Reframing Seventeenth-Century Bolognese Art
Archival Discoveries
2 166 kr
Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.
Du är på sajten för privatpersoner.
2 166 kr
Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.
Babette Bohn, professor of art history, Texas Christian University, has published widely particularly on Bolognese art, including books on Guido Reni, Ludovico Carracci, and Federico Barocci. Her current book project is entitled Women Artists, their Patrons, and their Publics in Early Modern Bologna. Raffaella Morselli, professor of art history at Teramo University, has published extensively on Bologna, including books on seventeenth-century collecting of Reni, Albani, and Cantarini and the social history of artists. Her current book project is Bologna distretto delle arti. La società artistica felsinea nel XVII secolo.
"Unger achieves a generous and fresh analysis of this notoriously fraught aspect of seventeenth- century art historiography, which he proves is overdue for revisionist inquiry. He succeeds in demonstrating the vital need to recalibrate the conventional lexicon of terminology typically used to (pejoratively) uphold status quo narratives." -- James R. Jewitt, The Sixteenth Century Journal, vol 3, no2., Summer 2022
Babette Bohn
Inbunden, 2021
873 kr
Du är på sajten för privatpersoner.
2 166 kr
Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.
Babette Bohn, professor of art history, Texas Christian University, has published widely particularly on Bolognese art, including books on Guido Reni, Ludovico Carracci, and Federico Barocci. Her current book project is entitled Women Artists, their Patrons, and their Publics in Early Modern Bologna. Raffaella Morselli, professor of art history at Teramo University, has published extensively on Bologna, including books on seventeenth-century collecting of Reni, Albani, and Cantarini and the social history of artists. Her current book project is Bologna distretto delle arti. La società artistica felsinea nel XVII secolo.
"Unger achieves a generous and fresh analysis of this notoriously fraught aspect of seventeenth- century art historiography, which he proves is overdue for revisionist inquiry. He succeeds in demonstrating the vital need to recalibrate the conventional lexicon of terminology typically used to (pejoratively) uphold status quo narratives." -- James R. Jewitt, The Sixteenth Century Journal, vol 3, no2., Summer 2022
Babette Bohn
Inbunden, 2021
873 kr