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      Violence and Trauma in Contemporary Performance

      Removing and Remembering Histories

      AvSofie de Smet,Marieke Breyne

      Häftad, Engelska, 2025

      409 kr

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      Beskrivning

      Performances dealing with histories of violence and trauma in contemporary societies.In this book, scholars and artists from different fields such as performance studies, cultural and visual studies, psychology and performance art address how performances and performance practices engage with histories of violence and trauma in contemporary societies. They explore performance practices as alternative approaches to transitional justice schemes, as embodied encounters with witnesses inside and outside rehearsal spaces, and as research environments for artists working on intergenerational trauma, the legacies of colonialism and migration. The collection offers new ways of seeing, healing and remembering violence and trauma in and through contemporary performances. It challenges common assumptions about dominant and silenced narratives, as well as precarious and resilient bodies that embody performances of historical and ongoing violence and trauma.

      Produktinformation

      • Utgivningsdatum:2025-05-28
      • Mått:155 x 233 x 11 mm
      • Vikt:454 g
      • Format:Häftad
      • Språk:Engelska
      • Antal sidor:200
      • Förlag:Leuven University Press
      • ISBN:9789462704527

      Utforska kategorier

      • Övriga konstformer inom Kultur
      • Scenkonst och film inom Kultur

      Mer om författaren

      Sofie de Smet is an interdisciplinary postdoctoral researcher in Psychology and Performing Arts at KU Leuven and Ghent University, and is active as a licensed family therapist in trauma care. Her research focuses on the impact of collective violence on community relationships, and the development of creative community-based mental health care, performance and rituals in dealing with histories of displacement, violence, and discrimination. Sofie de Smet is an interdisciplinary postdoctoral researcher in Psychology and Performing Arts at KU Leuven and Ghent University, and is active as a licensed family therapist in trauma care. Her research focuses on the impact of collective violence on community relationships, and the development of creative community-based mental health care, performance and rituals in dealing with histories of displacement, violence, and discrimination. Marieke Breyne is a performer with an MA in Educational Sciences of Ghent University and an advanced MA in Theatre Studies of Antwerp University. She organizes training and research events and artistic residencies. Marieke Breyne is a performer with an MA in Educational Sciences of Ghent University and an advanced MA in Theatre Studies of Antwerp University. She organizes training and research events and artistic residencies. Pedzisai Maedza is an assistant professor in Theatre, Drama and Performance Studies at University College Dublin and Research Associate at the University of the Free State, South Africa. Pedzisai Maedza is an assistant professor in Theatre, Drama and Performance Studies at University College Dublin and Research Associate at the University of the Free State, South Africa. Christel Stalpaert is senior full professor in Performing and Media Art Studies at Ghent University. She is co-director of the research centre S:PAM (Studies in Performing Arts and Media). Christel Stalpaert is senior full professor in Performing and Media Art Studies at Ghent University. She is co-director of the research centre S:PAM (Studies in Performing Arts and Media). Evelien Jonckheere promoveerde in 2014 aan de vakgroep Kunstwetenschappen van de UGent. Haar proefschrift, waarop deze publicatie is gebaseerd, werd in 2015 bekroond met de Cultuurprijs voor kunstgeschiedenis en archeologie van de provincie Oost-Vlaanderen.

      Innehållsförteckning

      • List of IllustrationsAcknowledgementsIntroductionHistories of Trauma and Violence : Performance Practices of Removing and Remembering Christel Stalpaert, Marieke Breyne, Pedzisai Maedza, and Sofie de SmetPART IPolitics of Truth Commissions: Performance Practices as Transitional Practices of JusticeChapter Performing Transitional Justice : Individual Accountability and Societal Reparation in Rwanda 94 (Groupov, 2000) and The Truth Commission (Action Zoo Humain, 2013) Klaas TindemansChapter 2The Truth Commission According to Action Zoo Humain : Performing Differential Futures from a Traumatic Colonial Past in BelgiumChristel Stalpaert and Evelien JonckheereChapter 3Youth Day Commemoration in South Africa: Forgetting through Remembering Pedzisai MaedzaPART 2Performing Trauma: Dialogical Dramaturgies of Embodiment in Transgenerational LandscapesChapter 4‘Peeling the Wound’ : Dramaturgies of Haunting on the Neo-Apartheid Stage in South Africa Mark FleishmanChapter 5Embodied Aesthetics of Vulnerability in Post-Marikana South Africa Marieke Breyne and Sofie de SmetPART 3Artistic Voices as Embodied Testimonial Practices of Loss and ViolenceChapter 6Introducing Poo-tee-weet? Christel StalpaertPoo-tee-weet? (On Catastrophic Mourning) Mekhitar GarabedianChapter 7Introducing Man on a Horse Samah HijawiMan on a Horse Samah HijawiChapter 8Introducing the Freshly Defeated Sofie de SmetThe Freshly Defeated Ayham SalloumNotes on Contributors
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