Sound and Score

Paulo de Assis is artist researcher (pianist, composer, music philosopher) and research fellow at the Orpheus Institute. William Brooks is professor of music at the University of York, emeritus professor at the University of Illinois, scholar-in-residence at the Newberry Library, and senior research fellow at the Orpheus Institute. Kathleen Coessens is director of the Koninklijk Conservatorium Brussel, professor at the Vrije Universiteit Brussel, and associate researcher at the Orpheus Institute, Ghent.

• PreludePaulo de AssisPart I: Score and IdeaChapter 1What I say and What I do: The Role of Composers' OwnPerformances of Their Scores in Answering Our ResearchQuestions about Their Works and How We Should Interpret ThemJeremy CoxChapter 2“The Mysterious Whether Seen as Inspiration or as Alchemy”:Some Thoughts on the Limitations of NotationPaul RobertsChapter 3Artistic Practice, Methodology, and Subjectivity: The “I Can”as Practical Possibility and Original ConsciousnessAndreas Georg StascheitChapter 4From Territories to Transformations: Anton Webern's PianoVariations Op. 27 as a Case Study for Research in-and-throughMusical PracticeDarla CrispinInterlude I: Exploring Musical Integrity and ExperimentationKathleen CoessensPart II: Mapping the InterfaceChapter 5Poem as Score: Finding Melodies for UnnotatedTroubadour SongsRobin T. BierChapter 6Sound Drifts: The Phenomenon of Stylistic Changein the Interpretation of Fixed TextsAnna ScottChapter 7Pression Revised: Anatomy of Sound, Notated Energy,and Performance PracticeTanja OrningChapter 8The In(visible) SoundMiguelà ngel ClercInterlude II: The Score on Shifting GroundsKathleen CoessensPart III: Extending the BoundariesChapter 9The Beginning of Happiness: Approaching Scores in Graphic andText NotationVirginia AndersonChapter 10Closing the Gap between Sound and Score in the Performanceof Electroacoustic MusicGregorio García KarmanChapter 11Notational Perspective and ComprovisationSandeep BhagwatiInterlude III: The Score beyond MusicKathleen CoessensPart IV: Choreographies of SoundChapter 12A Physical Interpretation of a Score in a Listening AttitudeSusanne Jaresand and Maria CalissendorffChapter 13Score as Relationship: From Scores to Score Spaces to ScorescapesYolande HarrisChapter 14Drawing and the ScoreAnne DouglasPostludeKathleen CoessensPersonaliaIndex