Owen Lyons is an Assistant Professor at the School of Image Arts at Toronto Metropolitan University and holds a PhD in Cultural Mediations from Carleton University. His research addresses Weimar Cinema as well as the visual culture of twenty-first century financial markets.

• Introduction Chapter 1: The Stock Exchange as a Space of Modernity and Labour of Representation The Stock Exchange as a Space of Modernity The Stock Exchange as a Labour of Representation Chapter 2: Dr. Mabuse and His Doubles Dr. Mabuse the Speculator Dr. Mabuse and the Weimar Financial Imaginary Chapter 3: Women and Financial Capital in Weimar Cinema The New Woman as Speculator Women as a Medium of Exchange Chapter 4: Finance, Liquidity and the Crisis of Masculinity in Weimar Cinema The Threat of Dissolution Reactionary Modernism and Finance Capital Chapter 5: The Aggregate Image and the World Economy Macroeconomic Visions Epilogue Fungibility and Authenticity Appendix Bibliography

Owen Lyons is an Assistant Professor at the School of Image Arts at Toronto Metropolitan University and holds a PhD in Cultural Mediations from Carleton University. His research addresses Weimar Cinema as well as the visual culture of twenty-first century financial markets.

• Introduction Chapter 1: The Stock Exchange as a Space of Modernity and Labour of Representation The Stock Exchange as a Space of Modernity The Stock Exchange as a Labour of Representation Chapter 2: Dr. Mabuse and His Doubles Dr. Mabuse the Speculator Dr. Mabuse and the Weimar Financial Imaginary Chapter 3: Women and Financial Capital in Weimar Cinema The New Woman as Speculator Women as a Medium of Exchange Chapter 4: Finance, Liquidity and the Crisis of Masculinity in Weimar Cinema The Threat of Dissolution Reactionary Modernism and Finance Capital Chapter 5: The Aggregate Image and the World Economy Macroeconomic Visions Epilogue Fungibility and Authenticity Appendix Bibliography

Owen Lyons is an Assistant Professor at the School of Image Arts at Toronto Metropolitan University and holds a PhD in Cultural Mediations from Carleton University. His research addresses Weimar Cinema as well as the visual culture of twenty-first century financial markets.

• Introduction Chapter 1: The Stock Exchange as a Space of Modernity and Labour of Representation The Stock Exchange as a Space of Modernity The Stock Exchange as a Labour of Representation Chapter 2: Dr. Mabuse and His Doubles Dr. Mabuse the Speculator Dr. Mabuse and the Weimar Financial Imaginary Chapter 3: Women and Financial Capital in Weimar Cinema The New Woman as Speculator Women as a Medium of Exchange Chapter 4: Finance, Liquidity and the Crisis of Masculinity in Weimar Cinema The Threat of Dissolution Reactionary Modernism and Finance Capital Chapter 5: The Aggregate Image and the World Economy Macroeconomic Visions Epilogue Fungibility and Authenticity Appendix Bibliography