityKarl ENENKEL, Reciprocal Authorisation: The Function of Dedications and Dedicatory Prefaces in the 15th and 16th Century 'Artes antiquitatis'Demmy VERBEKE, “Ergo cape et canta sanctos quos fecimus hymnos”: Preliminaries in Sixteenth-Century Motet Editions by Composers from the Low CountriesNele GABRIà‹LS, Reading (Between) the Lines: What Dedications Can Tell UsThomas SCHMIDT-BESTE, Dedicating Music Manuscripts: On Function and Form of Paratexts in Fifteenth- and Sixteenth-Century SourcesJan BLOEMENDAL, “To the Benevolent Reader …”: Dedications Attached to Editions of Neo-Latin Plays in the Netherlands of the 16th and 17th Century -; Forms, Functions and Religious StandpointsVictoria PANAGL, “Aequabit laudes nulla Camena tuas”: Poetry and Music in Latin Laudatory MotetsFarkas Gábor KISS, Constructing the Image of a Humanist Scholar -; Latin Dedications in Hungary and the Use of Adages (1460- 1525)Walter Kurt KREYSZIG, Beyond the Music-Theoretical Discourse in Franchino Gaffurio's Trilogy: The Significance of the Paratexts in Contemplating the Magic Triangle Between Author, Opus, and AudienceBrigitte GAUVIN, “Accipe non noti praeclara uolumina mundi”: les dédicaces du De Orbe Nouo de Pierre Martyr d'AnghieraPaloma OTAOLA GONZàLEZ, Dédicaces et inscriptions latines dans les livres de musique pour vihuela (1536-1576)Jeanine DE LANDTSHEER, “Per patronos, non per merita gradus est emergendi”: Lipsius's Careful Choice of patroni as a Way of Career PlanningEmilie CORSWAREM, Les dédicaces latines des livres de motets de René del Mel (ca. 1554-ca. 1598)Peter S. POULOS, Dedication and Devotion in Simone Molinaro's Motectorum quinis, et missae denis vocibus, liber primus (1597)