Ignace Bossuyt – författare
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2 produkter
2 produkter
Häftad, Engelska, 2004
607 kr
Skickas inom 3-6 vardagar
This book is intended to provide the inquisitive listener with a guide to exploring the many layers of meaning found in Bach's Christmas Oratorio. The first section offers a general sketch of the specific context in which this composition was created at the end of 1734, shedding light on the work's liturgical function and taking a closer look at the biblical and broader religious themes. This first section will also focus on the contemporary textual and musical components of the oratorio genre, of which Bach's composition is a prime example. The second section is a detailed discussion of the 64 movements making up the work, with a focus on three aspects: the text, the music and the relation between the two. The nature of the musical setting and its structure depends on the nature of the text, be it prose (the Bible story) or poetry (the chorales and the inserted commentary), narrative or dramatic (indirect or direct speech). Moreover, the music was governed by the particular musical canons of the day, which largely determined and regulated the structure of each section and the coherence between successive sections or those at a greater remove from one another. In order to get to the essence of Bach's oeuvre, the reader-listener must be prepared to become immersed in the literary and musical idiom, the specific terminology and 'grammar' of the day.
Häftad, Engelska, 2008
621 kr
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During the sixteenth century, the traditional act of dedicating a text took on a new meaning due to the wider dissemination of the printed book. As the dedication and other paratexts thus became an almost indispensable part of the publication, they merit careful examination by those who study the presentation and impact of any printed work in its context. Paratexts bridge the gap between the outside World of the reading public and the enclosed world of the book, and often present biographical information concerning the persons involved in the making of the book. In the present volume, general reflections as well as case studies in the field of paratexts to Latin works and to musical compositions on Latin texts consider and exemplify these as well as other aspects of paratexts. The multidisciplinary perspective further enriches the insight in form, function and nature of the dedicatory act in the sixteenth century. A synthesis of the nature of the sixteenth-century dedication is thus presented, relevant not only to Neo-Latinists and musicologists, but also to (book) historians, philologists, and others.