Time and place have a central significance in Lennart Dureheds work, manifested in his titles which mostly refer to cities or neighbourhoods and years. He often utilises reflections to great effect, a sites surroundings mirrored by glossy facades of glass and metal. This creates visual layers and, like a montage, ambivalent spatialities arise. Buildings are seldom depicted in their entirety, but as details and segments that emphasise the picture as a picture. In other words, the composition and the interplay between surface and depth aim to accomplish something more than simple documentation. The choices made by Lennart Durehed when observing his subject on the cameras focusing screen give the photographs the character of constructions with their own architecture.

Time and place have a central significance in Lennart Dureheds work, manifested in his titles which mostly refer to cities or neighbourhoods and years. He often utilises reflections to great effect, a sites surroundings mirrored by glossy facades of glass and metal. This creates visual layers and, like a montage, ambivalent spatialities arise. Buildings are seldom depicted in their entirety, but as details and segments that emphasise the picture as a picture. In other words, the composition and the interplay between surface and depth aim to accomplish something more than simple documentation. The choices made by Lennart Durehed when observing his subject on the cameras focusing screen give the photographs the character of constructions with their own architecture.

Time and place have a central significance in Lennart Dureheds work, manifested in his titles which mostly refer to cities or neighbourhoods and years. He often utilises reflections to great effect, a sites surroundings mirrored by glossy facades of glass and metal. This creates visual layers and, like a montage, ambivalent spatialities arise. Buildings are seldom depicted in their entirety, but as details and segments that emphasise the picture as a picture. In other words, the composition and the interplay between surface and depth aim to accomplish something more than simple documentation. The choices made by Lennart Durehed when observing his subject on the cameras focusing screen give the photographs the character of constructions with their own architecture.