Dr Michael N. Goddard is Reader in Film, Television and Moving Image in the School of Media, Arts and Design at the University of Westminster. He has published widely on Polish and international cinema and audiovisual culture as well as cultural and media theory. He recently published a book, Impossible Cartographies on the cinema of Raúl Ruiz. He has also been doing research on the fringes of popular music focusing on groups such as The Fall, Throbbing Gristle and Laibach and culminating in editing two books on noise, Reverberations and Resonances. He is currently working on a book on the British post-industrial group Coil, and beginning a new research project on genealogies of immersive media and virtuality.

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• Acknowledgements List of Illustrations Introduction: Chapter 1: Media (An)archaeology, Radical Media Ecologies and Popular Knowledges Introduction: The Long 1970s Concepts of Media Archaeology, Anarchaeology and Media Ecologies Radical and Guerrilla Media Popular Culture, Minor Subjugated Knowledges and Expressive Machines Chapter 2: Armed Guerrilla Media Ecologies from Latin America to Europe and the United States Introduction: Contra ‘Mass Mediated Terrorism’ Revolution in the Revolution: The Urban Guerrilla Concept from Latin America to Europe and North America Brigate Rosse and Armed Struggle in Italy The ‘Baader Meinhof Complex’ and the June 2nd Movement Weather Variations: Weatherman, the Weather Underground, and the Symbionese Liberation Army Chapter 3: Autonomy Movements, the Nexus of 1977 and Free Radio Introduction: Radical Politics, Bifurcations and the Event Italian Workerism and Autonomia 1977 as Nexus: The Movement of 1977, Creative Autonomia and Punk Rebellious Radio from the Avant-garde to Free Radios Media beyond ‘Socialist Strategy’: Enzensberger, Baudrillard and the Genealogy of Radio Alice The Media Ecology of Radio Alice Chapter 4: Militant Anti-Cinemas, Minor Cinema and the Anarchive Film Introduction: Destroying the (Cinema) Apparatus, Transforming the (Audiovisual) Machine Militant Anti-Cinemas in the 1970s Minor Anti-Cinemas: Anti Psychiatric, Heretical, Feminist and Postcolonial The Counter Public Sphere, Anarchive Film and Documentary Symptomatologies Chapter Five: Ecologies of Radical and Guerrilla Television Introduction: Cinema/Television/Video or Cain vs. Abel Revisited Sonimage, Fassbinder and Radical Auteur Television Ecologies of Guerrilla Television: Ant Farm, Raindance Corporation, TVTV and Radical Software Conclusions: Terms of Cybernetic Warfare

Dr Michael N. Goddard is Reader in Film, Television and Moving Image in the School of Media, Arts and Design at the University of Westminster. He has published widely on Polish and international cinema and audiovisual culture as well as cultural and media theory. He recently published a book, Impossible Cartographies on the cinema of Raúl Ruiz. He has also been doing research on the fringes of popular music focusing on groups such as The Fall, Throbbing Gristle and Laibach and culminating in editing two books on noise, Reverberations and Resonances. He is currently working on a book on the British post-industrial group Coil, and beginning a new research project on genealogies of immersive media and virtuality.

Select Guide Rating

• Acknowledgements List of Illustrations Introduction: Chapter 1: Media (An)archaeology, Radical Media Ecologies and Popular Knowledges Introduction: The Long 1970s Concepts of Media Archaeology, Anarchaeology and Media Ecologies Radical and Guerrilla Media Popular Culture, Minor Subjugated Knowledges and Expressive Machines Chapter 2: Armed Guerrilla Media Ecologies from Latin America to Europe and the United States Introduction: Contra ‘Mass Mediated Terrorism’ Revolution in the Revolution: The Urban Guerrilla Concept from Latin America to Europe and North America Brigate Rosse and Armed Struggle in Italy The ‘Baader Meinhof Complex’ and the June 2nd Movement Weather Variations: Weatherman, the Weather Underground, and the Symbionese Liberation Army Chapter 3: Autonomy Movements, the Nexus of 1977 and Free Radio Introduction: Radical Politics, Bifurcations and the Event Italian Workerism and Autonomia 1977 as Nexus: The Movement of 1977, Creative Autonomia and Punk Rebellious Radio from the Avant-garde to Free Radios Media beyond ‘Socialist Strategy’: Enzensberger, Baudrillard and the Genealogy of Radio Alice The Media Ecology of Radio Alice Chapter 4: Militant Anti-Cinemas, Minor Cinema and the Anarchive Film Introduction: Destroying the (Cinema) Apparatus, Transforming the (Audiovisual) Machine Militant Anti-Cinemas in the 1970s Minor Anti-Cinemas: Anti Psychiatric, Heretical, Feminist and Postcolonial The Counter Public Sphere, Anarchive Film and Documentary Symptomatologies Chapter Five: Ecologies of Radical and Guerrilla Television Introduction: Cinema/Television/Video or Cain vs. Abel Revisited Sonimage, Fassbinder and Radical Auteur Television Ecologies of Guerrilla Television: Ant Farm, Raindance Corporation, TVTV and Radical Software Conclusions: Terms of Cybernetic Warfare

Dr Michael N. Goddard is Reader in Film, Television and Moving Image in the School of Media, Arts and Design at the University of Westminster. He has published widely on Polish and international cinema and audiovisual culture as well as cultural and media theory. He recently published a book, Impossible Cartographies on the cinema of Raúl Ruiz. He has also been doing research on the fringes of popular music focusing on groups such as The Fall, Throbbing Gristle and Laibach and culminating in editing two books on noise, Reverberations and Resonances. He is currently working on a book on the British post-industrial group Coil, and beginning a new research project on genealogies of immersive media and virtuality.

Select Guide Rating

• Acknowledgements List of Illustrations Introduction: Chapter 1: Media (An)archaeology, Radical Media Ecologies and Popular Knowledges Introduction: The Long 1970s Concepts of Media Archaeology, Anarchaeology and Media Ecologies Radical and Guerrilla Media Popular Culture, Minor Subjugated Knowledges and Expressive Machines Chapter 2: Armed Guerrilla Media Ecologies from Latin America to Europe and the United States Introduction: Contra ‘Mass Mediated Terrorism’ Revolution in the Revolution: The Urban Guerrilla Concept from Latin America to Europe and North America Brigate Rosse and Armed Struggle in Italy The ‘Baader Meinhof Complex’ and the June 2nd Movement Weather Variations: Weatherman, the Weather Underground, and the Symbionese Liberation Army Chapter 3: Autonomy Movements, the Nexus of 1977 and Free Radio Introduction: Radical Politics, Bifurcations and the Event Italian Workerism and Autonomia 1977 as Nexus: The Movement of 1977, Creative Autonomia and Punk Rebellious Radio from the Avant-garde to Free Radios Media beyond ‘Socialist Strategy’: Enzensberger, Baudrillard and the Genealogy of Radio Alice The Media Ecology of Radio Alice Chapter 4: Militant Anti-Cinemas, Minor Cinema and the Anarchive Film Introduction: Destroying the (Cinema) Apparatus, Transforming the (Audiovisual) Machine Militant Anti-Cinemas in the 1970s Minor Anti-Cinemas: Anti Psychiatric, Heretical, Feminist and Postcolonial The Counter Public Sphere, Anarchive Film and Documentary Symptomatologies Chapter Five: Ecologies of Radical and Guerrilla Television Introduction: Cinema/Television/Video or Cain vs. Abel Revisited Sonimage, Fassbinder and Radical Auteur Television Ecologies of Guerrilla Television: Ant Farm, Raindance Corporation, TVTV and Radical Software Conclusions: Terms of Cybernetic Warfare