Costantino Maeder is Professor at the Faculty of Languages and Literature, Director of the Centro di studi italiani and Head of Globalit - Louvain Research Centre for Comparative and Global Studies, Université catholique de Louvain. Mark Reybrouck is Professor at the Department of Musicology at KU Leuven.

• Preface Costantino Maeder and Mark ReybrouckPart One. Setting the Stage: Music-In-Action, Semiotics, and IntermedialityMusic, Speech and Meaning in Interaction Ian CrossCapturing the Music: The Thin Line Between Mediation and Interference Zelia Chueke and Isaac ChuekePerformativity Through(out) Media: Analyzing Popular Music Performance in the Age of Intermediality Maurizio CorbellaPart Two. Representation, Interpretation, and MeaningReading a Work of Music from the Perspective of Integral Interpretation Mieczyslaw TomaszewskiLa musique au second degré : on Gérard Genette's Theory of Transtextuality and its Musical Relevance Paulo F. de CastroSemiotic Narrativization Processes Nicolas MartyMusical Understanding: Wittgenstein, Ethics, and Aesthetics Paulo C. ChagasWhere to Draw the Line? Representation in Intermedial Song Analysis Lea Maria Lucas WierødPart Three. Experience, Cognition, and Affect The Ability of Tonality Recognition as One of Human-Specific Adaptations Piotr PodlipniakMusical Semiotics and Analogical Reference Lawrence M. ZbikowskiThe Other Semiotic Legacy of Charles Sanders Peirce: Ethology and Music-Related Emotion David HuronPart Four. Intermediality and Transdisciplinarity The Death of Klinghoffer: From Stage to Screen Maarten NellestijnThe Perception of Art Songs Through Image: A Semiotic Approach Monica Pedrosa de Pádua“What Kind of Genre Do You Think We Are?” Genre Theories, Genre Names and Classes within Music Intermedial Ecology Gabriele MarinoPart Five. Analysis and BeyondA Story or Not a Story? Pascal Dusapin's Opera Roméo & Juliette and New Ways of Musical Narratives Malgorzata PawlowskaAuthorship, Narrativity and Ideology: The Case of Lennon-McCartney Dario MartinelliThe Sublime as a Topic in Beethoven's Late Piano Sonatas Jamie LiddleMelodic Forces and Agential Energies: An Integrative Approach to the Analysis and Expressive Interpretation of Tonal Melodies Robert S. HattenThe Embodiment of Yearning: Towards a Tripartite Theory of Musical Agency Rebecca ThumpstonEditorsContributors

Costantino Maeder is Professor at the Faculty of Languages and Literature, Director of the Centro di studi italiani and Head of Globalit - Louvain Research Centre for Comparative and Global Studies, Université catholique de Louvain. Mark Reybrouck is Professor at the Department of Musicology at KU Leuven.

• Preface Costantino Maeder and Mark ReybrouckPart One. Setting the Stage: Music-In-Action, Semiotics, and IntermedialityMusic, Speech and Meaning in Interaction Ian CrossCapturing the Music: The Thin Line Between Mediation and Interference Zelia Chueke and Isaac ChuekePerformativity Through(out) Media: Analyzing Popular Music Performance in the Age of Intermediality Maurizio CorbellaPart Two. Representation, Interpretation, and MeaningReading a Work of Music from the Perspective of Integral Interpretation Mieczyslaw TomaszewskiLa musique au second degré : on Gérard Genette's Theory of Transtextuality and its Musical Relevance Paulo F. de CastroSemiotic Narrativization Processes Nicolas MartyMusical Understanding: Wittgenstein, Ethics, and Aesthetics Paulo C. ChagasWhere to Draw the Line? Representation in Intermedial Song Analysis Lea Maria Lucas WierødPart Three. Experience, Cognition, and Affect The Ability of Tonality Recognition as One of Human-Specific Adaptations Piotr PodlipniakMusical Semiotics and Analogical Reference Lawrence M. ZbikowskiThe Other Semiotic Legacy of Charles Sanders Peirce: Ethology and Music-Related Emotion David HuronPart Four. Intermediality and Transdisciplinarity The Death of Klinghoffer: From Stage to Screen Maarten NellestijnThe Perception of Art Songs Through Image: A Semiotic Approach Monica Pedrosa de Pádua“What Kind of Genre Do You Think We Are?” Genre Theories, Genre Names and Classes within Music Intermedial Ecology Gabriele MarinoPart Five. Analysis and BeyondA Story or Not a Story? Pascal Dusapin's Opera Roméo & Juliette and New Ways of Musical Narratives Malgorzata PawlowskaAuthorship, Narrativity and Ideology: The Case of Lennon-McCartney Dario MartinelliThe Sublime as a Topic in Beethoven's Late Piano Sonatas Jamie LiddleMelodic Forces and Agential Energies: An Integrative Approach to the Analysis and Expressive Interpretation of Tonal Melodies Robert S. HattenThe Embodiment of Yearning: Towards a Tripartite Theory of Musical Agency Rebecca ThumpstonEditorsContributors

Costantino Maeder is Professor at the Faculty of Languages and Literature, Director of the Centro di studi italiani and Head of Globalit - Louvain Research Centre for Comparative and Global Studies, Université catholique de Louvain. Mark Reybrouck is Professor at the Department of Musicology at KU Leuven.

• Preface Costantino Maeder and Mark ReybrouckPart One. Setting the Stage: Music-In-Action, Semiotics, and IntermedialityMusic, Speech and Meaning in Interaction Ian CrossCapturing the Music: The Thin Line Between Mediation and Interference Zelia Chueke and Isaac ChuekePerformativity Through(out) Media: Analyzing Popular Music Performance in the Age of Intermediality Maurizio CorbellaPart Two. Representation, Interpretation, and MeaningReading a Work of Music from the Perspective of Integral Interpretation Mieczyslaw TomaszewskiLa musique au second degré : on Gérard Genette's Theory of Transtextuality and its Musical Relevance Paulo F. de CastroSemiotic Narrativization Processes Nicolas MartyMusical Understanding: Wittgenstein, Ethics, and Aesthetics Paulo C. ChagasWhere to Draw the Line? Representation in Intermedial Song Analysis Lea Maria Lucas WierødPart Three. Experience, Cognition, and Affect The Ability of Tonality Recognition as One of Human-Specific Adaptations Piotr PodlipniakMusical Semiotics and Analogical Reference Lawrence M. ZbikowskiThe Other Semiotic Legacy of Charles Sanders Peirce: Ethology and Music-Related Emotion David HuronPart Four. Intermediality and Transdisciplinarity The Death of Klinghoffer: From Stage to Screen Maarten NellestijnThe Perception of Art Songs Through Image: A Semiotic Approach Monica Pedrosa de Pádua“What Kind of Genre Do You Think We Are?” Genre Theories, Genre Names and Classes within Music Intermedial Ecology Gabriele MarinoPart Five. Analysis and BeyondA Story or Not a Story? Pascal Dusapin's Opera Roméo & Juliette and New Ways of Musical Narratives Malgorzata PawlowskaAuthorship, Narrativity and Ideology: The Case of Lennon-McCartney Dario MartinelliThe Sublime as a Topic in Beethoven's Late Piano Sonatas Jamie LiddleMelodic Forces and Agential Energies: An Integrative Approach to the Analysis and Expressive Interpretation of Tonal Melodies Robert S. HattenThe Embodiment of Yearning: Towards a Tripartite Theory of Musical Agency Rebecca ThumpstonEditorsContributors