Erika Balsom is lecturer in Film Studies and Liberal Arts at King's College London.

Select Guide Rating

• Introduction: The Othered Cinema I. Architectures of Exhibition The Passages of Cinema Projection and Patrimony Black Box/White Cube The New Blockbusters The Myth of Activity Media at MoMA II. Filmic Ruins Post-medium Post-mortem Indexing the Past A Little History of 16mm Ruinophilia Analogue Aura III. The Remake: Old Movies, New Narratives Ambivalent Appropriations The Four Operations Precursors The False Promises of the “Utopia of Use” Remaking Fandom “Room-for-Play” VCR Memories IV. The Fiction of Truth and the Truth of Fiction Anti-anti-illusionism Hybrid Forms Rehabilitating Narrative A Return of the Real Two Images of Death Conclusion: “Cinema and…”